#lgbtqpril

[sadiespells37]

If you would have told someone in 2005 that the new show that just started with characters that were rude, yelling, jerks that in their first 7 episodes alone pretended to be gay to boost their tips bar tending, decided to serve high school kids alcohol and then got involved with their personal lives, and attempted to sell nazi uniforms to a museum would not only be on the air 15 years later but that it would move you to tears, they would have called you insane, and yet it happened.

For those not familiar, or only mildly so It’s Always Sunny in Philadelphia follows the exploits of “The Gang” Three friends since high school, Dennis, Charlie, and Mac, who own a bar in South Philly as well as Dennis’s twin sister Dee and the twin’s father (but also not, but maybe Charlie’s. It’s complicated) Frank. The show follows these five as they get into all kinds of adventures and they are just literally the worst people you can imagine. They all make fun of everyone the come in contact with, they’re all various flavors of self centered and delusional, and there’s even a running joke about them just calling people not by their names but simple titles and all that is the tame stuff. So why bring this up for this blog? Well that has to do with how the show develops the gang as characters over the years. They don’t grow and change like other shows or real people do, more and more just gets slowly revealed. Charlie goes from being maybe dyslexic to definitely illerate and that is made all the worse by his frequent drug usage. Dennis is slowly revealed to be kind of creepy with women when he thinks he’s charming to more than likely being a sociopath, but then there’s Mac.

Mac has always been the most insecure one of the group, but the most in denial about that fact. He always asserts that he can do these amazing physical feats he absolutely cannot. He sees himself as the badass of the group when he has no real skills in anything he says he does. Most importantly to this and what leads to the episode in question is something they started in roughly season 6, his repressed homosexuality. It starts off with small things, a childlike admiration of a local baseball star and obession with body builders but grows over the seasons until when he is out of the room Charlie says to the other characters “I know we’ve never said this out loud but, Mac’s gay right?” And everyone else agrees and is annoyed by how repressed he is (because again these are the worst human beings alive) and how they all just wish he could admit it to himself. Mac is also very catholic in the worst way that one can imagine a person would be, which is another big part of why he is as repressed as he is. This all leads to an actual heartwarming moment where in order to be legally deemed the owner of a unscratched lotto scratcher he admits he’s gay, only for the others to assume that once he has it he’ll just go back into the closet as he has before. When they tell him that though he softly says “You know, I think I’ll stay out this time” Everyone with mild shock that he was actually able to come out shares that they are proud of him and say good for you and stuff like that. It’s a sweet moment in a show that doesn’t often give them but the real point comes a year later.

Roughly a season and a half after Mac came out the show aired this as their season finale and I think its one of It’s Always Sunny’s finest moments. Frank has been tasked with getting Mac to dance on the bar’s float for the pride parade and Mac just says he doesn’t feel very proud. Frank agrees to help him, even though he admits that he never “got” Mac and probably never will since he’s come out. After proving that a sexist, awful 75 year old rich guy really doesn’t get gay culture at all Frank sees the problem as Mac having not come out to his own father. His father by the way is a convicted criminal who has been in jail most of Mac’s life. He’s man Mac sees as so tough that when he tries at first, his dad think he’s saying “he knocked some broad up” and Mac can’t correct him.

After it looks like Mac might go back into the closet Frank has a revelation that brings him back to Mac where he says that you can’t keep stuff like this inside you, “Sometimes you just gotta let the blood flow.” While for Frank that lesson was alarmingly literal it leads him to help Mac set up an elaborate interpretative dance Mac has been considering all episode right in the prison so he can come out his way. It’s a striking and moving piece and while Mac’s father does not stay for the whole thing, Frank does. Frank is captivated throughout the whole performance and once it concludes, with tears in his eyes Frank goes

Frank then starts the standing ovation that takes us straight to the credits. This episode might be one of the best episodes of tv period in the last few years and it certainly is one of the most unique, interesting, and down right good coming out stories I think I’ve ever had the privilege to see. If you have the chance, and can take It’s Always Sunny (not everybody can, it’s a lot of...everything and I can totally see why it would turn people off) seek this episode out.

It’s Always Sunny In Philadelphia S13 E10: Mac Finds His Pride (2018)

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That’s all for today folks but as always don’t forget to leave any comments or likes you may have and feel free to leave suggestions or even cover your own topics using the tag #LGBTQPril and I will see you next time.

