I don't think I've ever written smut until now and I far underestimated how much I would have to consider the logistics of positioning!
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I don't think I've ever written smut until now and I far underestimated how much I would have to consider the logistics of positioning!
sorry is this a crazy thing to send in Immediately. i may have notifs on your blog and maybe have missed your writing like, a lot.
tenna hcs specifically on the size difference of it all perhaps? 🫶 i think a lot about how hes like...legit maybe 15 ft. the cute parts of it and also thirsts maybe...especially if he realized the reader was into that?
(null included if your heart so desires, hes not my cup of tea but hey. your writing does some things to a man)
while I do believe that they can willingly adjust their size whenever they like, it's obvious that these TV men spend a majority of the time at their "natural" height, as we'll put it. so let's address that!
and I absolutely will include Null, thank you >:)c
just like with previous HCs, I'll split the SFW and 18+ sections!
If You Continue, You Consent To 18+ Content. You Have Been Warned.
SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
(look at the description under this, they called him 'Azi' hehehehe :D <3)
Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
Honorifics
A/N: Yeah... I don't know about this. I'll probably take it down since I'm unsure if it's got enough of a consistent vibe. Let me know if it's actually something you enjoy since I don't write angst or hurt/comfort often. I ALWAYS WRITE HAPPY ENDINGS THO. That's a damn promise. Summary: You've given Ghost a title he hates, and takes it out on you. The situation goes too far, and you're both left trying to figure it out. Reader is nicknamed "Brass" since she's a long-distance shooter/sniper. T/W: angst, cursing, Ghost being an emotionally unstable human, yelling, the reader having a breakdown, smidge of not eating, smidge of not drinking anything, comfort, feelings, female reader, not proofread.
When you joined the task force, things didn’t exactly go as smoothly as you had hoped it would. Training sessions usually ended up with you either getting your ass beat or nearly surviving a full-on embarrassment by the skin of your teeth just to be told that you still weren’t in good enough shape to keep up with them in the field. Surely being a woman didn’t excuse you from being in shape for the kind of work Laswell and Price had brought you in for, but damn if it wasn’t difficult to try and have a one-on-one fight with someone like Soap or Ghost without the benefit you would typically have in a real-world battle situation. The reality that all of the men in the squad were literally the best of the best aside, there could be just barely enough room for you to compete on the same level when it came to sheer physical strength. While that wasn’t your specialty anyway, the Captain made it clear you needed to prove you could handle your own against serious physical fights without assistance. After nearly five weeks of having one of your squad mates slam you on your ass one too many times in the training hall, you finally were able to prove to Price that you could go out in the field and he didn’t have to extend any extra worries for your ability to survive.
Kastle + weak, sweaty kisses because it's unbearably hot
PG13-ish and also on ao3.
Figures he’d finally get his life together in the middle of a heat wave.
Frank isn’t one to complain about petty things, for so many reasons, but nor is he ignoring that certain current circumstances are… unfortunate. He just wants to make out with his girlfriend, which really shouldn't be a challenge, except it’s the middle of August and record highs outside and her air conditioner is broken and-
Honestly, if ever he has earned the right to be difficult about something that is in no way his fault, this would be the time.
Ever stopped to think about how terrifying Super Earth and The Helldivers must be from the enemies perspective?
Even though the game is satire, Super Earth and, most specifically, The Helldivers, are genuinely kind of terrifying when you see them from the enemy's POV. Not only do you have this massive galactic empire who took out a hyper-advanced race a century ago in the First Galactic War using considerably less advanced technology, but the same hyper-advanced race is finally back trying to square up against us again and getting their ass beat, all while our technology hasn't changed much since the first war. All of this because we are simply just too goddamn patriotic to our home planet to lose it. Our strongest weapon is literally our determination and devotion to Super Earth.
Think about it. You are an Automaton facing down a Helldiver. You ambush them from behind and blast a laser into their back. Without missing a beat, they jump forward, turn 180 degrees and pop you in the chest with their Senator. As you fall to the ground with your vision getting static-y and your systems shutting down, you see them stand up, stick a needle into their neck and shout "MY LIFE FOR SUPER EARTH!" as they sprint off unfazed to a random direction.
The Helldivers, despite how much Arrowhead seems to have wanted to make us look like glorified red shirts, are genuinely an elite force compared to standard SEAF troops.
Let's summarize this:
* We can handle multiple different types of weapons extremely proficiently, including being accurate while running AND diving to the ground, two things that are extremely difficult to do in real life.
* We can sprint for fourty minutes almost non-stop for multiple miles and back to complete our missions, not to mention do a variety of different moves that show off our agility such as the aforementioned diving but also sliding on the floor and climbing large surfaces.
* We can be set on fire, blown up, shot, fall from great heights and suffer multiple different types of terrifying injuries but not only manage to keep our cool but also recover from said injuries using simply some sort of highly-advanced "medicinal" drug that lets us keep fighting like nothing happened.
* A team of four is all that's required to be sent behind enemy lines to perform highly dangerous suicide missions that involve destroying enemy logistics, recovering intel and other types of sabotage in the style of WW2 Paratroopers. Keep in mind these missions are usually not done stealthfully at all and we're often fighting off entire BATTALLIONS of enemies that could easily crush any other 4-man squad. But not the Helldivers. The mental fortitude required to not cave in this sort of situation has to be extremely strong (and patriotic).
