Summary: You must marry the Prince of Dorne. He respects you, but he doesn't want you. Years later, things change, but something disturbs and upsets your serenity; so it's up to you to reveal the secrets and lies that threaten to disturb you forever.
TW: arranged marriage, Oberyn is older than you, use of female pronouns and reference to female features of the main character, use of you, Oberyn likes men and women like in the TV series, death, violence, smut. I will mark chapters with a warning if there are descriptions that might bother you.
credits: divider created by @zaldritzosrose
MASTERLIST
Oberyn returns as the sky begins to pale into soft shades of pink. Night is no longer holding, and dawn arrives with a kind of hesitation.
The air is cold, sharp against the skin like a thin blade, and the courtyard of the castle breathes in that heavy silence that always comes before the day fully claims it. The torches along the walls are burning low, their smoke curling into the faint mist clinging to the stone.
He passes through the secondary gate, his dark cloak slipping loosely from his shoulders, his hair stirred by the wind, still damp with the night’s humidity. His pace is slow, deliberate—as if time answers to him, not the other way around.
The guards see him.
One of them straightens instinctively, but says nothing. There is no surprise in their eyes, no reproach. Only awareness.
Oberyn inclines his head in return. Nothing more. Not a request for silence—simply the quiet certainty that it will be kept.
Farther off, a young servant girl carrying buckets of water falters for a moment, her gaze lifting without meaning to. She does not look at him like a master.
She looks at him with curiosity.
He does not stop.
He crosses the courtyard as though the castle were merely a passage, not a place he belongs to, and disappears beneath the arches before the sun can reach him.
Behind him, the silence does not hold.
It fractures.
And then the whispers begin—spreading faster than the light.
You are not alone.
Not in the way you usually are.
When you step out of your chambers and walk down the corridor leading to the inner staircase, you feel it immediately—a subtle shift in the air. It’s not obvious. Not a murmur, not a careless gesture. Something quieter: a glance that lingers a second too long, a voice that falters the moment you pass.
One of the handmaids arranging blankets lowers into a bow, but her eyes lift for just a fraction before dropping again. There is no mockery there. No pity.
Only curiosity.
That is the difference.
Curiosity is—perhaps—more dangerous than pity.
You descend the steps with the composure you were taught, measured and controlled, but inside it feels as though the night has left something behind.
Near an archway, two young servants speak in hushed voices. They don’t notice you right away.
“He came back late,” one murmurs.
“Very late.”
Then they see you.
They fall silent.
Their heads bow too quickly.
You don’t ask for explanations. You know who they’re talking about.
You don’t care where he spent the night.
You care that it has already become a story on someone else’s lips.
You continue toward the breakfast hall without quickening your pace. Here, dignity is the only armor they cannot strip from you.
The hall is already lit when you enter, though the natural light still struggles to overtake the candles. Your father sits at the head of the table, posture rigid and controlled, as though every morning were a negotiation to be won. Doran sits beside him, still and silent, with the calm of a man who observes before he chooses.
Baelor is seated a little farther down, and when he lifts his gaze to you, his smile is that of someone who has been waiting for the right moment.
The chair beside Doran is not empty.
Oberyn is already seated.
Drinking.
He does not look up when you enter—but you know he has seen you.
You take your place with measured grace, hands resting in your lap before the bread is broken and the cups are filled. The silence before the first words is heavier than usual.
Baelor is not a man who knows how to remain quiet. “Did you sleep well?” he asks lightly, addressing you.
The question would be harmless in another room. Not here.
“Enough,” you reply.
“I imagine sleep can be… irregular,” he continues, his tone deliberately mild, “when one discovers that certain habits are more… flexible than expected.”
The strike is subtle. And precise.
Your father does not intervene.
Doran watches.
Oberyn takes another sip of wine, with almost irritating calm.
Baelor tilts his head slightly. “The guards noticed. It seems the prince knows the village paths well—even in the dark.”
A servant stiffens as he sets down a dish.
You do not look at Oberyn.
You will not give him the privilege of your reaction.
At last, he sets his cup down. The sound is soft, but it is enough to draw attention. “It is remarkable,” he says evenly, “how men who have never stepped beyond their own walls are always the most informed about what happens outside them.”
There is no aggression in his tone. But the meaning is far from neutral.
Baelor smiles, though the smile tightens.
