Reader x Roy Mustang
Scenario: Approaching you while you pound back drinks at the bar.
He's well dressed and handsome in a classic way. You watch him scan the room whel he enters, thumb idly stroking the side of the chilled glass in your hand. Following his gaze, you realise he's cataloguing the exits before his eyes sweep across the patrons. You notice when he sees you, tracks the way he sees the line of shot glasses by your hand.
You're not sure what catches his attention but suddenly he's approaching your table with even steps. He doesn't sit; doesn't invade your territory.
"That's a bold formation," he comments with a nod to your whiskey shots. Three down and three to go. His voice is low, warm, and you feel it matches his face—especially when you catch the faint edge of a smirk. "Is this a private battle or are reinforcements allowed?"
You arch a brow at the audacity but he just takes his gloves off, slowly, folding them neatly before tucking them into his coat pocket. His eyes are dark as they seem to study you. Something about the way he carries himself tells you he's not just trying to skimp a free drink.
"You're not a local. Central drinks don't go down that fast unless someone's celebrating—or trying to forget."
Impressed, you slide a shot across the table to him, silently inviting him to sit with you. "What makes you think I'm not local?"
You catch the way his brow lifts, intrigued. He sits across from you, angled in a way that makes you feel like the two of you are in your own private bubble rather than a table against the Western wall in a dimly lit bar.
"Well," he begins, swirling the glass. "For one, you're watching the room. Not in a bored way—strategic. Locals don't bother. You're still cataloguing the place."
That felt like a lucky guess to you, and you tell him as much while he downs the shot. He sets the glass back down on the table, upside down, holding two fingers up.
"Second—your boots. Worn in the toe, not the heel. Means you've been walking on unfamiliar ground. Shifting your weight forward. Looking ahead, not settling down."
Your gaze falls to your drink as though you could see your boots through the table. That... was correct, and unbelievable that he had clocked that. You realise he's smiling at you.
It's disarming.
"And third, locals don't make me work for conversation." He cocks his head to the side, his voice inviting as he asks, "So, stranger, what is it you do when you're not being psychologically profiled over whiskey?"
You introduce yourself with a bashful smile, telling him, "I'm between things. Jobs. Cities. Versions of myself." You're not sure you want to get too vulnerable, so you lift your next shot and gesture to him. "Whatever I am, it's nowhere near as interesting as your deductive skills. You a detective or something?"
He leans back, as though reassessing you. Your cheeks warm, realising you must have been too transparent in throwing the mic back to him.
"Roy Mustang. I'm in the military. Intelligence division, among other things. You may have heard of the Flame Alchemist?"
You hadn't.
"Either way, it's my job to know things I probably shouldn't." The smile he wears is sharp for a moment, but his expression softens into something kind. "Between versions of yourself isn't the worst place to be. Means you're still moving."
You barely resist ducking your head, shy. Roy's interesting, and unbelievably charming. You manage to deflect with an impressed, "Military, huh? You must read people like mission reports, then."
Roy lets out a breath through his nose, just shy of a laugh. "Something like that," he says, playing along. "You learn to assess people quickly. Prioritise their emotional volatility. Gauge whether they fold under pressure or light the match."
He very deliberately allows his gaze to flick to the remaining shot at the table before meeting your wide eyes again. It's as though he's reminding you that he hasn't forgotten about your own matchstick mood.
"But reports don't blush."
Immediately, you feel your cheeks light up like it's Christmas.
He's so charming.
"You deflect with compliments. That usually means two things. One: you're not used to people being kind without wanting something. Two: You're deciding whether I'm worth the risk of letting the conversation stay about you."
Your hair stands on end. The last shot burns as it goes down but the way you set the empty glass down on the table feels decisive. He wasn't here to chase shadows and you weren't ready to say goodbye, so you had to play ball, even if that meant you had to be whiskey bold to game.
"Alright, then. What if I let it stay about me?"
Roy doesn't look away. He leans forward and says quietly, and without irony, "Then I stop running my mouth, and I listen."
His words take you by surprise. You'd been anticipating further psychoanalysis, for him to show off his intellect. This didn't feel like a game of wits anymore. You want to open up to him, but you don't know how.
The silence stretches, but he doesn't make a move to break it.
Words failed to fully express how disconnected you'd felt lately, but you finally admit "I'm... trying to figure out if I'm a good person or good at pretending." while staring at the bar over his shoulder.
He waits a moment before speaking. You see him nod, once, in your peripheral.
"That question keeps better men than I awake at night."
His voice is kind, a tinge wry, and you realise you don't need to see it to trust it.
