In 1991, the police carry semiautomatic pistols and when necessary a laser type weapon. In dangerous missions they will send in small propeller drone cameras. Not in common use, but the police also have access to self driving cars. They also use voice activated ear piece communication devices. Basic robots, not humanoid in design, are common for basic duties like in agriculture, construction, security, and home management and maintenance. Some of the current technology includes small hand held tvs, exterior door cameras that record messages, retina security checks, mobile phones, and full body security scans. There is a special department in the police force that deals with robotics that malfunction and become dangerous: the Runaway Division. Most times it is just automatons being a nuisance, but sometimes there is a code "709" where people have died. This was rare until a criminal had chips designed to make robotic machines become lethal. He saw that this would be a great business opportunity for the mob and terrorists. He also had developed explosive smart bullets and lethal spider-like robots. Veteran Runaway Agent Jack Ramsay and his new partner Thompson, work to try to prevent him from getting the template to make more chips. (Runaway, movie)
Talia just acquired this fellow who goes by the name of Jack. He’s needed to pull the gypsy cart for when Talia has to go mobile in case she’s run out of town for her bogus fortune telling. :P
Jack Ramsay was a disappointment. His father Gordon Ramsay wanted him to follow in his footsteps, but all he wanted to do was play football. “What do you mean you just want to kick a ball around for a living?” Gordon shouted. “The future is in food” Gordon shouted. “I’m sorry dad but sports is my calling” Jack responded. “Well if you don’t want want to be a chef, maybe you would rather be a dish” Gordon declared. “What are you talking a-” but Jack was cut off by His father’s mouth closing over his head. Jack screamed as he was quickly swallowed by his father. Gordon belched and rubbed his stomach, feeling Jack kick in there. Not only did this teach his son a lesson, but he finally had a way to deal with annoying contestants on his shows.
Congratulations, Addy! You really understand both the light and the dark sides of Jack, but what I really appreciate how you don’t ignore the bad in him. Jack isn’t perfect -- far from it. He’s done bad things and gotten mixed up with the wrong crowd, and you understand that. I can’t wait to see what you do with him.
Thanks again for applying! Please create your account and send in the link, track the right tags, and follow everyone on the masterlist as soon as you can. Welcome to Foxcroft!
Activity: (include a brief explanation) on a scale of 1-10, i will give a fair estimate and say I am a healthy 6.5. This is mostly due to the fact that I am a full time med-school student, so I do tend to get overwhelmed with a bit of work but honestly, I tend to lurk the dash quite often in my free time !! i’m pretty good about communicating with admins, as well, about absences when I need them !!
Anything else?: (questions, concerns, etc.) I am just like so excited to see this. I have only ever applied to one other bio rp before and never really made the cut so I am kind of anxious. I’ve always wanted to try and see how it goes honestly, so please bear with me !!
IN CHARACTER
Full name: Jack Adrian Ramsay
Date of birth: April 5th
How long have they been in Foxcroft: (1-3 sentences. Please be consistent with bio.) All twenty-five years of his life, Jack has been a resident of Foxcroft. The quiet, strange town witnessed the silent bruises and concealed burns with watchful eyes, making note of his whereabouts whether he noticed or not. The strangeness of Foxcroft is his home, the guise under which he’s lived and experienced the most bizarre ordeals. From the numbness of his home, to the water tower, to Val’s convoluted obsession with the Deathless, it was always here in Foxcroft. He’s tied to this town, always has been–just now in different ways.
Sexuality: (include a brief explanation) – Pansexual; the need to feel skin, to feel something, anything, is too great. It’s overwhelming; a hunger, a craving to feel warmth and heat and human touch. It’s a deep, carnal obsession that blurs the meaning of gender or sex. A tangled, writhing, moaning mess of limbs and bodies is enough to satiate him; Jack finds himself drawn to the electricity of skin to skin, not the definitions or labels. It’s a craving, a desperate desire to simply feel something, anything–and sex is only one way to do so.
