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helen hester: "biology is not destiny, it can be technologically transformed" interview with toni navarro
Xenofeminism, Helen Hester
Xenofeminism, Helen Hester
Xenofam ≥ biofam Xenofeminism, Helen Hester
Nick Srnicek, Helen Hester – İşten Sonra (2025)
Nick Srnicek lle Helen Hester’in ‘İşten Sonra: Evin Tarihi ve Özgür Zaman Mücadelesi’ (‘After Work: The Fight for Free Time’) adlı bu eseri, günümüz kapitalist toplumlarında işin merkezi rolünü ve bunun bireylerin yaşamları üzerindeki olumsuz etkilerini eleştirel bir bakış açısıyla inceliyor. Kitap, teknolojinin hızla geliştiği bir çağda, neden hâlâ bu kadar çok çalışmak zorunda olduğumuz…
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helen hester
her concept of repurposing relates strongly to psychic nomadism, as well as the philosophical “dancing” that udoy hasan talks about. this is very much just... a classic deleuzian method.
In a discussion that encompasses horror, exploitation cinema, and extreme or violent porn, she touches upon the manner in which apparently diverse discourses of authenticity and bodily event can be related back to the pornographic frenzy of the visible. When read in the generic context of adult entertainment as opposed to that of horror, she argues, "a flinch, a convulsion, a welt, even the flow of blood itself, would seem to offer incontrovertible proof that a woman’s body, so resistant to the involuntary show of pleasure, has been touched, “moved” by some force" (194). In this theoretical re-imagining, blood replaces semen as the source of pornography’s authenticity effect; whilst the money shot proves (according to the particular standards and conventions of the genre) that pleasure really has been achieved and experienced, it is posited that blood can also be used to achieve the same effect.
Helen Hester / Exchanging Bodily Fluids: Transubstantiations in Contemporary Pornography