Oberyn continues, his gaze settling on him with quiet precision. “When I spend a night away from a bed, it is not to seek what I lack. It is simply because I have nothing to prove to anyone.”
The words linger in the air. Elegant. Cruel.
Baelor stiffens, and for a moment seems to search for a response that will not betray him.
Doran speaks before he can. “Freedom is often misunderstood by those who have never had it.”
Your father does not appreciate the direction the conversation has taken, but he cannot challenge it without exposing himself.
Oberyn adds, almost idly, as if offering a cultural observation rather than a calculated blow, “In Dorne, we do not measure women by the movements of men.”
He does not look at you when he says it.
And that is precisely what unsettles you.
It is not possession. Not gallantry. It is principle.
And the balance in the room shifts—subtly, but irreversibly.
Baelor lowers his gaze to his plate.
For the first time, he is the one being observed.
The meal ends without further disruption, but the air does not return to what it was.
Baelor speaks less. Not silence—never that—but he weighs his words now, and that alone is enough.
Your father rises first, as always, and the room moves with him. Doran remains seated a moment longer, watching his brother with that calm that is never without purpose. Then he rises as well, leaning on his cane in a gesture that appears fragile, but is only measured.
You remain seated a heartbeat too long.
You do not want to rise with Oberyn.
You do not want to seem as though you are fleeing, either.
When you finally stand, you do so without looking at him. But you feel him move at the same time. He does not touch you. He does not overtake you. He walks beside you for a few steps—close enough to be felt, distant enough to deny intention.
The corridor beyond the hall is cooler. The candles still burn along the walls, but daylight is beginning to win against their golden glow.
“I did not need to be defended.”
The words leave you before you can stop them.
You do not look at him.
He does not answer immediately. You feel his pace slow slightly, as though weighing the words before giving them space.
“It was not a defense,” he says at last.
His voice is low. Unemphatic.
You stop. You have no choice but to turn. “Then what was it?”
Oberyn inclines his head slightly, as though the question is valid—but not urgent.
“A miscalculation,” he replies. “Your cousin mistook the echo of his own voice for authority.”
No sarcasm.
Only fact.
“And that bothers you?” you ask.
“It bores me.”
The tone is calm, but there is something more attentive in his eyes than the word suggests.
Silence stretches between you. The corridor is empty now. The others’ footsteps have already faded into the inner chambers.
“I don’t care where you spend your nights,” you say—because it’s true. Or because you want it to be.
He studies you, his gaze neither provocative nor gentle. Analytical.
“Good,” he answers. “It would be irrelevant anyway.”
It should irritate you. Instead, it leaves you suspended.
“But you care that they talk,” he adds after a moment.
Not a question.
A statement.
You stiffen.
“I care that they speak of me as though I were a reflection of what you do.”
A beat of silence.
Oberyn steps half a pace closer. Not enough to touch you. Enough for you to feel the warmth of him through the light fabric.
“You are not a reflection,” he says. “And you are not weak.”
The words are simple. They should make you feel strong, because for a brief moment you have the sense that he has truly seen you—not as a piece. Not as a wife. Not as an obligation.
“And do they know that?” you ask.
A shadow of a smile crosses his face.
“I do not care what they know.” A pause. “I care what they think they know.”
Something in the way he says it tells you he is thinking beyond breakfast. Beyond Baelor. Beyond you.
And for the first time, you look at him not as an imposed presence or an unwanted husband, but as a man who is calculating, measuring, anticipating.
And that is when you remember why he still feels like a stranger.
“There’s something you’re not telling me,” you say quietly.
Not an accusation.
An instinct.
His gaze lingers on yours a moment too long. “There are always many things left unsaid,” he replies.
He does not deny it.
He does not confirm it.
He simply steps aside, leaving the corridor open for you.
“Prepare for the journey,” he adds, almost absently. “We won’t be staying here much longer.”
And that is all.
He does not stop you. Does not move closer. Does not try to close the distance.
That is what brings you back to yourself.
Whatever you thought you felt a moment ago remains suspended between you. It does not grow. It does not settle.
It simply stays there—something that could become something else.
Summary: You were forced into a marriage without love. Years later, when something shatters your fragile serenity, you must uncover the secrets that could ruin everything.
TW: arranged marriage, Oberyn is older than you, use of female pronouns and reference to female features of the main character, use of you, Oberyn likes men and women like in the TV series, death, violence, smut. I will mark chapters with a warning if there are descriptions that might bother you.
credits: divider created by @zaldritzosrose
MASTERLIST
No one had told you that becoming a wife would mean learning to live beside an absence.