FC change: non-applicable
MORE
How do you interpret this character’s personality? How will you portray them? Include two weaknesses and two strengths. (2+ paragraphs)
Addictive, impulsive, volatile; I interpret Jack’s personality to be one based off of the vice of wrath. The hollow emptiness he feels is a product of years of abuse, a convoluted and damaged result of a constant hunger that’s been locked away in him. The need to feel something, anything, manifests in a personality that falls prey to the dangers of addiction easily. Drugs and drinks are only the start, a physical and simplistic method for him to mask the deep emotional trauma he’s holding onto. He unwittingly clings to anything that seems to provide a sense of comfort; Val is only one example for him. She became something akin to “normalcy” for him. Constant interaction, going along with her to Church–it gave him something to hold onto and he automatically latched onto that only for it to blow up in his face in a way he couldn’t quite grasp. This just goes to show that he latches onto things quickly in the hopes of fulfilling the emptiness he constantly feels within himself.
Jack is PROTECTIVE, clear in the way he notices the changes in people like Cassidy. He wishes for the best of people even if he doesn’t originally tend to do so. He looks to watch over others–perhaps to fill the void within himself. He sees the good in others, such as Val, who gave him the hope of belief in something, anything, while Cassidy allowed him to see the purity in bright eyes. Jack is JUST, seeing the flaws in Val’s desire–no, obsession–with immortality. The murder of an innocent made him see the wrongness of it all–and it doesn’t sit well with him. He may despise himself, may fall into drugs and alcohol to make himself stop feeling–but he is not an inherently evil person. He recognizes the good, the bad, and the ugly–and he can tell when something is unfair. However, Jack is VOLATILE. His self-destructive tendencies manifest into addiction, obsession. The need to find something to exploit, to ruin, to destroy is the only way he knows how to cope. Abuse is never productive–and for Jack, the emptiness and hollowness of his upbringing lead him to need some sort of outlet. Destroying himself–and others–from the inside out is the easiest way of making himself feel something, anything. And on top of that, he is OBSESSIVE. No, he’s not a stalker. Not someone with a shrine tucked away in his room; he is someone who needs a beacon. Someone who relies on an emotional crutch to feel even the littlest of things. For him, that was Cassidy. She gave him some sort of belief, some sort of hope–even if it drags him under eventually and leads him to damage the things he holds dearest to him.
I would like to portray this character to be as flawed and damaged as he is while also showcasing the inherent good he possesses. He is not his demons, but he is who he is in spite of them. He has light in him, even if it is masked in the darkness and the gore of this entirely fucked-up cult that roped him into this mess. He is impulsive, brash, cold, numb–but he is good, able to love if given the chance. His self-destructive behavior makes it hard for him to connect and it may make him difficult to interact with, but he means well. I would like to portray him as this multi-faceted character that is neither good nor bad, but a nuanced mixture of all the shades of gray between the light and the dark.
How did this character react to the death of Hazel Abrams? Adam Foxcroft? (1+ paragraphs)
Confusion. Dazed, mind-boggling confusion. The fact that someone he thought would bring him hope would instead be at the root of all this throws him for a loop. He isn’t quite sure what to make of it all–he can feel the changes, after all. He can feel it in himself, see it in others; he can tell that Foxcroft is changing little by little–and it’s making him apprehensive. He can’t quite feel anything else–emotions are too little, too much. They don’t mean anything to him when the only thing in him is a nagging desire to black-out from everything around him. No, her death doesn’t personally affect him… but it does leave him with questions. Burning questions like fire at the tip of his tongue, threatening to drag him into a red-hot haze that could destroy him and the only thing he cares about. Adam’s death hardly phased him–not the way Hazel’s did. No, now he just knows. What that is, even he can’t quite tell. But it’s coming. A sickening, foreboding sense of confusion and omnipotent knowing mingling into one.
How do they see the town and its people? Think about the different groups of people and prejudices the town holds about them. (1+ paragraphs)
He never saw them to begin with; it was always himself. Drinking, snorting thin lines of ivory powder, shutting out anything and everything that came into contact with him. Up on the watertower, he finally interacted with someone from this town in a personal way–and since then, he’s begun to regret it. He sees that there is something very, very wrong. He sees that there are people who are obsessed with something he doesn’t believe in. He sees that the innocents are not safe. He sees that the pure and the good become corrupt. He sees the evil, the blackness–and he wants to shut it off. It drives him insane, how fucked up it all is. There’s no switch, no button–and he’s stuck with them. Tangled into a mess of a cult, stuck with people believing in something he can’t quite grasp. It’s too much. It’s unbearable. He sees nothing in them–after all, he’s nothing, himself–but he can feel that whatever it is that they’re doing, it’s just not right. And he also sees that he’s becoming one of them, slowly but surely, bringing in a whole new dimension of self-hatred.
