Hi! So this is not a suggestion of wlw media (unfortunately) but a related question. I went on a rather extensive search for more wlw media about a year ago, specifically because I wanted good wlw books in my life, and very quickly got very frustrated by how many books were getting recommended (in lists, posts, videos) by people who hadn't even read them, just recommended bc they'd heard they were wlw, and I learned the long and hard way that just because a story is queer does not mean it's good. Part of this may be my particular taste, but I generally feel like in queer spaces, queer books get a lot of slack simply for "having representation", regardless of whether they actually have an interesting story, good characters or good worldbuilding (or good writing, but that's quite subjective anyway, as are, to an extent, the other aspects as well). So I spent a long time plowing through thoroughly mediocre reading experiences and getting progressively more frustrated.
All this to say, I'm wondering what your stance is on this, and whether you have specific recommendations of wlw books (aside from GtN obviously) that you personally enjoyed more than others?
(i hope this isn't too convoluted a question, your post asking for recs just sort of triggered this whole thought process and I apparently have a lot of residual frustration about this hahah it's like... yeah I want to buy every book that people tell me is "sci-fi and wlw" or "fantasy and wlw" but like... that doesn't automatically result in good media y'know?)
((second side note, I could probably recommend a LOT of wlw books that didn't work for me personally but might work for other people, but I would always want to add qualifiers to this, to explain why I didn't enjoy a given book or who I think might be a better target audience - I find it really difficult to give a recommendation that solely consists of a title and an author, if that makes sense??))
Oh, I totally get what you mean. Queer is not a genre, but there are few enough books with good representation (especially wlw) that they all seem to get lumped together sometimes without any consideration for what they're actually about.
That being said, I really like seeing myself represented in media, and I really like reading, so I've been wading through every recommendation list I can find. There are plenty on those lists I don't end up actually reading, after looking over summaries and reviews and deciding that it does really sound like what I'd enjoy. What would honestly be ideal for me would be if we could just put, like, a sticker or something on books that say "bi woman main character" or whatever, so that I could just start with my preferred genre and keep an eye out for queer books in that genre, rather than starting with "queer" and then having to filter for something with subject matter I actually like.
And I'm happy to provide some more detailed recommendations of my favorite wlw books! But I want to offer a few caveats about my personal tastes, because they are far from universal. I don't generally like books where the crux of the plot is homophobia or one of its byproducts, like a coming out narrative. I want the story to be about something else. It's a big reason I steer away from modern settings - that kind of narrative seems more common there. However, I also don't enjoy queer books that are completely free of societal pressures like homophobia either. For better or worse, prejudice has played a big part in how I've come into my own identity and how I navigate it in the real world. When that's completely absent from queer fiction, it means that I'm not going to see that aspect of my identity reflected in the characters, and that makes it less satisfying for me. I'm also partial to extremely flawed women doing the best they can and hurting a lot of people and themselves in the process. Finally, I love logistics and political maneuvering. I like stories with a lot of detailed systems and plots that depend on maneuvering through those systems elegantly.
All that being said, my favorite book series, possibly even a little ahead of TLT right now, is The Masquerade, the first book of which is The Traitor Baru Cormorant. It is heavy on politics intrigue with a focus on cultural and economic manipulations, and it follows an incredibly bright and ruthless young lesbian as she navigates the hierarchies of the nation that colonized her homeland and attempts to bring it down. It as an incredibly dark series, with a lot of tragedy, imperialism, prejudice, and extremely dark grey characters (seriously - the most sympathetic characters include several mass murderers, an anti-rebellion counter agent, a military torturer, and a professional lobotomist), but with some absolutely beautiful world building and cultures and enormous ideas about all sorts of systemic issues. It's incredibly well-written, the characters are extremely compelling, and it is astonishingly funny in some places in ways that I really enjoyed. And it's not finished yet, but the most recent book does end on a real high note.
The next one I'd recommend is The Seven Husbands of Evelyn Hugo, which is a standalone novel. It follows the life and career of a fictitious Hollywood actress in the form of a series of interviews she gives to her biographer. Again, we have a morally grey woman who hurt a lot of people in her pursuit of fame and regrets very little of it. But she's absolutely compelling, and the ways she navigates around the prejudices and power structures of her industry - sexism and homophobia and racism, abuses and betrayals, all in pursuit of glory and, eventually, happiness - is absolutely thrilling to read.
The final book I'll recommend is Ship of Smoke and Steel. This book and its sequels are true fantasy, magic system and all, but it's an unconventional take. This first book's protagonist starts as one of the morally darkest characters I've ever come to consider unambiguously good. The series as a whole follows to sisters born into incredible poverty, with the older using a life of crime to finance a more stable life for the younger. Their journeys parallel each other - one learns how to be cruel and callous in pursuit of a higher purpose, the other learns she doesn't always have to be. The magic system enables an excellent examination of the limits of individual vs systemic power, and the series as a whole is very interested in examining class as an axis of oppression, over and beyond anything else. I have glibly described the first book as, "The Maze Runner if the Maze Runner was queer and made any fucking sense."
I hope that helps, and thanks for the ask!
