The Striking Monochrome Portraiture of Aleksandr Malin

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The Striking Monochrome Portraiture of Aleksandr Malin
We simply don’t talk enough about how perfect the sequence that cuts over Pippin singing “Edge of Night” in The Return of the King is. It is such a wonderful display of Visual Storytelling and the editing team orchestrated a visceral and haunting experience for us as the audience. It leaves me in chills every single time, and there are so many damn layers to this scene that each time I find myself moved by something new.
. . . she caught them gazing at her like she was an illusion or a mermaid, and she felt pretty . . .
Brandon Taylor, from The Late Americans
Dilapidated and disregarded. The dead don't care. The dead can't care.
Spider-Man: Spirits of the Earth GN cover by Charles Vess (1990).
The wooden man ambles through the forest, his twine-heart light as a breeze flits through his hollow orange skull. Brown leaves crunch under his threadbare soles, and his tweed-clothed limbs swing on hinges as he sways onto old and fading roads. Though his expression is one of unchanging glee, solace is what the wooden man feels, surrounded by his stationary kin. Out in the dappled sunlight and falling leaves, he feels at home. This is life, he thinks…
Images compiled by @maxieroni
why do 90% of men fail the met gala like PLEASE YOU'RE SO BORING