Romantic gothic novels (...) devote far more space to the thoughts and feelings of the victim and (often) of the persecuting demon than to the mechanisms of punishment and torment. What would be left of a man, these novels ask, if all human society were stripped away, all customary perception, all the expected regularity of cause and effect? They ask, in other words, what man is in himself, when deprived of all the external supports that channel ordinary experience.
—A Philosophical View of the Gothic Novel
