Sleep is not a refuge. It is only another corridor of the castle, darker than the others, where no one asks you to smile, yet your body keeps remembering.
You wake before dawn, when the air is still cold and unmoving, and the loudest sound is your own breathing. For a moment, you lie still, staring at the ceiling—the dark beams, the thin cracks between the stones. The bed is too large to be yours, and too neat to feel real.
You turn onto your side.
There is no one there.
There has never really been anyone there. And yet, emptiness has its own way of taking up space. You can almost feel it like a presence: the place that should belong to a husband, the place that is instead only an authorized absence.
You push yourself up and listen.
Nothing.
A castle sleeps differently than a house. A house breathes. A castle holds its breath.
You rise, barefoot. The floor is freezing. You cross the room with light, almost guilty steps, and pull the curtain at the window just slightly. Outside, it is still dark. The courtyard is a gray blur of stone and shadow, the torches along the passageways burning low, as if they too were growing tired.
You don’t see Oberyn.
You catch yourself looking for him, and the realization irritates you. You shouldn’t be looking for him. It doesn’t concern you. It shouldn't.
You pull away from the window as if it had been the one drawing you in.
You wash your face in a basin of cold water. Your hands tremble slightly, but it’s not just from the temperature. When you look at yourself in the dull mirror they left you—a piece of polished metal that distorts—you see eyes that are far too awake for a day that hasn’t even begun.
You slip into a simple dress, the simplest you have here. Though nothing is ever truly simple: even “modest” fabrics in a castle are softer, cleaner, more expensive than anything you ever wore in the village.
That’s what hurts most.
That even your poverty, here, would be a luxury.
When you step out of the room, the corridor is empty. The torches are nearly burned out, and the smell of stone fills your lungs. You walk without knowing where you’re going. If you stayed shut in there, it would start to feel like the walls were closing in.
You reach a narrow window overlooking the inner courtyard.
The light is changing, slowly. The sky is growing pale, but it is not a gentle dawn. It is a colorless one, without promises.
A servant passes at the far end of the corridor, a bundle of sheets in his arms. He sees you and immediately lowers his gaze, as if you were a knife laid on a table and he didn’t want to cut himself.
“My… lady,” he murmurs, uncertain.
The word still sounds wrong to you.
You give a slight nod, because by now you’ve learned that here, nodding is safer than speaking.
The boy hurries away.
You remain there, watching the courtyard.
And you think of Cole.
The thought comes without asking permission.
Cole running, Cole laughing, Cole with his hands covered in flour and dirt. Cole taking your hand as if it were the most natural thing in the world, as if touching you didn’t require the world’s permission.
Cole, now, who is only a name.
A name spoken by a man with a Tyrell seal at his throat.
A name that was taken from you with a single sentence.
Gone.
Your heart aches in a way you can’t explain. It isn’t just fear. It’s something subtler: the feeling that the past is becoming unreachable, like a village swallowed by a flood.
You wrap your arms around your chest, as if you could hold yourself together.
The sound of firmer footsteps makes you turn.
Talia.
You recognize her before you even see her. Your aunt has a way of occupying the air—she never enters a place without it knowing. She is already carefully dressed, her hair pinned, her face set like a weapon.
Her gaze travels over you, from head to toe.
“You’re up early,” she says.
It’s not a compliment. It’s an assessment.
“I couldn’t sleep,” you reply.
Talia presses her lips together slightly, as if “I couldn’t sleep” were a fault. Then she steps forward and stops beside you at the window, looking out as though the courtyard belongs to her.
“You look tired,” she comments. “Try not to show it. Fatigue makes people… sincere.”
You almost laugh, but you hold it back. Sincerity here is a sin.
“It will be another full day,” she continues. “The Prince Regent isn’t leaving today.”
“Prince Regent.” Doran. The grand words slide over you like cold rain.
“And your husband…” Talia pauses for a moment, as if the word itself irritates her. “…will be present. At least enough.”
The sentence tightens something in your stomach.
“Where is he?” you ask before you can stop yourself.
Talia glances at you sideways, both surprised and faintly disgusted.
“It’s not like you to ask about a man.” she says.
Your back stiffens.
