can you guys hear my screams of excitement
seen from Brazil
seen from Spain
seen from Yemen
seen from United States
seen from United States
seen from United Kingdom

seen from Maldives

seen from United States
seen from Georgia
seen from France
seen from Italy
seen from United States
seen from United States
seen from Netherlands
seen from Russia
seen from Germany

seen from Netherlands
seen from Germany
seen from Hong Kong SAR China

seen from Malaysia
can you guys hear my screams of excitement
if jnj released a pencil tpot in og bfdi and called it battle for freesmart (abbreviates to bffs) would that be fucked up or what
JOJO NEWS: OFFICIAL RELEASE DATE FOR THE STEEL BALL RUN ANIME!
Netflix have released a new trailer for the Steel Ball Run anime, which shows off quite a few scenes from the first few chapters - We get a good look at Soundman and Pocoloco for the first time too!! Check it out:
And of course, the trailer has revealed a release date for the first episode: March 19th 2026!!
The first episode is 47 minutes long and will be covering most (if not all) of the first stage of the race. I’ll be curious to see how the other episodes roll out after this big one!
We finally did it guys - We have a date for Steel Ball Run!!
Steel Ball Run also has a dedicated booth at JumpFesta over this weekend - If any big news comes out I’ll keep you updated! For now, keep an eye on the JOJO anime account for any updates.
I feel like a lot of the Thomas defenders that I see online seem to get stuck at the starting point of criticism— the “there’s no finale coming, or even new SaSi content” criticism.
Which! It’s valid criticism! But defenders go “well, Thomas is human! You can’t expect him to be a content mill!”
Again! Fair rebuttal! However, the Finale Is Never Coming criticism is a symptom of the larger problem at hand. And the problem that I personally have with Thomas is that he has no regard in setting a clear path of communication nor boundaries.
There’s no communication with his fans or his patreon. And no. Insta stories that say “Editing! 🫶” And selfies with the caption “Filming 😻” are not communication, that’s stalling.
There’s no communication with the people he hires. Why are animations getting paid cents or not at all for their work. Why are employees learning their jobs are over via tweets and YouTube community posts. He doesn’t care about the staff he has, or about the freelance he employs and it’s shown through how he treats them, how they now have to dance around how they talk about their experiences online because they’re afraid of legal repercussions.
Thomas has cultivated a deeply parasocial bond with his fan base, one that he is exploiting for money, attention and defense, because you can’t even comment under his posts politely asking for a more in depth update without getting a victimized response from him or a fan rabidly clawing into their screen to protect their favorite Internet personality.
And that’s why the criticism is so harsh. Because having a fan base like this and treating your business like this is dangerous and toxic.
Happy world premiere day (again)!!! I decided i didn't want to reblog today's countdown post a ton of times if we got new pictures/videos of the premiere. Sooo I'm dumping them here, I'll keep reblogging this post!
We just got some video of the main Original Broadway Cast at the World Premiere at the Tribeca Film Festival!
Edit: source!
April’s notes because I haven’t seen them around yet.
UH OH!