#modinha

[epifaniacintilante]

Ás vezes eu amo tanto a música do meu país que dói ❤

[chococat-s]

jennie moodboard

if you save like or reblog

don't inspire or copy

[musascelebridades]

#Repost @carolina.arjonas Recebi essas fotos ontem e amei!! Obrigada @jbfotografo . . #metaverso #lingerie #boneca #desenhos #explore #modinha #cintura #abdomendefinido https://www.instagram.com/p/Cl7p9CPtMMn/?igshid=NGJjMDIxMWI=

[kellyfernanda]

Nossa loja quer o melhor para nossas clientes sempre

[doyowinn]

colorfull moodboard !♡

todos os icons são meus(feitos por mim),não repostem!!

todos os icons vão estar no meu perfil do pinterest ☆¡

clique aqui !

[web-spaghetti]

⤹ クッキー ꧑૭૭ᦺɓ૭ᥲ𐑾ᦺ 𓂃 💭 ⌗͢ꕤ! ﹫web-Fairy 🖇՚⠀𖠗 ᝢ⃗▓ت︎▒▓⃨༉» 𝙻Ꭵ𝗄ᦸ 𝚘𝚛 𝚛ᦸ𝚋𝗅𝚘𝚐, 𝗉𝗅𝗌 ! ▓⃨♡▒⃛ ♡⃡⃠ ﹙🥞﹚ᥕᥲẜẜᥣᦸ꯲ ᕱ⑅ᕱ ﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏

[vinylspinning]

Heitor Villa-Lobos: Bachianas Brasileiras (1987) [Composed 1930-45]

Remember when Tower Records went bankrupt, held going-out-of-business sales nationwide, and how all of us once-loyal customers flocked there -- partly in earnest mourning, like a funeral procession, and partly for selfish reasons, just like greedy family members trying to finagle some of the deceased’s precious china?

Well, here’s your chance to ‘fess up, because I’m about to: this patriotic fool walked out of Tower’s 4th & Broadway location that night with a 3-CD set (later replaced by this 4-LP box) compiling all nine of Heitor Villa-Lobos’ Bachianas Brasileiras, as performed in 1987 by the Orquestra Sinfônica Brasileira, conducted by Isaac Karabtchevsky.

Born in Rio de Janeiro, in 1887, Villa-Lobos is arguably the most famous Brazilian classical composer, and his Bachianas (written between 1930 and ‘45) are so named because they combined native Brazilian styles (ponteio, modinha, etc.) with baroque harmonic and contrapuntal techniques mastered by Johan Sebastian Bach in the 18th Century (preludes, fugues, etc.). 

None of which I understand in the slightest, technically-speaking but, trust me, this is some good shit!

And you’ll probably recognize several movements here based on their frequent use in movies, documentaries and such, especially the operatic Bachiana No. 5, as featured in Bel Canto, The Edge of Democracy, uh, Spy Kids 2 and, ahem, Fifty Shades of Grey.

Less popular among music supervisors, perhaps, but even more familiar to us laymen (and laywomen!), if you ask me, are the No. 2’s beseeching “O Canto da Nossa Terra” and No. 8’s multi-dimensional “Modinha,” which feels like a mini-symphony in its own right. 

But if you listen to just two movements out of the available 28, make it No. 4’s absolutely sublime, heart-rending “Prelúdio,” and No. 1’s stern, somber but rousing multi-cello-orchestrated “Embolada” -- Heitor had trained as a cellist in his youth, so he proudly dotes on them like favored children.

And the composer duly became one of Brazil’s favorite sons ... upon his death in 1959, Villa-Lobos’ state funeral turned out to be the final major civic event held in the ‘Cidade Maravilhosa’ (that’s Rio de Janeiro, in case you’re wondering) before Brazil’s political capital was transferred to Brasília.

More Classical Music: Béla Bartók’s The Miraculous Mandarin, Ludwig van Beethoven's Piano Concerto No. 5, Aaron Copland’s Symphony No. 3, Claude Debussy’s Prélude à L'Après-Midi d’un Faune, George Frideric Handel’s Water Music, Gustav Holst’s The Planets, Franz Liszt’s Piano Sonata In B Minor, Darius Milhaud's La Création du Monde, Moondog’s Moondog, Carl Orff’s Carmina Burana, Luciano Pavarotti’s Favorite Tenor Arias, Sergei Prokofiev’s The Love for Three Oranges, Dmitri Shostakovich’s Symphony No. 10, Igor Stravinsky’s The Rite of Spring, Pyotr Ilyich Tchaikovsky’s Symphony No. 6, Edgard Varèse’s Complete Works, Antonio Vivaldi’s Le Quattro Stagioni, Richard Wagner’s Der Ring Des Nibelungen, Xenakis’ Metastasis, Frank Zappa’s London Symphony Orchestra, Vol. 1, Various Artists’ 2001: A Space Odyssey, Música dos Grandes Mestres, Phases of the Moon.

[galeriaparalela]

HAHAHAHAHA Isso é tão familiar