“It’s not my habit to ask about anyone,” you reply. “Here. But—”
“But nothing.” Talia cuts you off. “The Prince of Dorne has his own ways. And we are not in a position to judge them. Nor to comment on them.”
We.
As if you truly belonged inside that word.
Talia smooths an invisible crease in her gown, then continues in a more practical tone: “You’ll come down for breakfast shortly. The real one, not that farce from yesterday with the envoy. There will be fewer outside eyes today, but more inside ones. It’s not better. It’s different.”
“And Oberyn?” you ask, without thinking.
Talia exhales softly through her nose.
“If he’s where you think he is, I don’t know,” she says curtly. “If he’s where I think he is, it’s none of my concern. And it shouldn’t concern you.”
A chill runs down the back of your neck.
Not because you truly care where he goes. You tell yourself that, and you only half believe it.
It unsettles you because it reminds you of your place. Because it makes you feel, again, like when your father spoke of you as something to be moved.
Talia brushes your shoulder. The touch is light, but it isn’t affection. It’s guidance, the way one would guide an animal that might run.
“Smile when you enter,” she says. “Not so much that you look foolish. Just enough to seem… trained.”
Hatred rises in your throat. You swallow it.
“Yes, my lady,” you reply.
Talia nods, satisfied, and walks away with the same measured step as before, leaving behind the scent of perfume and control.
You remain there a moment longer, staring outside, until the cold seeps into your bones and forces you to move.
You descend the stairs slowly, because every step is a way to delay what awaits you.
The breakfast hall is smaller than the great banquet hall, but no less formal. Here, formality isn’t a celebration—it’s a habit.
Your father is already seated.
When you see him, you feel the old instinctive reaction: a tightness in your stomach and the want to become invisible. It's as if your skin remembers what it means to be under his gaze.
Next to him is Doran.
The Prince Regent appears more tired in the daylight. His eyelids are heavy, his hands carefully placed on the table, as if even the act of placing them were a decision. He's not weak, though. He looks tired. Not weak. Controlled.
Baelor is across the table, not too far away.
He looks at you and smiles, that half smile that never reaches his eyes. Your cousin always has the look of someone who is always waiting for someone to make a mistake, because someone else's mistake gives him a place in the world.
Oberyn is not there.
The seat reserved for him is empty. That should reassure you.
But that's not the case.
You sit with your back straight. Hands in your lap. Your smile trained in the right place.
“Daughter,” your father says, as if he were granting you the honor of existing. “finally.”
You don't answer with a sentence. You nod.
Doran tilts his head slightly toward you. It's a small gesture, but deep down you sense something akin to true courtesy. Maybe it's just because the comparison with your father makes everything more human.
“I hope the night was… kind,” Doran says.
The word kind almost feels out of place. It hurts in a strange way, because it reminds you that there are people who know how to choose their words.
You hesitate.
“It was… silent,” you finally reply.
Baelor makes a low sound that could be a stifled laugh or a cough. He does it on purpose, quiet enough to deny, loud enough to be heard.
Your father ignores him. Or pretends.
Doran's expression doesn't change, but his eyes slide over Baelor for a moment, as if cataloging him.
“Silence is a rare luxury,” Doran comments. “Sometimes a blessing.”
You don't know whether he's saying it for yourself or for himself.
Your father puts the glass down on the table with a sharp touch. “Oberyn hasn’t come down yet,” he says, as if it were an irrelevant detail. But there is that familiar note of irritation in his voice: the note of the man who hates what he cannot control.
Baelor allows himself to intervene, with an innocent air. “Perhaps he doesn’t rest well in such… green surroundings,” he says, as if it were a comment on the climate. “Or perhaps he dislikes certain company."
The sentence hurts you.
You look at him. Not with anger, but with the clear awareness of someone who recognizes poison when they smell it.
Doran barely looks up. He doesn't smile. “My brother sleeps where he can,” he says simply.
Your father gives a hint of a smile. It's not warm. It's a strategic smile. “Of course,” he replies. “I understand that Dorne has… different customs.”
The word different is used as inferior.
You bite your tongue to avoid speaking, to avoid responding as you would like.
Baelor adds, as if worried, “It’s just… people notice, uncle. People talk. And a new union—”
“People can talk until their tongues wear out,” your father interrupts coldly. “And House Florayne will stand regardless.”
Baelor lowers his head, obedient. But something shines in his eyes that isn't obedience. It's satisfaction: he's managed to take the conversation where he wanted.
