Kuba Kapsa – Supersonic Moth. 2019 : Denovali.

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Kuba Kapsa – Supersonic Moth. 2019 : Denovali.
Kuba Kapsa - Supersonic Moth - treated piano (Denovali)
The album is basically written for upright piano played through felt, programmed electronic sounds and processed piano recordings in order to create in-depth atmospheres and sonic landscapes with a wide range of stimulating moods. Based on piano ideas enriched with his improvisation skills, "Supersonic Moth" is mainly calm, dark and cinematic. Kuba Kapsa again managed the sophisticated feat to combine modern classic with subtle drones and floating soundscapes, accentuating his emotive piano play with a deliberate use of electronic elements. Some titles refer to the final poem at the end of the album about a moth which ends up dead, flying towards the light. "Supersonic Moth" is the musical realization of a specific trait in human existence, dealing with the disruptive contradiction of desiring something that might break one down or even kill. Everything that might be tempting. Everything that can push you down. And you know it. But you can't resist it." The impressive artwork for "Supersonic Moth" once again was provided by the collaborative artist team Kahn & Selesnick.
(Denovali)
Kuba Kapsa Ensemble - No. 4 (Denovali Records) - RIYL Penguin Cafe Orchestra, Michael Nyman, Steve Reich
from 'Vantdraught 10 Vol. 1' [CD|LP|DIGITAL] Denovali Records · den225
Kuba Kapsa is a Polish pianist and composer being the leader of the avant-jazz combo Contemporary Noise Sextet (2006-2014). Beyond that he is a renowned composer for film and theater plays. His latest venture is the first of a sophisticated series of projects of modern classical music bearing the common title "Vantdraught".
The first part of the "Vantdraught" series is called "Vantdraught 10" written for ten classical instruments - 4 violins, 2 violas, cello, vibraphone, marimba and piano. The music is largely based on a repetition of individual melodic motifs, which are also quite multithreaded within a given composition. Vibraphone, piano and marimba are written in a “push-pull” combination, being the rhythmical base for every piece, while strings are instantly “questioning and answering” each other whether being supportive to the rhythm or used for the presentation of themes. The common feature of every composition is symmetry, which has been applied to almost every aspect - rhythm, harmony, motifs and themes. The first four pieces of "Vantdraught 10", which are inspired by the works of classical minimalists, early 20th century composers and 20th century Polish composers such as Steve Reich, Igor Stravinsky, Edgar Varesè, Henryk Mikołaj Górecki or Wojciech Kilar, have been recorded in December 2014 with musicians from renowned Polish ensembles such as Neoquartet and Kwartludium at the concert studios of Radio Gdansk. "Vantdraught 10 Vol.1" will be released on Denovali Records in April 2015. For Vol. 2, which is following up, Kuba Kapsa will present a rather asymmetrical approach to voice leading and rhythm.
"Vantdraught 10·Vol.1" features an astonishing artwork based on "Brotmorgendämmerung" (breaddawn) by the seminal artist duo Kahn & Selesnick.
available on all formats at [denovali.com/kubakapsa]
Kuba Kapsa/Kuba Kapsa Ensemble - Vantdraught 10, Vol. 1