I really like the line "And the universe said I love you because you are love" from the Minecraft poem, specifically for the word choice of "love" over "loved" the second time.
Because it's not saying you are worthy because of what other people think of you. It's saying you are worthy because of what you are. You are love, you are made of love, it's bursting at your seams and it's every bit of your being. You are love. You are love.
The problem with Minecraft is that they expand the world environment with every update but don’t add enough to made it actually enriching.
Take the nether update; The nether is arguably massive and expansive now; New biomes, new ore, lots to explore. But they never really added much to fill those biome. Yeah Piglins and hoglins and their zombie counterparts along with the mobs before but it is still so empty as they only spawn in certain areas in certain amounts. Minecraft suffers from having lots to explore but nothing new to explore it with or new goals other than better tools to do old things faster/safer... but by the time you get them you’ve probably done all those old things.
The game is not in a serious need to a process update but all future updates would benefit from it. Like if they had new tools for mining or farming, different swords or rudimentary weaponry to change up play style so each new game does not end up to the same point of monotony. I’m not saying to take away the bread and butter but add new spreads! From all I’ve seen the community tends to make challenges or mods that do this exact thing, adding more diversity/choice to how you play and the items you play with and adding some overhaul to in game mechanics would be refreshing as it would give people a new way to interact with the new Minecraft worlds we keep getting.
I’m just rambling cause I’ve been playing Minecraft a lot recently and I came to the realization no matter what my end goal is, I always have to approach it linearly as the quality of life system in Minecraft is so linear.
I’m breaking this into sections and doing this literally just because I did a bunch of early human language stuff as review and I need a way to. Make my brain stop thinking about history. But I’ll start with canon knowledge first and slowly break into less official stuff from there!
Everything’s under the cut, because this got very long.
Early Language:
Pictograms are written languages where an image represents a thing and specifically just that thing, an expansion on pictogram languages are ideogram languages, in which an image represents multiple things. Likely the most well known pictogram/ideogram language (as it evolved as the need to say more did) was Hieroglyphics. Hieroglyphs were modeled after specific things but eventually grew to have many different meanings.
What’s the reason for the history lesson, I hear you asking? There’s evidence of a pictogram/ideogram language in Minecraft, of course! Chiseled sandstone (both normal and red) have images on them that highly seem to imply that there’s language and meaning behind them! Sandstone has a creeper face (which as well as being obviously a nod to creepers, could also mean explosions, as these blocks are found in Desert Temples), and red sandstone has a depiction of the wither (it wasn’t uncommon to have drawings of god-figures in pictograms so there’s a chance that withers were a deity of sorts).
There’s also chiseled stone bricks, but that’s a much more abstract shape. Perhaps it’s meant to symbolize an eye, though, and therefore the end, as stone bricks are often found in Strongholds, but that’s much more speculative. Chiseled stone bricks themselves also naturally generate in Jungle Temples. Chiseled polished blackstone seems to have a face on it of sorts (resembling the nose of a Piglin, most notably), and chiseled nether brick resembles that of a skeleton skull.
The only two major minecraft structures that don’t seem to have chiseled variants with symbols on them are the End City (purpur) and the Ocean Monument (prismarine). Ocean Monuments aren’t easily livable spaces, so it makes sense that language wouldn’t be a major factor, though. For the End, however, perhaps the lack of a symbol block is because there was already written language.
(above is a chart with all blocks mentioned in this section, listing their names, the symbols that appear on them, where they generate, and what they may represent)
Development of Language:
Here we get into full written alphabets. There are several types of alphabet, but “true” alphabets are those with distinct characters for both consonants and vowels. The most widely used modern day true alphabet is the Latin/Roman alphabet. Minecraft items in general adhere to the language the player is playing, so for the sake of things, the language you speak doesn’t play a factor here.
As many people know, there’s actually a true alphabet present in the game! That is, of course, Standard Galactic! There’s no official words tied to it, but it is the script used in the enchanting table and various other smaller details in the game! Now one thing to note about the Galactic in the enchantment table is that if you actually take the time to sit down and translate the words present, they don’t translate exactly. Most of the time, they will be a word similar to the enchantment, but not the same. Sometimes it’s just entirely gibberish.
(above is a chart of the Standard Galactic Alphabet, with the scripts corresponding Latin letters)
What this means is that, talking about translation wise, Galactic and English (or whatever language you play in) don’t translate directly into each other. So it isn’t simply just English words but different letters. At least not exactly. Perhaps this is the language Villagers speak, as they can and do trade enchanted books and items.
What people may not know, however, is that there’s actually another script present in Minecraft! Or… at least kind of. There’s six letters of a different script present in the game. And unlike Standard Galactic, it doesn’t appear in any other sources, so we will likely never know how it works in its entirety. What we do know, though, is that there are symbols on the End Crystals! And, digging into those textures, we can translate a word out from them by messing with them a bit! That word is… Mojang. It’s probably meant to just be an easter egg used to fill space, that one.
(above is a visualization of how the symbols present on End Crystals can translate into the word Mojang)
That being said, though, lore-wise, it can have a bigger impact! Remember how I said that End Cities are lacking in a pictogram? This can serve as an explanation! Perhaps the Enderman developed with language, even as far as having wide-spread Galactic (as there are enchanted books and armor in End City structures), but upon entering the end, after many years, they broke away from the standard script. Development of a new written alphabet and even more different languages is certainly possible, it’s happened plenty in the real world. Isolation creates new advancements. So the Enderman create the language present on the crystals at some point, eventually.
Additional Concepts and Less Canon Tidbits:
Here we get into wild speculation and fun ideas that don’t really hold any weight! If you don’t want that, that’s entirely fair!