Doran says nothing for a few moments. He seems to listen to the clatter of cutlery, the faint rustling of servants entering and exiting.
Then he asks, in a calm tone, “Any news of the boy?”
You stiffen.
Your father slowly puts down his fork. He's a man who knows when a topic is risky.
“None,” he replies. “And I don’t think the news will get through any faster if we mention it in the morning.”
Doran nods slowly, as if acknowledging it. He doesn't insist. But it's not because he's giving up. It's because he's choosing.
You can't help but look at Oberyn's empty chair. Not because you miss him. Because his absence is something everyone sees, and you're sitting here as a symbol, not as a person.
Baelor follows your gaze and smiles. “Looking for him?” he asks, his voice too gentle.
Your father gives you a sideways glance.
You feel heat rise. Anger. Humiliation.
“I’m wondering why everyone feels entitled to question what I ask,” you reply. The sentence comes out harder than expected.
A silence falls over the table. Not long, but long enough for everyone to truly understand what you mean.
Doran lowers his eyes to his plate, as if he's decided not to intervene. Your father stares at you with that familiar coldness: the coldness of a man who doesn't forgive the unexpected.
Baelor, on the other hand, looks amused. As if this was exactly what he wanted.
Talia enters at that moment, as if she's sensed the silence from afar. She sits down with her calculated calm, and her gaze immediately slides to you.
Check.
Your father speaks as if nothing has happened. “Prince Oberyn will come when he pleases,” he says. “We are not the ones to dictate to a Martell.”
The phrase sounds like a concession, but it's full of contempt. A man like your father doesn't concede without hatred.
Doran finally looks up. “My brother,” he says softly, “is… impatient. But he’s not disrespectful. He just never learned to pretend.”
This sentence remains in the air.
You think: I'm learning to pretend instead. And it disgusts you.
Time passes. The bread grows cold. The words become more innocuous, but you don't relax. Every noise in the hallway seems like a prelude to something.
When you finally hear footsteps approaching, you recognize him before you even see him.
Oberyn enters slowly.
He's not wearing a cloak. His dark hair is still a little disheveled, as if he's had little sleep, or as if he's slept where sleep isn't really possible. His gaze sweeps across the table in an instant, recording everything: the silence, the positions, the moods.
He neither apologizes nor justifies himself.
He sits down and it's as if the room changes temperature.
Your father looks at him with a tense smile. Baelor watches with predatory curiosity. Doran watches with that calm that always seems painful. You observe him only for a moment. Then you lower your eyes.
Oberyn places his hands on the table and takes a piece of bread, as if it were the most important thing in the world. Only then does he speak. “You look happy,” he says. The sentence seems casual, but there is irony underneath.
“We feared the Reach had swallowed you,” Baelor replies, too quickly, too happy to speak.
Oberyn looks at him like a fly. “I’m not that easy to digest,” he says.
Talia looks down at her plate. Your father's jaw tightens.
You feel something strange: no pleasure, no sympathy. Just a little relief. As if, with him in the room, there was something unpredictable, something that was beyond your father's control.
Oberyn takes a sip of water. Not wine today. And it hits you without you even meaning to.
“We must talk about your leaving,” your father says, trying to regain control of the conversation and the situation.
Oberyn looks at him. Not like a subject. Like a man wondering why he should listen. “We must?” he repeats.
Doran intervenes before the room breaks. “There are... tensions,” he says. “And the journey south requires preparation.”
Oberyn gives a brief smile. “Always the tension,” he murmurs. “Always preparation. Rarely living.”
Baelor laughs softly, as if it were a funny joke. But you can tell he's laughing to curry favor.
Oberyn gives him a sharp look and Baelor stops immediately.
The meal ends shortly thereafter, without further tension, but with the feeling that something is simmering beneath the surface.
When you stand, Talia motions for you to follow her. Your father gives you a look that doesn't bode well. Baelor looks at you as if he already knows what's coming.
Oberyn rises last.
You hear his footsteps behind you in the hallway, but you don't turn around. You don't know why, and that only irritates you more.
Talia leads you to a side corridor, away from the room. “You answered,” she says softly, without looking at you.
“They provoked me.”
“They’ll always provoke you,” she replies. “And you can’t afford to respond every time. Not if you want to stay whole.”
Stay whole.
The phrase hits you in the chest. Because the truth is, you no longer know what it means.