[sadiespells37]

Today I’d like to highlight how a collection of scenes and one line can make meaningful representation for many people and I’ll do it using one of my favorite shows.

Bob’s Burgers is an animated sitcom about the Belchers, a family that runs the titular restraunt and all of the various hijinx they all get into. The show is very LGBTQ positive, and even at its most problematic in an early episode with a group of trans prostitutes the show does its best to not judge them and have Bob be very welcoming to their friendship. But we’re not here to talk about that. We’re here to talk about how Bob is bisexual.

A lot of this could just be seen as speculation. Bob makes out with a steer played by Todd Barry in a dream while knocked out in an early episode. He’s seen what can be called crushing on an archeologist he invites over to dinner in another. And he’s often heard saying that some man just isn’t his type or is attractive. None of this would be earth shattering on its own, but combined with one fateful Thanksgiving it becomes something greater.

The episode in question sees Bob repeatedly going to the butcher at their local grocery store because someone keeps putting the turkey in the fridge being brined into their toilet. The first time Bob comes back the butcher just assumes he messed the first one up. On turkey number 3 he assumes Bob is doing it to flirt with him and says he’s flattered but in a relationship. Bob says “No I really do just need another turkey...never mind” and leaves with the bird in tow. Not offended or weirded out that the butcher thinks he was trying to pick him up, just thinking about who keeps ruining Thanksgiving, but the last time is the big one.

The last two pictures come from this final interaction. On Bob’s fourth total trip to the butcher counter in 3 days the butcher is like “You know what? You wore me down. Things haven’t been going so great with Tony, probably haven’t been for a while.” To which Bob says those lines then also this:

To which he also adds “Plus, I’m married. You should work things out with Tony,” and quickly leaves.

And that’s it, the episode continues as normal as this show gets and the audience always knows that Bob declined this man’s offer not because he says he’s straight or married but because he thinks the butcher is too good looking for a middle aged balding Dad. Combined with all the other moments throughout the series it paint a pretty clear picture of Bob as a man who is bi but just probably mostly only dated women because that’s what he thought he should do. Now he’s married, he has kids and he loves his family. There’s no need for him to be looking for a male partner, but he’ll always just be attracted to men also.

While the writers have never come out and directly said Bob is bi the show and staff seems LGBTQ+ positive enough to fully embrace it. Given this final picture I found from one of the staff for Pride Month one year. So there you have it. Bob Belcher: bisexual icon for all happily married with children, but still always bisexual people everywhere.

Bob’s Burgers S4 E5 Turkey in a Can (2013)

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There’s another one down for LGBTQPril folks. Hope you enjoyed and continue to enjoy this coverage and as always please leave comments, likes, and suggestions for topics I can cover below. Also feel free to write your own posts under the #LGBTQPril. I’ll see everybody next time.

[sadiespells37]

As we rapidly approach the end of what I had planned to cover for now I figured with my penultimate entry, again for now we’ll just do something different and light. Tonight we’ll focus on a grab bag of LGBTQ+ representation. Stuff that I am not aware enough about to write a full post about, but things that deserve acknowledgement all the same. So let’s dive right in:

The Legend of Korra (2014)

Here’s a show that had a young woman as it’s protagonist and all while she’s attempting to save the world she’s struggling with the identity she thought she was born into when really it seems like something else was a better fit. Given conformation after the finale aired that yes, Korra and Asami are in a relationship as the series closes on this shot, plus in canon graphic novels depict their romance among the new adventures.

Clarence (2014)

Here’s a great example of normalcy in kid’s tv. In the show Clarence, one of the title character’s best friends, Jeff, has two moms. Yes they are a lesbian couple and as far as I know the show never drew attention to it, he just has two moms, and that’s pretty neat.

Paranorman (2012)

Again it just not being a thing, The main character Norman’s sister has a crush on the older brother of Norman’s friend only to reveal at the end of the movie that he’s gay. Again just kinda neat.

Craig of the Creek (2019)

A couple of side characters, teenagers older than the main kids, known as “The Witches of the Creek” who are a couple. This one actually surprised me, but in a good way. As shown from Korra seen earlier showing a same sex couple kissing on a show targeted at kids seemed too taboo to do even 5 years prior, but now it’s just treated as normal as it should be.

BoJack Horseman (2018)

Here’s a wildly underseen group in media. In the show’s fourth season main character Todd Chavez came out as asexual. The show has him attempt a relationship with another ace person and discuss the differences between asexual and aromatic, plus some wacky adventures with her parents who she is not out to and an family heirloom barrel of lube, as this show does.

