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Scarlet Witch Dangerous Divas upper deck trading card by Michael Glover
Michael Glover
You've barely heard of this English painter who died in 1995, have you? Why? Various reasons. He died relatively young. He produced very little – usually two paintings a year, and most of these works went into private collections. He eschewed publicity. He was not a print-maker. Why would a dealer bother to show him if there weren't a goodly flow of works to grease the palm? Of the sixty-four paintings in this show – about a quarter of his total output - only twelve of them are in the public domain.
The show opens tomorrow, January 19, 6–8pm GMT at Gagosian Grosvenor Hill, London.
Art can be so poker-faced. Why not let in a bit of good humour? Is that not what we all crave after the miserable, over-stuffed purdah of the festive season?
Where oh where can we go to find important exhibitions that we do not necessarily have to pay to see? Try some of the private art galleries. They often stage exhibitions of museum quality. From 20 January on, for example, Gagosian of Grosvenor Hill in Mayfair will be putting on a retrospective of works by Michael Andrews, one of the greatest of post-war English painters, whose output ranged from the louche of the Colony Club to an entire series of extraordinary estuary scenes on the coast of Essex, painted from the vantage point of a seagull. That's how it seems anyway.
Are you ready to be tomorrow again, filled with an onrush of hope?
Michael Glover
Michael Glover
Unquiet to Unbusy – Coleridge, Hartley Coleridge and ‘Frost at Midnight’
Unquiet to Unbusy – Coleridge, Hartley Coleridge and ‘Frost at Midnight’
This week I was invited to another of Michael Glover’s wonderful Bowwowshop soirees at the Omnibus Arts Centre in Clapham. The focus was on the work of Coleridge. Tom Lowenstein read from From Culbone Wood – in Xanadu (Shearsman Books). There was also fiddle music and an aria from Mozart and parts of ‘The Ancient Mariner’ performed as a sea shanty (it really worked!). What follows is the text of…
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