Swampy mangrove forests are staging a surprise comeback - which is good news for coastal communities and the climate.
The world's coastal mangrove forests, which protect millions of people from storms - and soak up vast amounts of planet-warming gases - are staging an unexpected comeback, scientists find.
For decades these swampy trees had been declining rapidly as they were cleared for fish farms and housing.
But a new study shows that since 2010 the world has been gaining more mangroves than it has been losing - driven by stronger legal protections and increased public awareness of their importance, sparked by disasters such as the 2004 Indian Ocean tsunami.
The researchers say the key factor though is the remarkable capacity of these forests to regenerate naturally once humans stop chopping them down.
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1. Can globally essential mangroves bounce back from deforestation? New study gives hope
“[The study] found that unexpected expansion and regrowth across the world began counterbalancing mangrove forest loss around 2010. The rate of gain has nearly outpaced losses, resulting in about a cumulative 1% global decline since the 1980s. […] The study also found that mangroves are becoming less degraded […] which means they are denser, retain more carbon and help secure shorelines.”
2. Peptide alternative to antibiotics could combat antimicrobial resistance crisis
“The peptide is stable and nontoxic to humans and is synthesized to attack the surfaces of bacterial or fungal cells that create biofilms, a sticky matrix that is often impenetrable to antibiotic treatments. […] “Our peptide shredded bacterial biofilms, which cause up to 75% of life-threatening infections," Neelakantan explains. [… It] “not only rescues from devastating bacterial infections, but also reduces inflammation and promotes wound healing."”
3. Norwegian startup raises $6M to fix this sneaky source of energy waste
“[The new] software-enabled devices can dial down the use and temperatures of existing heating cables to reduce electricity demand [using precise sensors….] Nordic Pharma said it has seen a 20% drop in the cables’ energy consumption since installing Eqon’s devices, which have also helped to alert the manufacturer to potential problems, such as frozen pipes and over- or underheated oil, that can disrupt production.”
4. How a tiny blue gecko became a conservation comeback story
“The gecko (Lygodactylus williamsi) lives in only two small forest reserves […] and depends almost entirely on screwpines for shelter, food, basking and breeding. […] Since 2016, they have cut down nearly 100,000 [invasive] cedar trees, reduced forest fires by around 80%, and planted about 5,000 native trees a year. Those efforts are helping the gecko’s population return toward earlier levels [as well as] improving habitat for other wildlife[….]”
5. Amazon floodplains cocoa offers a climate-resilient and sustainable chocolate
“Protected and irrigated by the forest canopy of the floodplains, Elene’s cocoa is more resistant to […] a fungus that devastated Brazilian crops in the 1980s, as well as climate change impacts like droughts and heavy rains. [… The presence of] “abundant and diverse local pollinators […] improves reproduction and results in better-quality fruit, more resistant to disease, higher in quantity and superior in flavor.” [… Between 2000 and 2024] reforested cocoa areas expanded more than fourfold[….]”
June 15-21 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)
Based on a true story, Mangrove, Small Axe, looks back at West London in the late ‘60s, where the Metropolitan Police regularly harass Notting Hill’s Black residents by closing down community spaces. Sam Spruell, an English actor who often portrays tough and ruthless roles, has the difficult role of playing the hated PC Frank Pulley, a racist police constable.
So Sam, we know you from the likes of Taken 3, Luther, Snow White and the Huntsman but where did it all begin for your acting career?
My Mum, Linda Broughton, is an actor so I grew up around it, but I also did youth theatre as a child. I started at a local one in Blackheath run by a charity called Age Exchange that was set up and run for years by the indomitable Pam Schweitzer, and I then moved onto the National Youth Theatre of Great Britain. I think youth theatres are fantastic for teenagers whether they want to be an actor, work backstage or just like being around the buzz of the performing arts.
How does this role compare to some of your other gritty characters?
