‘Nude, Water and Green Leaves III’ photographed by Mariken Wessels

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@inescutcheon
‘Nude, Water and Green Leaves III’ photographed by Mariken Wessels
the Blacksod Hat by While They Dream! finished yesterday, 1.4.2022
FOR SALE!
$75 + free shipping in the USA
Knitted in a pet-free, smoke-free home with 100% Fine Highland Wool
Send me an ask if you're interested.
The Carnivorous Lamb, Agustín Gómez-Arcos (transl. William Rodarmor)
Kevin Goodan, ‘If I’m Not a Garden’, from Between water and song: new poets for the twenty-first century
I would sell my soul at this point. Please, please, PLEASE, if ANYONE can help my baby and I escape this hell we live in. She is only 10 months old and I don't want her to remember or be scarred by the horrors felt by her father. The physical and mental abuse is something I'm so terribly afraid of her remembering subconsciously. I've never been so ready and eager to leave. I know that we cannot be safe or happy until we escape this madness. I'd do anything for a place for us to be safe. Please please please help us. I've never been more desperate and I need Someone. Please help us. Please please please help us. I can leave tonight with my baby but need some help. I have no family. I've reached out to Charities. We are in the middle of Nowhere. There's not much help here. A hostel is 200 a month. That's all I need for us to get away. For the love of any thing that is good please consider helping us.
Cashapp $aac3692
Do know what’s really scary? You want to forget something. Totally wipe it off your mind. But you never can. It can’t go away, you see. And it follows you around like a ghost.
A TALE OF TWO SISTERS (2003) DIR. KIM JEE-WOON
“I don’t want to sound too academic, but there’s a suspension of rationalism in Night of the Living Dead. The zombies are drifting away from any kind of identity or meaning. They’re not monsters that come from outside the social structure, like Godzilla or Frankenstein; they are the remnants of that broken social structure. They come from within; they are us. In addition to being monsters, they are also victims, because they didn’t ask to be reanimated. It’s complicated and amazing to me, what Romero did. The way we think of zombies now—as slow-moving and undead—is because of him. In our film we echo, in very obvious ways, the commodity fetishism and the dead end of capitalism’s goal of endless consumption that he portrays so beautifully.”
— Dead Neighbors: Jim Jarmusch on George A. Romero (via baddreamland)
the dalmatic of charlemagne, c 11th century
Victor Tkachenko (Russian/Canadian)
Het Jongetje vol Verhalen , Nina Smit 2013
Ted Hughes, introduction to Tales from Ovid
i think the bluebeard tale is one of the most sadistic semblances of the death and the maiden narrative, not bc of the way in which he murders his brides, but bc his seduction comes in the form of a marriage. these girls (often not yet women) are to endure a torturous, desolate death as a punishment for their greatest and only sin: succumbing to him of their own accord
this is why vampires are scary to me, because in many vampire narratives the victim succumbs & becomes a participant in her own demise
#it also reminds me of something we discussed about goethe’s der erlkönig#that the erlking initially tries to seduce the boy - and only uses force when that doesn’t work#how much creepier would the poem be if the boy had gone willingly#if I loved him enough to follow him I should have to die (via cor-ardens)
My favourite thing about the ‘Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany’ is that there’s just many pages dedicated to drops of blood.
Walter Friedrich Otto, Dionysus: Myth and Cult
Your turn to chop. My turn to cook. Your turn to die for love. My turn to resurrect.
Leonard Cohen, from Book of Longing
Nosferatu the Vampyre (1979) dir. Werner Herzog