Twin Peaks (1991 and 2017)

Here’s an example of extremely early trans representation. Main character Dale Cooper often referred to an old colleague named Dennis. When they meet again in the original series she is Denise. She talks about dressing as a woman to go undercover for a case and realizing how much more comfortable in her own skin she was that way so she decided to transition. Agent Cooper, being the class act that he is accepts Denise immediately. 25 years later when the events of the new season take place Denise is now head of the FBI and another agent who knew her for many years before and after she transitioned says one of the most powerful things one can say in someone’s defense I think. He told those clowns in the agency who would respect her less or treat her worse should do the following

That’s really the long and short of it isn’t it. Whether or not if the homophobic and/or transphobic out there like it, the world is changing. Society is growing more accepting of people and not seeing different as abnormal. There’s still a long way to go but anyone who doesn’t feel that way is just holding the rest of us and society as a whole back so they really do need to just fix their hearts or die.

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Well that seems like a good note to end on folks, as always leave any likes or comments below and perhaps write your own entries under the tag #LGBTQPril and I will see you next time for what I’ll call our season finale.

[sadiespells37]

Tonight I don’t have a character to highlight per se in this episode, more the episode itself for being as blunt an on the nose as possibe to make its point. This show always kinda does that.

Another animated sitcom tonight folks, this one’s been around for 15 years...and times arrow marches ever forward... Anyway while not about them the episode in question centers around the reoccurring anchor partners and neighbors of the Smith family Greg Corbin and Terry Bates

Now Greg (right) and Terry (left) are interesting characters in their own right. They speak in what would commonly be described as a very effeminate or “gay” voice. The primary joke as they appeared in the first couple seasons was they were super unsubtlly a gay couple but Stan, the head of the Smith household, is SUCH an over the top die hard conservative that he can’t see the truth even if it’s right in front of his face. Also it seems to be commenting on how often in media gay people in the public eye couldn’t officially come out for a very long time as it could hurt their reputation. The show did start in 2005 after all. Within all of our lifetimes but what seems like an eternity ago for LGBTQ+ cultures.

But back to the episode. The plot concerns Stan and after he goes to see a local play about President Lincoln that turns out to be more an arty pretentious performance piece, decides to put on his own one man show about the 16th president and founder of the Republican Party told from the perspective of Lincoln’s actual body guard Captain David Derickson. Given the nature of their relationship the show has some gay overtones, all of which Stan is oblivious to for reasons previously discussed.

This leads to Stan being invited by leader of the local chapter of the Log Cabin Republicans, introduced by Greg, who knows Stan already, to invite Stan to one of their meetings. Once there Stan realized that they are a “gay group” and reacts about how one would expect a staunch conservative in the mid 2000s who can’t even notice gay people would act. It also comes out, by him having to literally be told by Greg that he is gay and Terry is his partner.

He calms down once he realizes they are die hard republicans too, just gay. Also matters are helped by them wanting Stan to be their representative and speak at the upcoming Republican National Convention. He embraces it for a little while but then the group discovers Stan’s vast history of homophobia and anti-gay politicing while at the same time Stan accidentally lets it slip to Terry that Greg is a republican, something that after all their years together Terry wasn’t aware of. He’s rightly upset by this and Stan is sad that he can’t speak at the RNC and also genuinely seems hurt at the loss of all these like minded people and new culture that he didn’t even know existed. His solution is simple. Stan will choose to be gay...

(Image not from this episode, but the emotion is by the family when he tells them) Anyway that really is Stan’s plan. Being gay is a choice to him so he’ll choose to do it to get back in the good graces of the Log Cabin Republicans. He approaches Terry, still upset that Greg left with the others in the group and Terry seems receptive enough to try. They go out for dinner, dance at a club and when the two first kiss Stan says he feels nothing. Terry tells him that he probably is just straight. Stan gets angry and says “This is MY choice, I CHOOSE to be gay,” and Terry tells him it’s not a choice and Stan realizes he’s right.

That’s what I love about this show. It decideds that the only way someone like Stan will realize that being gay isn’t a choice is if he tried to choose it and couldn’t. There’s just something beautifully simple about the bluntness that I love. In the end Stan does speak at the RNC and uses that time to defend the gay community to the other Republicans there who would be against it. It’s not a subtle message, nor one that a lot of the show’s primary audience would need but I’ve always loved that this episode is unassumingly out there to give the message to those who do need to hear it.