I’d say that PC Frank Pulley is similar to other characters in the sense that he’s not a nice person - I’ve played a lot of nasty people. But he feels really out of his depth. He’s not that bright and is confused by what his world has become, and he feels pretty powerless. His detrimental and cruel actions are a way of trying to fix the numerous humiliations he’s suffered in the past.
You had the unenviable task of taking on the role of the controversial PC Frank Pulley; what did you find most challenging?
Trying to make him 3 dimensional which is difficult when someone is so obviously horrible.
This film is positioned in the Black Panther Movement; did you feel confronted as a white actor within this process?
It was hard to play someone who is so ungenerous and cruel towards the Black community in a film about the Black community of Notting Hill. In committing to playing that character fully, there’s even less chance you’ll be liked by your fellow actors who are invested in that community. You just hope that tension reads on screen.
A prevalent theme in Small Axe, Mangrove was one of a corrupt system. How different do you think the system is now?
Steve dedicated Small Axe to George Floyd who was murdered by a police officer in plain sight. I think that gives you your answer.
Most of the characters perceived themselves as protagonists of their own stories. But what do you think Frank’s story was? Did you delve much into his own motivations during your character development?
Enoch Powel and The Rivers of Blood speech became important to me when I was getting into Pulley - the imagery, the fear, the victimhood and suffering of ‘British Whites’ at the hands of the ‘Black Invader’. Despite Powel’s utter fabrication and dubious motivations that form the basis of the speech, he knew how to spin a yarn; it’s incredibly emotive and informed Pulley’s swagger, yet it also fueled his confusion and fear.
Within the film we see the stark contrast between periods of silence vs riotous turmoil, as a cast how do you maintain this intensity?
You remind yourself you’re working for Steve McQueen.
How challenging was it to portray the seemingly random acts of police violence against the Black community?
You look at the world and work on replicating it. I went to school in Kidbrooke and grew up in the shadow of the police, seeing them repeatedly failing Stephen Lawrence's family. This was (and still is) a cruelty that has left an indelible mark on me. Seemingly random… I think it’s something else I’m afraid of.
As actors on set how did you manage to maintain the sense of ‘them and we’?
Them as the characters and we as the actors? Everything gets mixed up, as it’s all so interchangeable, but yes I think we did, otherwise someone would have rightly punched me on the nose.
How true do you think that the trial judge’s verdict of there being “racial hatred on both sides” was?
That statement might be more meaningful if there was equal power on both sides - there wasn’t.
The topics covered within this film could not have come at a better time; what change would you like to see off the back of this?
A greater acknowledgement that Black Lives Matter- in the world today and in the stories we are telling.
And finally, we would like to know. What next?
I’m starting work on The North Water, directed by Andrew Haig with Colin Farrell, Jack O Connell, myself and other great actors. It’s going to be epic stuff; masculinity gone properly wrong.
Published: November 17, 2020
Talent: Sam Spruell at DDA Personal Publicity
Photographer: Claudio Harris
Stylist: Emily Tighe at The Only Agency
Makeup Artist: Maria Comparetto at The Only Agency
Hair Stylist: Davide Barbieri at Caren
Fashion Assistant: Cleo Webster
Words: Alice Harrison
Archive: web.archive.org
Nestled in Dongzhai Port National Nature Reserve, Hainan, The Lunar Tower has a building area of 206 sqm and a height of 33.5m.
Its slender silhouette minimizes environmental impact, while the gradient pattern facade, resembling mangrove leaves, seamlessly integrates with its surroundings.
Observation platforms are set at 12m, 24m, and 27m, linked by spiral staircases, providing vistas at different altitudes.
The tower's peak, reminiscent of the rising moon, offers a majestic panoramic sea view. As dusk falls, the moon-like pinnacle gradually illuminates, evoking a poetic ambience on site.
Hainan Dongzhaigang National Nature Reserve, Guangzhou, China,
Courtesy: South China University of Technology Architectural Design and Research Institute Co. Ltd. (SCUT),