* Despite suffering major losses on multiple planets, we are still by all means winning the war and causing major damage to 3 different enemy factions. In one year, we have already killed BILLIONS of enemies on three fronts which is vastly more than our own number of KIA divers (though for full transparency, it is likely many more humans have died whether them being civilians our unseen SEAF personnel, but their numbers are unknown).
* Overzealously brain-dead fanatics, who not only lack fear of death but actively embrace it. (From a militaristic perspective, this is incredibly strong to the point of being absurd. Think of unbreakable units in Total War. All for Super Earth!)
* Exceptionally efficient killing machines. (Their flawless handling of both weapons and equipment suggests they've been trained from a very young age.)
* Access to top-tier technology designed to be both highly reliable and cost-effective. (You can literally drop a bomb on their gear, and it will still function perfectly. They just leave it behind and request a replacement like it's nothing.)
* Complete dehumanization of the enemy due to relentless propaganda. (With constant broadcasts and a star destroyer-sized screen blasting their ideals, even during downtime, they're never free from it.)
* An auto-regulating regime that enforces and encourages constant surveillance among individuals, making the populace their own "prisoners and wardens." (Ties back to the previous point.)
* Absolute obedience and fanaticism from both military and civilian sectors, ensuring a continuous flow of soldiers-whether motivated by "faith" or fear. (Again, see previous points.)
* A completely unstoppable war machine that will keep throwing bodies at you. No matter how many you kill, they'll keep diving. Again... and again... and again... and again...
In short…
BUGS, BOTS, SQUIDS, WE MUST KILL THEM ALL!
LEAVE NO ONE ALIVE!
BURN THEM TO THE GROUND AND SALT THE EARTH!
MY LIFE FOR SUPER EARTH!
Don't let the dissidents fool you into believing The Helldivers are just expendable fools who don't last long in the battlefield. If that were true, we would not be causing as much damage as we are now. Even with our heavy losses, each death is the torch of freedom passed from one soul to the next, be their survival time a mere 10 seconds or an outstanding 40 minutes. Democracy is smiling to us from the skies above and we are doing it proud!
The Forgotten Neighborhood
Kim Namjoon x Reader (Female)
@resplendeo
Admittedly, deciding spontaneously that he wanted to be six and a half feet tall meant that he didn’t necessarily put a lot of thought into the logistics of it.
Previously, Whitney Jammer had been straddling the line of only-fully-six-foot if he’s standing fully straight and upright, otherwise he’d always been just a little bit under. It’s made his chosen career and passion for basketball a little more difficult than it might otherwise be if he were taller. He’s still good. He’s still really good, but it’s the only thing keeping him from going over the edge of greatness.
So, when he’s imbued with the powers of creation magick itself, he does the first thing that comes to mind.
He makes himself taller.
It’s more normal feeling that he’d expect it to be, no great new awareness of the world around him from this new height of his, except for the fact that his friends are either actually shorter than him now - Evan - or even shorter than him than they already were - K and Sam - which is equal parts thrilling and strange.
Of course, not having a newfound awareness of the world also means that he forgets that he’s too tall for things that never would have gotten him into trouble before.
Doorframes are no longer automatic passes. He hits his head on more than a few as he’s adjusting to the change, until he finally gets to the point where he starts walking into rooms with his hand up on his forehead to automatically block any impact.
It’s a little embarrassing.
More than a little, really.
The clothes he’d been wearing when he’d completed his upgrade had grown as well, fitting his new form, but none of his other clothes fit anymore. He didn’t wear a lot of pants if he could help it, but his sweatpants are all a few inches above his ankles. All the new height isn’t stored in his legs, but based on how much shorter his shorts are, it definitely feels that way.
The shirts he had packed in his duffle bag and the ones back home all expose his midriff a little and somehow they’re a bit tighter on his shoulders, as if they’re a full several sizes too small now.
He has to buy a full new wardrobe, which gets him some looks of confusion from other shoppers when he goes to check-out, wearing ill-fitted clothes. It was this or the jumpsuit.
“Unexpected growth spurt, hon?” the kindly lady at the register asks with a look of understanding.
“Something like that,” Jammer says, a little red in the face. At least he’s found a way to keep his wings hidden from sight most of the time, so she’s not staring at them.
He has to relearn so much that he’s almost just teaching himself how to play basketball again. With newer legs and a different sized torso means slightly longer arms, the rest of his body developing as well to keep him proportional, and that means that even things as simple as picking something up and throwing it suddenly requires conscious effort.
It’s exhausting.
He wouldn’t trade it for the world, though. Not with the way Evan’s eyes darken when he stands over the man, tall enough to tower over him for once.
“Can you reach that for me?” Evan asks, the question light. He doesn’t gesture, but Jammer knows he’s referring to the box of dried noodles that are just out of reach in the very top cabinet. He’s braced against the counter, looking up at Jammer with dark, intense eyes.
“Sure thing,” Jammer says. He doesn’t break eye contact as he reaches up for it.
He hands them over. “Anything else,” he asks, licking his lips before he adds on, “big guy,” to the end of it.
Evan makes a soft, hungry noise for something more than the noodles.
Jammer obliges, dropping the box down to the counter to hold Evan’s face in his hand and tilt it up until it’s the perfect angle for a kiss.
Since he’s kissed Evan, he’s going to have to kiss K and Sam, too, or they’ll both get jealous, but that’s not exactly a hardship.
For now, he gets to enjoy how much Evan likes to be the smaller one and how much he likes being like this.