After watching the four films I felt more connected to the film 'drowning by numbers' as I had many starting points I could chose from but I settled on researching around the symbology of the number three. This lead me to focus on birth, life and death. One scene in particular I wanted to focus on was the table scene where it was gluttonous and lacked space which was influenced by the vanitas paintings. My first initial research lead me to look at objects relating to birth, life and death and layering them up on a table to create an installation and video piece. The connection to the film would simply be using the table as reference to space and layering and also bringing in the element of numbering objects.
As part of my research I looked at artists such as Abraham Van Beyeren and more contemporary artists such as Levin Rodriguez and Lucy Willow who both use vanitas as their inspiration. This influenced me to consider the set out (layers) and want my colour palette would be. Would I chose dull colours like 'drowning by numbers' or do the opposite and use bright? Lucy Willow used quite gothic imagery and colours in her installation piece and I found the use of fabric, jewellery, flowers and various other objects interesting to how she piled these together which all symbolised death.
From this I started producing quick drawings of a table scene and created a small version of a death installation which I edited on photoshop and found I wanted to use bright colours and go against the typical black represents death. To extend on the table installation idea this idea of layers lead to having them extending off the table, having objects creeping up and off the wall and floor like it was alive. For this I used spiders which I stuck to the wall and had them emerging off the table and along the floor. To develop this further I have thought about producing a personal installation piece of items relating to me from birth, my experiences in life so far and elements of death I have encounted. I could use photographs, toys, clothes, cards, letters from my parents on the feelings/emotions they felt when I was born. Similarily notes from me on my experiences of life, photos, tickets, holiday items I have experienced, and photos of relatives I have lost, pets, things I've lost but also the loss of not being a child anymore. I feel I produce better work when it is personal to me.
I feel my work relates to everyone as women will experience giving birth, everyone has experienced the highs and lows of life and the misery of losing a loved one. As part of my research I picked up on a criticism of using death in art as the living disconnect from the prospect of death but unfortunately it is inevitable. To overcome this I have thought about producing a sound piece of people talking about their experiences of birth, life or death and just by using sound the senses should pick up on emotion (sadness, happiness) by the tone of someone's voice. This should let the audience connect emotionally to the prospect of death if they haven't experienced a loss before. Along with this sound piece I plan to collect images from the people being interviewed of the person/or themselves they talk about and this will then allow the audience to put a name to a face again adding to the emotion.
So far from the pieces I have made have been quite success as I feel my strengths are in choosing appropriate materials to my ideas. One element I felt didn't work so well was the butterfly silhouette installation as I think the table could have been too close to the wall to properly see the butterfly shadows and some of the objects blocked there shadow but I felt this didn't really add anything more to the piece as I had butterflies on the installation anyway.
So far I feel I am using my time well between creating work, researching artists/texts and reading books and articles for my contextual studies. I have felt some of the theories I have looked at have helped influence the set up of this project like how space in a traditional paintings is in fact spiritual space and the light beam could be classed as this life to the next so this is something I have taken into account from this project.
I feel now I need to read a wider range of texts each relating to current projects and contextual projects as I have seen similarities between texts that I can relate to each practice. Also I will manipulate the installation piece more maybe hanging objects from the ceiling, put them in a different environment, change them for more modern symbols?
So far I have worked outside of my sketchbook which is a change from last year and I have only collections of mind maps, a few artists work and imagery to help keep me inspired. Other imagery is on a wall to keep me working outside my sketchbook and creating things physically. My documentation of work that I can't physically keep such as installations/sculptures I have uploaded the photos onto my blog with a brief description and research such a videos, articles, quotes and have kept a written journal with evaluations, ideas and tutorials with my tutors. I feel this is a better way of working for me as last year I felt my sketchbook was time consuming.