“Baelor talks too much,” Talia says, her tone neutral, as if commenting on the weather. “And he often confuses prudence with the need to be seen.”
She gives you a brief, measured look.
“He's young,” she adds, and the word isn't indulgent, but protective. “And your father willingly listens to those who bring him news, even when that news is... unripe.”
You stop. "What does he want to do?" you ask.
Talia finally looks at you, her eyes harder. “He wants you to be presentable. Obedient. And ready to go.” She pauses. “And he wants no one to say that the new union with Dorne is… fragile.”
You start walking again because you can no longer bear to stay still.
And as you do, you feel that step behind you again.
It's Oberyn.
He doesn't say anything. He doesn't call out to you. He doesn't stop you, but his presence behind you is enough to make you tense your shoulders.
Then, suddenly, you feel it—the shift. His footsteps change direction. He’s moving away. You don’t turn. You won’t. You won’t give him that power. And yet, when you reach the corner and the corridor opens for a moment onto a narrow window, you catch him in the reflection— Oberyn turning into a side passage. One that doesn’t lead to the main halls.
He leaves.
Again.
No explanation.
This time, the word absence settles more clearly in your mind. It isn’t just the way he is. It’s a choice.
He isn’t yours.
He won’t be.
And maybe that’s what unsettles you most—that you don’t know whether you want him to be different, or if you simply want to stop being watched like an object.
You return to your chambers with Talia.
She talks—about gowns, about travel, about how a wife is meant to behave along the road. You listen, and you don’t. The words pass over you like falling snow.
When you are finally alone, you close the door behind you and lean back against the wood.
You breathe.
You think of Cole.
You think of the emptiness.
And you think of the fact that Oberyn, at least, hasn’t touched you.
It’s an ugly thought, because it should be nothing. And here, it feels like relief.
You move to the window and look out once more into the courtyard.
You don’t see Oberyn.
You see Baelor.
He stands near a column, speaking to a servant. You can’t hear the words, but you see the tilt of his head—the shape of an order being given. The servant nods too quickly.
Baelor looks up, as if he had felt your gaze. For a moment, he sees you at the window.
He smiles.
And you understand. The day isn’t over.
It never is, here.
And somewhere in the castle you cannot see, Oberyn is already slipping beyond the walls—bored of formalities, drawn toward the air of the streets… or toward anything real enough not to ask him to pretend.
When Oberyn leaves House Florayne’s castle, he does not do so like a man fleeing.
Men flee when they have something to hide.
He leaves like a man who has already decided that no one has the right to stop him.
The courtyard is still alive with servants moving in disciplined patterns, carrying jugs, trays, baskets. The guards stand at the gates with the air of men reciting a script learned generations ago.
Oberyn crosses through it all without slowing.
He doesn’t take a horse.
He dislikes being announced by the sound of hooves, dislikes leaving traces that can be followed. He has always been more dangerous when he arrives without warning.
He passes the secondary gate with the faintest nod. The guards do not stop him. Not out of respect. Out of instinct.
Men learn quickly to recognize predators—even when they don’t bare their teeth.
The village that surrounds the castle is not the one the Floraynes show their guests.
Here, the land is not decorative.
Here, life smells of sour beer, sweat, horses, and meat roasted too close to the fire.
Oberyn moves through the low houses with the ease of someone who has walked through cities far more dangerous than this one. He does not look around with curiosity—he registers. Every movement. Every half-open door. Every gaze that drops too quickly.
A woman washing clothes pauses to watch him.
A man outside a tavern pretends not to see him.
It’s the best way to survive men like him.
The house he stops in front of has no sign. It doesn’t need one.
The thin curtains in the window are amber-colored.
Inside, candlelight casts slow shadows against the glass.
Oberyn knocks.
Two beats.
A pause.
A third.
The echo of an old language few still remember.
The door opens.
Zaraya does not look surprised.
She is not a woman who startles easily.
She leans against the inner frame, her body relaxed but alert—like a blade resting on a table, ready to be taken up at any moment.
She wears a dark silk gown, the color of ripe pomegranate, fastened at one shoulder with a worked silver clasp. The fabric falls softly along her body without truly hiding it, without offering it either.
Her black hair is loose, wavy, threaded here and there with small gold beads.
Her eyes are the first thing anyone notices. Dark. Bright. Too attentive.
Zaraya studies him as if measuring him—not only with her eyes, but with memory.
