~ Libation Dish Depicting Ka-Arms Presenting an Ankh-Sign.
Period: Early Dynastic Period, 1st Dynasty
Date: ca. 3100–2900 B.C.
Place of origin: Egypt
Medium: Greywacke
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~ Libation Dish Depicting Ka-Arms Presenting an Ankh-Sign.
Period: Early Dynastic Period, 1st Dynasty
Date: ca. 3100–2900 B.C.
Place of origin: Egypt
Medium: Greywacke
Yippee! Finally finished my half of an art trade with the wonderful @nephtheless, featuring her characters Nepsie and Grey enjoying an evening of stargazing, uh, somewhere on Timber Hearth ::) Thanks so much for trading with me! Please go and check out Nepsie's half here!
Grey & Nepsie belong to @nephtheless
The verso of the Narmer Palette. Narmer, considered by many Egyptologists to be the first ruler of a unified Egypt, stands over a defeated foe and is about to bring his mace down on the foe's head. Narmer is shown here wearing the white crown (hedyet) of Lower Egypt, while on the recto he is depicted with the red crown (desheret) of Upper Egypt, perhaps symbolizing his unification of the two realms. Artist unknown; sculpted ca. 3200-3000 BCE. Found at Hierakonpolis (Nekhen), pre-unification capital of Upper Egypt; now in the Egyptian Museum, Cairo. Photo credit: Heagy1/Wikimedia Commons.
Egyptian bust of Isis-Hathor (greywacke, Late Period 664-525 BC)
The posterior pillar is engraved with a vertical hieroglyphic inscription: Speech of the great Isis, the mother of God, who gives life to the head of the domains and great on diadems/crowns […]
from here
An Egyptian greywacke cosmetic palette,
Predynastic Period, Naqada II, circa 3500-3200 B.C.
In the form of a tilipia fish, with open mouth and circular eyes, the fins with serrated edges, perforated at the top for suspension,
19cm long
Courtesy: Bonhams
Naophorous Block Statue of a Governor of Sais, Psamtikseneb 664–610 B.C. Late Period, Saite.
https://www.metmuseum.org
Seated Statue of King Senwosret I (ca. 1961–1917 B.C.) | Middle Kingdom The sensitive modeling of this statue's 𓂙𓏏𓏭𓀾 “ḫnty” body 𓄡𓏏𓏤 “ẖ.t” makes it one of the finest royal images 𓏏𓅱𓏏𓀾𓏪 “twt.w” of the early Twelfth 𓎆𓏻 Dynasty. The head 𓁷𓏤 “ḥr” had either broken off or was removed from the body in antiquity. A horizontal, albeit roughened plane, was carefully prepared at neck 𓄊𓏏𓏤𓄼 “wsr.t” height and a hole was drilled in its center so that a new head could be placed onto the body. Was this undertaken to replace a broken head, or to change the identity of the person represented? The shallow inscriptions and incised representations on the sides of the throne 𓊨𓏏𓉐 “s.t” were certainly changed and what we now see is a second 𓊕 “nw” version: no royal 𓇓 “sw” name 𓂋𓈖 “rn” is preserved among 𓅓𓅓𓂟 “mm” the traces of the earlier version, but the second version shows displays the royal names with titles of the king. On the sides you can see two kneeling gods facing each other, which are representative of the lands of upper 𓇗 “šmˁ” and lower 𓇇 “mḥw” Egypt - Beloved Land 𓇾𓌸𓂋𓆵𓇋𓊖𓊖 “t3-mrı͗”, indicated by the plant emblems on their heads. On the back of the base a large carving of the unification of Egypt symbol 𓋍 “sm3”. 𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬𓋹𓎬 📸 @egyptologylessons 𓋹𓊽𓋴𓆖𓎛𓇳𓎛 © (@metmuseum and description) 𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁𓊁 #Ancientegypt #ägypten #egyptianhistory #egyptology #hieroglyphs #egypte #egitto #埃及 #مصر #egipto #이집트 #senusreti #egyptianstatue #greywacke #pharaoh #metropolitanmuseumofart https://www.instagram.com/p/CdtH_7uOWLR/?igshid=NGJjMDIxMWI=