DEAD RISING DHS SICOPATICI GALEOTTI RETURNS 🔫CLETUS L' ARMAIOLO PAZZO #deadrisingdeluxeremaster
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DEAD RISING DHS SICOPATICI GALEOTTI RETURNS 🔫CLETUS L' ARMAIOLO PAZZO #deadrisingdeluxeremaster
DEAD RISING DELUXE REMASTERED I GALEOTTI 🐝 APE 🧟 E QUELLI DEL GOVERNO
Flying duck 🦆 over bullrushes and the night moon 🌒 on a travertine base. Amazing lamp by Lanciotto Galeotti with original lampshade 😱 #Galeotti #lanciottogaleotti #brasslamp #tablelamp #hollywoodregency #groundonesix #maldenroad #midcenturymodern #hamsteadheath #belsizepark #belsizeparkmums #primrosehill #camdentown #kentishtown #luxuryinteriors #luxuryinteriordesign #antiques #londonantiques #antiquedealersofinstagram (at GROUND ONE SIX) https://www.instagram.com/p/CCHMqOSHbYQ/?igshid=vdjnksqa5m02
It’s tempting to see a nefarious and belligerent Russia behind every threat. But has the West created a convenient bogey man?
[When] Gerasimov talked of a “blurring of the lines between the states of war and peace” in which “the role of non-military means of achieving political and strategic goals has grown, and, in many cases, exceeded the power of force of weapons in their effectiveness,” he was explicitly addressing what he felt was a new Western way of war. To the Russians, the risings of the Arab Spring and the post-Soviet Eurasia’s Color Revolutions were not simply popular responses to corrupt and authoritarian regimes, but the result of cunning Western—American—campaigns of covert destabilization. [...} Yet from a wider policy perspective, this myth also has several serious dangers. First, it mistakenly makes Russian policy somehow new and distinctive, whereas actually it simply reflects how inter-state conflict is changing in a modern age characterized by deep interconnections of our economic, information, and cultural spaces—and by the increasingly prohibitive cost of military conflict.
[...]Third, it misrepresents Russia’s approach in such a way as to distort Western policy. Central to the “Gerasimov Doctrine” notion is that there is a single Russian strategy, and—as in Crimea and the Donbass—all the political and social disruption is simply a prelude to war. In fact, the Kremlin is fundamentally risk-averse, with no signs of further territorial ambition, and a keen awareness of its relative weaknesses compared with the West.
More to the point, Moscow’s approach is opportunistic, fragmented, and often contradictory. There is a broad vision from the Kremlin, but most of its interference in the West is driven by the interests and imaginations of individual actors and agents. If we truly want to resist Putin’s “political war,” we need to address the weaknesses they exploit in Europe, not look for some sinister grand plan in Moscow.
Ambizioni dietro le sbarre
Ci penso da mesi, forse pure da un paio d'anni, e alla fine mi sono decisa: voglio fare tatuaggi. Inteso proprio come tatuare la gente, farlo di professione. Mi sono documentata un bel po' e ho deciso di partire con un kit da principiante, giusto per prendere confidenza con arance, cotenne & Co. C'è chi dice che le macchinette del kit vanno bene solo su frutta, ortaggi e pelle sintetica. Ma c'è anche gente di "bocca buona". Il meglio è il tizio che ha recensito il kit su Amazon, dicendo che noi fighetti dovremmo leccarci le dita, che lui quando stava in galera i tatuaggi li faceva con aghi ficcati nella cannuccia di una Bic e nessuno è mai morto. Io però magari parto dalle cotenne, eh. Senza offesa, ci'.
Love moon duck 💛🌙 🦆✨#galeotti #Lgaleotti Check the site⤴️or ask for ℹ️🤗 . . . . #interiors #interior #interiordesign #interiordesigner #midcentury #midcenturymodern #midcenturyfurniture #furniture #hollywoodregency #decoration #deco #scandinavianhome #1stdibs #danishdesign #groundonesix #maisoncharles #maisonjansen #brasslamp #ducklamp #travertine #goldlamp (at London, United Kingdom)