#m26

[askarsjustsoswedish]

Alexander Skarsgård - M Magazine. jbtalbourdet Ig (x) Thanks alexanderskarsgard_archive on Ig

"@m_magazine with Alexander Skarsgård by @thurstanredding @claudiaasinclair @naokikomiya"

[More photos below cut]

[mixi-lunar]

[pedroam-bang]

Uncharted 4: A Thief’s End (2016)

[naaoyaa]

Shuichi and Rei ‒ Case Closed: Black Iron Submarine

[bastionbibi]

Still cant get over how Haibara answered the iconic and routine "Who are you, really?" Question in every conan movie. The way she was so PROUD of him like she wants to show him off!

"Conan Edogawa, de--"

"HE'S A DETECTIVE! 😆"

Like the way I SQUEALED she was so happy!

[carbone14]

Tracteur Pacific M26 en cours de remorquage d’un M4 Sherman sous les bombardements - 1940’s

Le Pacific M26 est un tracteur de récupération d’engins blindés lourds utilisé sur le théâtre d’opérations européen. L’aspect massif du tracteur (3,45 m de large, 7,78 m de long et 17,48 m de long avec sa remorque) lui valut le surnom de Dragon Wagon. Il disposait d’un treuil avant d’une force de 16 tonnes et de deux treuils arrière d’une force de 27 tonnes chacun.

[rabbitsrants]

What do you think of D.C.'s M26, do you think it was just a fire of pairs for us Shinran?

SPOILERS FOR MOVIE 26

i think, in total there are two significant shinran moments worth talking about

i enjoy certain elements of the first scene:

ran impulsively goes after a member of the black organization and puts herself in danger because he poses a threat to haibara. their fight is AMAZING, i love how ran dominates pinga despite him attacking her with a knife

something similar happens in the manga as well (chapter 434), so the writing for ran absolutely tracks here

chianti sees the fight and interferes by attempting to shoot ran - shinichi barely manages to save her in time

here's the thing: i absolutely hate the writers for often reducing ran to a damsel in distress in these movies, that's an issue i'll further analyze in a bit

with that being said, i don't mind shinichi saving ran in this scene. it's an impactful shinran moment, cause so far the writing is similar to the manga

the only difference between chapter 434 and this movie is the fact that shinichi actually sees what's happening and is able to actively protect ran. i don't have a problem with that, because that's what shinichi and ran do - they protect each other.

what i love even more is how shinichi decidedly urges ran to stay put, i think that's also very in character for him:

he wants ran nowhere near the black organization, for very specific reasons that i'll get into another post

so far, this is a well executed scene, right? it's a very realistic, high-stakes moment that we'd expect from the manga. so far, so good, right? RIGHT?!

no. cause this is where the movie writers fuck up:

W H A T

ARE YOU FUCKING KIDDING ME?! SHE ACTUALLY STAYS?! AND WHEN SHIN TELLS HER TO RUN, SHE RUNS?! WHAT?!

this is is supposed be ran??? no fucking way.

my girl is the definition of reckless and stubborn. she's not just the type of person who'll enter a burning house to save a girl she barely knows (chapter 174), she's also the type of person who refuses to waste a single second when human lives are at stake. no matter how much shinichi begs her to stay away.

chapter 640

and she does this in chapter 822 on the mystery train as well: shinichi yells at the detective boys, sonoko and ran, he tells them not to leave their room, no matter what. and ran repeatedly attempts to go against his instructions because she's worried about haibara, despite receiving a text message that she's okay, btw. ran's intuition tells her that something is wrong with haibara, so she's gonna fucking look for haibara!!!

i need the movie writers to understand that my girl is absolutely unhinged. she cares about other people very deeply, to the point where she's incapable of watching from the sidelines as they potentially get hurt

so how would i have written this moment? what would've been a more realistic version of this scene?

shinichi and ran get into an intense fight: shin desperately urges ran to stay put, she refuses to listen. and then there'd be two possible outcomes:

a) ran continues to go after pinga and dies in the process (remember, ran was fully prepared to die for haibara in chapter 434)

b) shinichi realizes that he can't stop ran and offers her a safer way to help. ran accepts and they work together as a team to get haibara back

why didn't the movie writers go for this approach? my theory: they don't want ran to take a bigger role in these movies, so option b) was a no-go for them. obviously it'd make even less sense for them to kill off ran, but like i already explained, there's no way ran would just give up on haibara in that moment

so why include this moment at all? what's the point of starting such a strong scene if you're not gonna progress the plot?

the point is ran being a damsel in distress.

which brings me to the second shinran moment in this movie:

ran goes after pinga again and he kicks her off the balcony, she's about to fall and get hurt

kuroda ends up saving her and shinichi feels inadequate

..............

AGAIN, THERE'S NO PLOT PROGRESSION, THE ONLY POINT OF THIS SCENE IS TO MAKE HER LOOK WEAK

idk who this woman is but this ain't ran

HERE'S RAN FUCKING MOURI FOR Y'ALL

a woman who's consistently depicted as strong, fierce and very capable of protecting herself:

chapter 43

chapter 169

and that's not to say that shinichi doesn't worry about her sometimes, ofc he does:

chapter 493

but that doesn't take away from the fact that she's a fucking badass who can defend herself

and it's not just that she's capable of protecting herself, she protects shinichi too.

chapter 5

..........

it's like the movie writers read the manga, took note of moments where shinichi comes through for ran but completely forgot that it's mutual, they come through for each other:

chapter 389

chapter 1050

the movie staff doesn't get ran, they seem to have no idea how strong or caring she is and i hate how much it's hurting the fandom's perception of her

in conclusion:

visit the shinran library for more

[clover1500]

honestly just looking at these two frames and you can just see how much their relationship is to haibara

in the first frame (from captured in her eyes), Haibara says that she would prefer losing her memory and just become an ordinary primary school student to stay with Conan forever and after Conan blushes she says she's just joking, which shows she doesn't really want that to actually happen, because they weren't that close last time and she thought Conan would just be a friend

in the second frame (from black iron submarine) however, Haibara says that this will be the very last time she and Conan can be together because the black organization will come after her and get everyone involved in this mess as well, which i think is contrasting against the first frame showing how closer she has grown with him through all this time and now she's reluctant to leave Conan

just my thoughts though would love to see yours!

anyways my first vivid CoAi memory form the anime under cut

i loved this episode man, it seems like haibara giving her love to conan for the very first time hehehe