#generative music

[trashpandaqc]

new release I mastered for Shimmering Ice Puzzle, my collaborator in enn{kdog. minimalist metallic looping brain friers, recommended if you like Shirttrax & Autechre's NTS sessions!

[dustedmagazine]

Eluvium — Virga III (Temporary Residence)

Eluvium’s Matthew Cooper recorded the first two Virga installments in times of upheaval and isolation, the first when a freak snowstorm forced the artist and his wife to hole up in their garage instead of their home, the second during the onset of COVID. This third album in the series is less directly tied to outside stresses, though it does, obviously, emerge during a period when lots of people want to pull the covers up over their heads. In any case, these ambient concoctions of long-form loops are unusually — and perhaps necessarily — calming. If you’re looking for a reason to take a deep breath and chill, Virga III is as good as you’ll find.

It opens with the glacially paced “A.M.” a series of long, blowsy tones that overlap and interleave themselves, emerging as slowly as the first rays of light on the horizon, but gaining grandeur and density as the piece develops. There are a few, very few, spoken words interspersed, but mostly this track is about tones, some bright and trumpet like, others shifting and reedy. There’s not so much a melody as a sense of tidal movement.

“Hallucination II” is even more event-less, an airy hiss topped by slowly evolving synth washes. It’s the kind of thing that, if you consider it long enough, you may start to sense patterns, complexities, emotional resonances, though whether they are there in the music itself or in you is an open question. Think of it as the musical equivalent of a Mark Rothko painting, at first glance an undifferentiated block of color, but on further inspection, full of subtle variations.

The title track is the disc’s most emphatic, the one that comes closest to a structured melody, with its church organ blasts of meditative sound. It’s rising motif is sheathed in breathy distortions. You hear the melody as if it’s shrouded in wind and mist, and it is all the more beautiful for the indefinite haze that clings to it.  

This is not music for half-listening. You have to immerse yourself to make any sense of it. And yet, if you do, it will transport you to other, calmer places, imaginary environments that keep all that threatens at bay.

Jennifer Kelly

[yellowmanula]

Zapraszam po kolejną odsłonę relacji z ICLC 🤖

[ravefmradio]

Drodzy obserwujący po miesiącu przerwy wracamy do tematu 🙂

[axersfall]

A M4L sound design audio effect that simulate Aphex Twin's bouncing ball rhythm? and can do more beyond that???!!!

Link :

Bouncing Ball - axers fall's Ko-fi Shop

uhh.....because this is multichannel process based audio effect, so please treat Bounce parameter carfully (CPU may spike there...and maybe

[verum-artifex]

Nectar Sweet 🐝🍯🐝🍯🐝🍯

[kuliak]

Visit Original Link

Complex single-voice sequencing, inspired by Strega's architecture.

Oscillator with complex shaping->delay->filter, it's a simple core principle but with the right choices and modulation it allows for some truly varied sounds to be squeezed out. Banshee reach is receiving FM and Shape modulation, going through Erbe-Verb, QPAS, and Melotus Versio. Percussion comes from Taiko and Daiko through Data Bender. Sequencing is done by Marbles, with range and bias played heavily to create variations.