American Dad S3 E4: Lincoln Lover

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Hope all you folks out there in Tumblr Land enjoyed this. Please don’t forget to leave a like, comment, or suggestions for future entries. Or you can write your own if the idea appeals to you using the hashtag #LGBTQPril. I’ll see everybody next time.

[sadiespells37]

We’re pretty quickly approaching the end of what I have planned for now here for LGBTQPril, as such I plan on doing something pretty important to me for the finale, but before we get to that entry I think it’s important to highlight that creators earlier efforts.

Adventure Time was a show that ran for a great deal of the 2010s and where tonight’s featured couple is a pretty good indicator of where tv aimed at kids was as far as LGBTQ+ representation. I am of course speaking of the relationship between Princess Bonnibel Bubblegum and Marceline The Vampire Queen.

While in the first couple of seasons these two are not seen together in the third season, courtesy of writer, storyboard artist and key figure in the development of Marceline’s character Rebecca Sugar, they are both shown working together to open a mysterious door to the figure that stole something precious from each one of the characters. The dialoge makes it clear that the two of them know each other and have had some conflicts in the past. In the end though it’s revealed that Bubblegum’s stolen item is an old tshirt Marcy gave her, that she thought Bubs didn’t like because she’s never seen her wear it

This and the way their history was clearly something but kept vague set the fandom to running, as fandoms do about speculation that they were once a couple and now estranged exes. Now internet fandoms are rampant with this kind of thing, just look at any posts about “shipping” in any media. The thing of it is though they were right.

Over the next few seasons Bonnie and Marcy’s friendship was shown growing stronger again. They grew close at the end of season 6 where Bubblegum was voted out at princess of the Candy Kingdom and while doing her studies in her old uncle’s abandoned cabin she even helps Marceline temporarily remove her vampirism. Bonnie even telling Marcy that she’s her best friend.

That could have been enough. Two characters with a tumultuous past with one another once again becoming friends. But then came Adventure Time’s finale.

The big climax of the finale is an extra dimensional being is threatening the world and attacks Bubblegum. Marcy saves her and then this happens

There it is. The writers always said that they’ve treated Marcy and Bonnie’s relationship as old exes but were never able to truly say it or show it. With this one kiss though it opens the flood gates. Everything fans thought that had pointed to them being together previously was validated. With this one on screen kiss years of underplayed interactions had been given all new confirmed context. It positions a whole arch for the both of them over the series. They once were a couple, the parts of their personalities clashed so they broke up, but then they relalize there isn’t as much hostility as they thought, become friends again and eventually embrace each other once again having both grown as people. It would be a beautiful story with any characters but because it is a relationship between two women it gives the story that much more weight and significance. Now not only is it a great love story, but one that normalizes LGBTQ+ relationships. A noble endeavor for any media, but in something with a target audience that consists mostly of children? That makes it worth celebrating even more.

Adventure Time S3 E10: What Was Missing (2011) - S8 E16: Come Along With Me (2018)

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That’s it for tonight folks. Don’t forget to like, comment or leave suggestions. Or even write your own post and tag it with #LGBTQPril. And if you’re wondering why I brought up Rebecca Sugar without mentioning her own very revelant to our theme show? Well you’ll just have to wait and see.

[sadiespells37]

So last night might have been a bit of a stretch, not that I’m doubting my point of a community making representation sometimes too, but still I acknowledge that some people might not feel the same about that circumstance as me. Tonight though let’s highlight a couple.

For those who don’t know Deadpool, also know as Wade Wilson, is a wildly popular character in Marvel Comics and because he’s technically a mutant has been made into two pretty damn good movies (not suitable for the young ones) that are spin-offs of the X-Men movies. While he is pansexual in the comics and the movies sort of hint at that too he is not the focus of tonight’s spotlight. That honor goes to the side character with the coolest possible name Negasonic Teenage Warhead

More specifically for our purposes this spotlight is on the second movie and Negasonic and her girlfriend Yukio

While Negasonic is the only one of the couple to appear in the first Deadpool her sexuality isn’t addressed. She’s simply a teenage superhero who doesn’t give a single crap for Wade’s over the top and jokey personality schtick. She’s not irritated by it either though. She just chooses to ignore it in annoyed, resigned, silence, which of course just make him try harder to annoy her.

