#monchi

[smash-or-pass2]

@smash-or-pass2

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Voting ended onNov 10, 2024

[roboreverie]

Some headshots of what I'd think the Mitchells would look like a few years into the future, with a few OCs scrambled in.

As this is for a project, these likely won't be the final designs for them, but I'm actually quite liking some of the designs.

[toonstarterz]

I'm blown away, y'all.

Movies like this NEVER get greenlit. Studios are supposed to be pussies that are too afraid to make wholly original animated films that don’t piggyback on an existing IP or be an irreverent kid’s comedy.   

The Mitchells vs. The Machines is a love letter to the animation medium itself. A passion project created BY artists FOR artists. Katie’s struggles as an 18-year-old aspiring creative was the call-out post of a lifetime. And when I saw those end credits that featured the crew's family pics, I was touched beyond belief ‘cause that’s how you know this film wants its artists to be SEEN.

Masterful.

[butterfingersart]

thank you for the robots Mitchells Vs Machines

[amicus-muggle]

by Lindsey Olivares (@lindseydraws on twitter)

[jettpack]

Here are 8 color keys I did for a sequence in the Mitchell’s vs the Machines. i don’t think I’ve posted these before. This is from near the end of the movie, you might remember the “dog, pig, loaf of bread” moment. In most cases, color keys are done over un-textured final layout models. Assignments like this come at the end of the visdev schedule in a production. The color is based on a color script, which in our case was done by color wizard Dave Bleich . Depending on the production, it’s usually not important for the characters/specific objects to be fully rendered out in a color key, since mostly what you are trying to communicate is the color and value of a scene which is then matched in the lighting phase by the CG team.

[fancykraken]

Monchi in The Mitchells vs the Machines (2021) | part 1

[theenbynightingale]

OK SO the full text at the bottom says: 

"Katie Mitchell swears in perpetuity that no MULE or MULE(S) specifically the mule in question ("PRANCER") was injured in the making of this film. Katie Mitchell accepts the terms of 'MULE TOURS, INC." and admits that the perpetrators in question ("MY INSANE FAMILY") did break the following rule (or rules). Rule 1. RICK MITCHELL (Whose qualities include, but are not limited to: Aggressiveness. Excessive sweating, and is shaped like a wine glass. Srsly tho- look at that guy- IS THAT MY FUTURE?) did exceed the posted weight limit (230 lbs./104.3 Kg) and is thus responsible for Prancer's agitated state. (Re: Braying, biting Rick's leg- which the undersigned hereby found funny) 2. LINDA MITCHELL (Whose qualities include, but are not limited to: Being a ray of sunshine that illuminates even the darkest day) is responsible for trying to feed the mule in question thirteen(!) packs of dinosaur shaped fruit snacks in a misguided attempt to calm him - and potentially incited the lethargy that led to "PRANCER'S" untimely fall. However, LINDA'S heroic call to animal services saved the MULE ("PRANCER") in question's life. 3. Aaron Mitchell (whose qualities include, but are not limited to: Dinosaur knowledge, Being my A.D. 4 Life, and having the cutest rosiest cheeks YOU'VE EVER SEEN IN YOUR LIFE) and the undersigned- Katie Mitchell now hereby claims the distinguished right to mock RICK MITCHELL for his cold blooded cowardice by asking him questions like: "Now that Mom stubbed her toe, are you going to leave her behind like Prancer?" It makes him furious and brings us unending joy. Prancer may be relegated to the barn now- but he will forever live in the barn... of our hearts."