Obviously, Villagers have what is technically the most advanced society economically. They trade for goods, have various jobs and artisans, and have an item that they value costs at (emeralds). They also have the most concrete communities, having villages, obviously. Villagers also have domesticated animals! Both in the sense of farm animals and also cats.
There’s also Pillagers- which I haven’t mentioned much here. They have giant mansions which seem a lot like manors. They don’t do trade, but they’re skilled fighters and have trained war animals, as well as people who have specific combat styles. They’re plenty advanced, especially because they have potions and therefore understand medicine at least to some degree, but much more war-oriented.
Piglins are essentially wandering tribes. They don’t trade, they barter, most of their structures are in ruins and the structures they do have are very heavily guarded because they contain riches. The Piglins seem to follow animals that they use (hoglins), but are also seemingly in the process of domesticating them. They also don’t seem to have much more in the way of language than pictograms (though there is Galactic present and they do seem to understand enchanting and brewing to an extent). Piglins seem to be midway in advancement, really.
Enderman are… complicated. Because yes, they do have written language and they do have cities and communities and means of transportation, they don’t exactly… interact. They don’t trade. They’re technologically advanced beyond any other groups in the game, but they are mostly isolated. So they’ve advanced entirely alone, building off only themselves.
There are also Nether Fortresses but that’s… complicated. Those tied exclusively to these structures are Wither Skeletons and Blazes. These are very different creatures, however. There’s also the fact that Blazes spawn almost exclusively from spawners. It’s hard to tell if Wither Skeletons or Blazes are the proper inhabitants of the area, but it could be both. Wither Skeletons likely originated from traditional Skeletons adapting to the environment of the nether. They’re undead and therefore it isn’t impossible that they may have, at least in the past, known how to build structures. Eventually losing that ability as the Nether degraded them.
Nether Fortresses provide no trade but there are chests that can contain loot! And some of that loot suggests a knowledge of places outside of the Nether (horse armor, most notably). Wither Skeletons/Skeletons generally may have also descended from people fearing a god figure called the “Wither” and therefore, the blackened skeletons were made out to be part of what would summon the creature. So they were kept in the Nether to avoid something like that reaching the Overworld.
There’s also… Ocean Monuments. I have no idea with those. Elder Guardians are likely a figure that’s revered. Giant structures were built for them to appease them or something of the sort. They might be told to keep the seas at peace or something of the sort. Not an active civilization, however. A structure built to pay respect to something powerful.
There’s probably plenty of things I blanked on mentioning, but yeah! This has been fun! I don’t know why this is my definition of fun.
Tommy’s attachments, despite being his ‘fatal flaw’ (according to Dream), ended up being his savior. All of the time he spent making friends on the server, joking around with people, and just being kind. Tommy wasn't creating liabilities like Dream thought he was, Tommy was making allies.
And that was something Dream never understood.
The whole time, he saw those around him as nothing more than inconveniences; blackmail that could be used to control him. So he destroyed everything. He burnt down his house, ruined his friendships, and crushed everything and anything that he perceived as a weakness, anything that mattered to him; that made him sentimental. He made sure that there would be nothing that could be used against him; he was said to be invincible.
He had nothing.
Nothing against him, but also nothing with him. No one was with him.
Dream was alone. And that was his weakness.
That’s why Tommy won. He opened his heart to everyone, building bridges and friendships who eventually came to his rescue, while Dream did nothing but destroy connections to serve as his own personal benefit.
But all Dream did was seal the fate of his own destruction.
Literally just remember that the secret room with the disc is triggered to open by a skulk sensor meaning the warden was not initially there seeing as they used the things that summon it so recklessly.
Or perhaps it always existed and they used one too many and it finally had enough...
In the most recent snapshot the big ring in the center of the deep dark ancient cities sort of look like a deactivated portal. If that is the case lore wise, it could eventually mean a new dimension.
My theory is that the portal is an Aether portal and the skulk/warden plus the corruption/rot we see are warped creatures/flora from such. It may not be called the Aether but it could be THE sky dimension and the Warden got so fucked up cause it was meant to be in the air/high altitudes and it had to quickly adapt to underground or suffered a bad transformation from the cross over.
The room that you find a special disk is a testing room and the disk sounds like a recording of said test. Possibly the end is the portal activating and ending the test with the magnitude of the power or freaking out at whatever came through. Either way the ring and the disc are very interesting if we look at them as if they were connected as they both heavily connect to what happened to the builders that lived in the cities.
aYE- thoughts on schlatts death? I thought I was really funny but also actually very in character and it made sense for him to have a non-dramatic death in a way.
Sorry if this question isn’t a very good one djfhfh
ALL QUESTIONS ARE GOOD QUESTIONS!!!
Honestly, at first, Schlatt’s death seemed very anti-climatic. They spent months trying to defeat the main “antagonist”, only got him to die of natural causes?
But the thing is, it works so well.
Schlatt’s character was always one who desperately wanted to be in the spotlight. He wanted to able to rule a kingdom, fuck around, and face no consequences. Despite all the threats he made towards Wilbur and Pogtopia, and the character he built up of being ‘dangerous’, he was all bark and no bite.
He let his greed and gluttony get the better of him, becoming so overwhelmed with his own personal accomplishments/pleasures (ie; working out, drinking) that it eventually consumed him
In the end, Schlatt died alone, with power, doing what he loved, surrounded by people that hated him. And for Schlatt, that’s the ending that works best for him.
And as it turns out, Schlatt was never the true antagonist; His death was merely a catalyst for the inevitable victory of our true villain; Wilbur.