"Let me guess. You do what you have to. You smile when you don't mean it. You say the right thing even when it's not the honest thing. And somewhere along the line, it starts to feel like one big performance and you wonder if you ever really cared in the first place."
You lick your lips as you weigh his words. He inhales slowly, exhaling through his nose.
"I've built my entire life on that calculus." His voice is low, earnest. You meet his eyes in time to see them flick away. "But... here's what I know. Pretending to be good doesn't mean you're a fraud. It means you know what good looks like and you're still aiming for it. People who fake being decent—really fake it—they don't stop to ask themselves questions like that."
You'd never considered it from that angle. It didn't fix the disconnect you've been feeling toward your life, but his words reassure you that it didn't make you a bad person.
He finally looks at you again, steady and gentle.
"And if you want my personal opinion—I've met enough monsters to know you're not one. So if you're pretending, you're doing a damn fine job."
It's not particularly flattering, and yet you flush. You're no match for his charisma.
"You're good at this," You comment, flipping the shot glass with a finger out of a need to move your hands. You're feeling vulnerable. "At knowing what people need to hear. What do you do when it all feels like a performance and you're wondering if you ever cared in the first place?"
You watch as his eyes grow distant, the way he leans back, gaze resting on the glass between your fingers. His posture is still open, so you assume he's choosing his words with precision.
"I compartmentalize. Tell myself the act is necessary. I draw lines and sometimes they hold. Sometimes I look up and realise I've been standing behind the wrong one for years."
This feels like an intimate glimpse into Roy's inner world. You couldn't begin to fathom his experiences with the military, but you felt like you were beginning to see him a little clearer. He's tired, deeply so, but his eyes find yours again and they're warm.
"And then I find something small that reminds me I'm still there, somewhere. Music. A warm drink. Someone who sees through the script. Something real, no matter how fleeting." His voice lowers. Intimate, not performative. "And when that doesn't work, I picture the faces of everyone who's helped me get where I am today, and everyone who's relying on me to make a difference."
Your fingers tap together restlessly, while the faces of your family and loved ones come to mind, the people who believe you're deserving of love, the responsibilities you're running from.
Unable to stop yourself, you ask another question, more personal than the last, but it's the only way you can relate your heart to his.
"How do you stay human in a system that makes you amputate parts of yourself?" You whisper.
Roy doesn't flinch, nor does he tense, but his stillness feels deliberate. The silence prolongs. He works his jaw. You regret opening your mouth.
Finally,
"You don't."
You flinch.
"You amputate to survive. Sometimes for duty. Sometimes for safety. Sometimes because the silence is easier than explaining what they'll never understand."
He reaches out but doesn't breach your territory. His hand sits in no-mans-land, palm up on the table and you're helpless against the compulsion. His fingers are warm and rough against yours, firm as he squeezes.
"But you can't let them take everything."
Your heart flutters. You can't tell if it's the whiskey or something else.
"You hold onto some part of yourself— even if it's tiny, even if it only gets to breathe for five minutes a day, when no one's watching."
There's a heaviness to your chest now, that doesn't immediately dispel when you exhale deeply through your nose. The alcohol is blurring the edges of your thoughts and you're losing your ability to navigate the conversation. Everything feels a little close, and your shoulders are starting to feel heavy.
"I think this might be my five minutes for today," You say with warmth, but your fingers are restless where they tap against the column of your throat.
Roy's gaze lingers on you a beat longer than feels comfortable. You can tell he's reading you, and to your relief, that no longer feels threatening. You allow him to see how tired you're growing. He leans back, allowing you room to breathe.
"That's more than enough,"
You watch as he reaches into his coat pocket and withdraws his wallet, from which he collects a small card. Stock white with bold black lettering. Something giddy bubbles in your stomach as he writes a string of numbers on the back.
"If you ever want another five minutes," he says, sliding it forward, "or just need to talk to someone who won't ask you to be anything but exactly what you are—call."
He smiles at you, a crooked little thing. You glance down at the card before an answering smile curls your lips. This feels like easier territory. You know how to navigate these waters.
"Is that your way of subtly asking for a second date?"
Roy's reaction is instantaneous. Mischief glimmers in his dark eyes and his head tilts to the side.
"I don't ask for second dates— I offer them."
You let out a breathless laugh as his nimble fingers button his coat all the way, smoothing out his collar.
"That so?" You ask, taking the card between your fingers as he stands.
"Take your time," he assures you with one last warm smile. "The world doesn't always give you a second chance, but I do."
Then, with an easy, two-fingered salute, Roy Mustang turns and walks into the night, his coat catching the dim light like a closing curtain.
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