The second movie however introduces Yukio. Negasonic specifically introduces her has her girlfriend, assuming Wade, and kind of by proxy the audience, will have some crude, uncalled for lesbian comment as a response. Here’s the thing though. Wade doesn’t say a thing about it. He always tosses back a friendly “Hi, Yukio,” to her always cheery greeting of “Hi, Wade,” and that’s it.

Now Negasonic and Yukio are very minor characters in the movie but that doesn’t change the fact that this is a significant step for the franchise and the genre. You see, ever since they started in the early 2000s the X-Men movies have been very much subtextually about LGBTQ+ experiences. There is a coming out to the family as a mutant scene, the older parents just asking have they tried not being one, and finding a new family in other similar people. That having been said none of the characters were actually explicitly LGBTQ+ in really any way. Negasonic and Yukio changed that. They are, to my knowledge, the first openly gay superheroes in a mainstream superhero movie franchise. And more importantly they do what I feel like good representation should always do; treat their LGBTQ+ identity as normal, because it is. The movie doesn’t even give any of the bad characters or ones who are just kinda assholes a dig on them. They’re just a couple, just being a couple. If the end goal of representation is to let LGBTQ+ folks see themselves on screen and let others be exposed to it as normal, because again for those in the cheap seats it is normal, then Negasonic and Yukio are a prime example of how to do that simply and gracefully. Even for a movie that show’s Wade’s undersized, still regenerating penis for a cheap laugh.

Deadpool 2 (2018)

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That’s it for tonight folks, just something short and sweet. As always please leave any likes, comments, or suggestions you might have or write your own entry with the tag #LGBTQPril. I will see you all next time.

[sadiespells37]

We have an interesting one tonight. Taken on its own and without other context this character and part of the game she’s featured in is absolutely something I’d call problematic to say the least, if not out and out unintentionally transphobic. But in today’s internet fandom age has gathered around this character and how she deserves better than the game gives her and decided to give that to her themselves.

Chances are if you’ve played this game you know exactly who/what quest line I’m talking about but for those who haven’t some brief context. The Legend of Zelda is a long running action adventure series and Breath of the Wild is the latest entry series. You play as a reincarnation of a great hero in many of the games that involves you exploring a big world, exploring dungeons and most important to this blog and today’s entry meet a wide variety of interesting side characters.

At one point in the game you must enter a desert town called Gerudo Town only to find out you can’t. The town is entirely made up of women and men are forbidden within the walls. You hear rumors from another man who failed to get in that the nearby oasis bazaar has a man who once made it into the city. Following the rumors brings up the name of a woman; Vilia

Now at this point in the game you’ve met several of the other woman of the region and you notice Vilia does not look like the others you’ve met. For example here is captain of the guard of Gerudo Town and the main bodyguard of their chief

Now she is mesurably bigger than most of the average Gerudo woman, but still they are all very much Amazonian body types; very tall, very muscular, but also extremely feminine in body shape. Vilia on the other hand is more towards your height as the player and have a less feminine body shape. Once you find her, she offers to sell you some Gerudo clothing that will allow you into the city and once you do her veil gets caught in a wind gust and your character sees her face. While the player does not see it completely you are able to see enough that she has a beard. And that’s kind of the end of your interaction with her. You can go back to the location where you found her, talk and still get a few lines of dialogue but otherwise that’s it.

So from that breif summary of the quest involving Vilia you can probably see the problem already. The game itself treats her like a cross dressing man, but the dialogue and context reads more that Vilia is a trans woman. Also while the face reveal isn’t something I’d say the game tries to call a joke. It is treated as kind of a “oh, that’s it. This guy’s just weird. God these games have so many weird characters.” As I’ve said though LGBTQPril is about positive representation. The positive in this case is how I saw the trans community call out Nintendo on how they put this in their game, but also almost defend the validity of a fictional character’s gender identity.

https://www.google.com/amp/s/www.pastemagazine.com/games/the-legend-of-zelda-breath-of-the-wild/how-breath-of-the-wild-failed-us-when-it-comes-to/%3Famp

How Breath of the Wild Failed Us When It Comes To Trans Identity

When one horrible moment turns euphoria into sickness and disappointment.

This editortial on the quest in question for example shows the personal feelings the author was left with after such a transphobic moment in a game she had been enjoying. In the few years since though I’ve seen LGBTQ+ people embrace Vilia herself as a trans woman. If you search for Vilia fan art you’re bound to find something with her smiling or even her being accepted among the other Gerudo as a woman. Even her official entry in the Zelda wiki, which I will remind you is community edited, has her gender as female and uses she/her pronouns for her.