For non-human characters: What does this character know about what they’ve become? Have they had any experiences that made them aware that weren’t exactly human? Elaborate. (2+ paragraphs)
Jack has always been unaware of what he is. The hunger, the cravings, the obsession with wanting something he could never quite put on a finger on–it was all a mystery. Foxcroft is a strange, twisted little place full of mystery and darkness that leaves everyone wondering. And Jack is no exception. He is beginning to sense the changes, the way his veins seem to crave that very specific something, the way the pain never seems to leave him–it’s all getting to be too much. It’s a sensation so foreign to him that it’s driven him to the point of near-madness. He’s a danger, a monster–he can sense it deep in his bones. Ever since the murders, the cold cases, the bodies showing up, the way he’s hurting Cassidy, the godforsaken Deathless… it’s only becoming more painfully obvious to him.
The emptiness hurts more than anything–because it feels like nothing at all. He felt it as a child, when his mother’s black eyes mirrored his own. Tangled in with a web of murderers that took the life of an innocent girl, he is beginning to see the darkness at the edge of this town. He sees the way he’s affecting the people closest to him. It’s an ugly thing to feel, self-loathing. But it’s there, stemming from the way his body is changing, the way he craves it. The way he’s hurting the one thing he vowed to never damage. He doesn’t quite know what it is just yet, but he can feel it deep in his bones.
Please include 1-2 possible plots your see for this character (1 paragraph brief explanation for each)
Discovering what he is ;; I would love to see Jack discover that his self-destructive behavior is damaging someone he cares about–Cassidy for example–because of his powers. I want him to expose himself and begin to hate who he is, what he is, and only feed into that volatile, self-destructing behavior because it would be so interesting to see how he copes. The damage he causes to the people around him would be enough to push him to a breaking point, surely, and it would be a very interesting thing to play out once more connections are established.
Falling in love (the right way) ;; I am a sucker for romance and nothing gets me more than the trope of the volatile monster finding peace in the gentleness of a lover–someone that can temper the raging storm within him and helping him see that pain isn’t something he has to bear alone. Someone that will help him unlearn the hatred. Someone that will help him tame what he is. It will be a long, slow, and angsty process–but ultimately, I want to see something healing. Of course, there will be plenty of moments in which he hurts and lashes out to tear the other down, but that’s a part of the very bumpy and treacherous ride.
WRITING SAMPLE
There are two options here, and you only need to complete one.
Para example 1 – https://zxiiden.tumblr.com/post/158238582247/zxcharie-h-it-wasnt-as-if-zaiden-hendricks
Para example 2 – https://zxiiden.tumblr.com/post/157661995287/illvssa-with-a-glass-of-champagne-grasped-in
EXTRA [THIS SECTION WILL NOT INFLUENCE ACCEPTANCE]
How would you feel about this character dying?: Honestly, I would be willing to cooperate if I felt as if the plot really needed it. If the character’s death is quintessential with progression, then I’m not opposed… as long as I’m allowed to apply for another character maybe ??
Why did you choose this character?: While I’m honestly a sucker for Jack Falahee, I have an incredibly deep fascination with the ‘hidden monster’ trope. Characters with these deep, monstrous flaws that cause them to be the victim of constant self-loathing are my kryptonite. As someone who often deals with crippling and often intrusive thoughts from anxiety and whatnot, I can personally relate to the feeling of not quite seeing yourself the same as others may see me–though of course not to such a severe extent! That would be worrisome. But I digress; I find characters like Jack fascinating. There are a lot of inner demons that are ripe for exploration, ready to be developed and fleshed out. The vices of a character like this make them believable, deep, and interesting. I really want to expand on this, see what makes him as broken as he is. The sinful nature of someone who can’t quite see himself as fully human is intriguing and dangerous.