Now none of this is to say that the fan reaction has suddenly made the game not problematic or any negative feelings about the quest or the game as a whole because of it wrong. It still is very much a problematic moment to say the least and if you it makes you angry or uncomfortable that is absolutely valid.

I just wanted to take the opportunity to point out how a fandom reacted to such a crappy representation by retroactivly embracing a character as a valid trans woman, and by proxy any trans woman who has been or still is in a situation like Vilia or not especially feminine like Vilia, that they too are also still a woman. That something positive can come from something that negative is worth highlighting in it’s own right.

The Legend of Zelda: Breath of the Wild: Vilia (and the fan response to her) 2017

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That’s all I’ve got tonight folks. I hope whether or not you enjoy what the fandom has made of Vilia, still get angry at how the game treats this quest, or haven’t played BotW before, that this entry makes you think about how people can do for each other what media can with representation. Leave your likes, comments or suggestions below. Write your own entries under the tag #LGBTQPril and I’ll see you next time.

[sadiespells37]

For tonight we have not an episode highlight but more a character spotlight. A character on a show that is one of the best examples of taking a one joke, meant to appear only one time character and not only give him enough depth to be one of the best reoccurring characters the show has, but a great LGBTQ+ character to boot. But then if you know this show then you’ll know they have a history of making something out of nothing

The Venture Brothers is a long running [adult swim] series where the basic premise is Johnny Quest, but it acknowledges what a messed up family dynamic growing up as a boy adventurer would be. Twice over in fact as the titular brothers are themselves the son of a man who was drug through this life in the 60s and just doesn’t know any normal life. That’s only scratching the surface of what makes this show great. Not only does it start off with this premise but as it goes on the show incorporates lots of other similar to recognizable franchises from the creator’s childhoods and makes them their own thing by following the tropes of what they are referencing. Case and point tonight’s character in question:

This is Shore Leave. He is a very out and proud gay man who works as a secret agent for the OSI (Office of Secret Intelligence) which within this show is basically J.I. Joe, but also not. Hence the name that not only gives his personality in an indistinct way, but also implies that his speciality is sea based operations. When first introduced that was kind of the joke. Brock, the main character who knew him when he worked for OSI is told he’s ex-OSI now due to a “don’t ask, don’t tell situation” Like Greg and Terry yesterday he speaks in a very effeminate and stereotypical fashion. And that one episode was his appearance. It was in a season finale so he wasn’t seen as more than just a one off. He helps Brock out of the jam he’s currently in and Brock and the family goes on it’s way. Cut to the end of the next season’s premiere Brock has seemingly been captured by his former commanding officer who had gone rouge and it is revealed that the colonel has different plans revealing a whole group of people he wants Brock to join and Shore Leave is one of them.

We don’t get much of this plot for a few episodes, the show deciding to focus on other characters but once we get back to Brock and the group known as S.P.H.I.N.X. We get to see more of Shore Leave in action. He is quite flamboyant but not any less capable at doing the super spy stuff, fighting the worst of the worst super villains, and generally being bad ass as the much more ultra masculine Brock is. But it’s a speech he gives to another character a few episodes later that really cements his place here in LGBTQPril.

When a mysterious figure calling himself Zeus goes around kidnapping underlings of heroes and villains of the guilds, societies and organizations that make up this world and is making them duel do the death Shore Leave is captured along with two other reoccurring characters Pete White and Billy Quizboy. Pete (on the left) says they can’t make him fight and Shore Leave calls him a sissy. Pete fires back with “You’re calling me a sissy? You?” Shore Leave’s response is “Yeah I’m out and proud every day in the face of assholes like you and I’m the sissy.” There’s some raw emotion here, understandable considering these guys have been literally fighting for their lives against their will for days and on edge, but there’s some real truth there. That Shore Leave feels like being as out and flamboyant as he is is a badge of honor. It’s who he is and doing so makes him stronger in the face of those who wouldn’t approve.

So that’s Shore Leave. Once again not only a great character in his own right, but one that proves good representation can come from any place, even a one note joke from a character that I’m sure at one point wasn’t meant to be seen more than once.

The Venture Brothers: Shore Leave (2008)

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That’s it for today folks. Please don’t forget to leave any comments, likes, or suggestions you might have or write your own spotlights with the hashtag #LGBTQPril. I’ll catch everybody next time.