“You’ve changed,” she says softly.
Oberyn doesn’t answer at once. His gaze drifts over her body, slow, deliberate, as if checking that every detail is where he remembers it. Or perhaps to convince himself it isn’t.
“You haven’t.”
She smiles slightly—a smile that offers no comfort. “I change every night.” A brief pause. “You’re late.”
Oberyn steps inside without waiting to be invited.
He closes the door behind him.
“I’m here,” he says. “Still alive. That seems like a good enough excuse.”
Zaraya watches him with deliberate slowness, letting her gaze trace every line of his body as if she were reading a story she knows by heart—but wants to make sure has not changed.
“Men like you always come back when they’re about to do something stupid. Or when they need someone to tell them it isn’t.”
“I’ve never done that.”
“I know.”
The room is warm, lit only by candles and low braziers. The air smells of sandalwood, spiced wine, and something subtler, more personal—something that belongs only to her.
Zaraya moves toward a low table, pouring wine into two cups. Her movements are slow, deliberate without seeming so. The kind of gestures that make people forget she’s watching every breath they take.
She hands him the cup.
Her fingers brush his for a moment longer than necessary. It isn’t accidental. Zaraya never does anything by mistake.
Oberyn takes the wine but doesn’t drink right away. He watches her—the way candlelight reflects on the dark skin of her shoulders, the slow rise and fall of her breath beneath the silk.
“You didn’t come for the wine,” she says.
“I never do.”
Zaraya tilts her head slightly, studying him. “Then why do you look like a man trying to remember how to breathe?”
Oberyn finally drinks. A short sip, as if the taste matters less than the gesture. “Because I’ve spent too much time among people who think breathing is a concession.”
Zaraya lets out a quiet laugh. It isn’t kind. It’s complicit. “And now you’ve come back to people who know it’s a right.”
He sets the cup down without taking his eyes off her. “I haven’t come back. I’m just passing through.”
She crosses the distance between them in two slow steps. Close enough for him to feel the warmth of her body, not close enough to offer herself.
“You never just pass through,” she says softly. “You mark places. And then you abandon them.”
Oberyn lifts a hand, letting his fingers trace the line of her arm—from shoulder to wrist. Slow. Deliberate. Not possessive. Knowing.
Zaraya doesn’t pull away.
Instead, she takes his hand and guides it along her side, beneath the thin fabric. The contact is warm, alive. Her breathing shifts, just slightly.
“You’re tense,” she observes.
“I’m always tense.”
“No.”
Her eyes lift to his. “You’re angry.”
The silence that follows is brief, but real.
Oberyn pulls her toward him in a sudden, decisive movement. His mouth finds hers without hesitation. The kiss is deep, hungry, but controlled. He is not a man who loses control—he measures it.
Zaraya responds immediately, catching his lower lip lightly between her teeth, like an old challenge between them. Her hands slide beneath his tunic, up his back, reading every tension in his muscles as if it were a language only she understands.
He lifts her easily and sets her down on the low table behind her. The cups clink; one tips, spilling a thin line of wine across the dark wood.
Zaraya laughs again, but this time the sound breaks when Oberyn grips her face and kisses along her throat, moving slowly toward her bare shoulder.
His fingers tighten over her breast through the silk—firm, unhurried. She arches into his touch, her breath catching in a low exhale.
“Always impatient,” she murmurs.
“Always honest,” he answers against her skin.
Zaraya slips down from the table and pushes him back toward the bed, guiding him with a confidence that is anything but submissive. She makes him sit, then pauses before him, letting her fingers slowly undo the silver clasp at her shoulder.
The dress falls along her body like a whispered secret.
Oberyn looks at her without speaking. It's not blind desire. It's recognition.
She climbs onto his lap, her skin against his, the heat immediate. His hands slide down her back, gripping her, holding her against him as if contact were the only stable thing in that room.
They don't say anything to each other, their mouths find each other again and again, without words, finding each other's bodies.
When she guides him inside her, she does so while looking into his eyes. Without haste. Without lowering her gaze.
The movement between them is slow at first, almost measured. Then it becomes deeper, more urgent, but always accompanied by that heavy silence that exists only between people who know each other beyond desire.
Zaraya leans toward him, her lips against his ear. "You brought the pain with you," she whispers.
“I always bring something.”
Her fingers tangle in his hair as the rhythm between them breaks into something fiercer, faster. When they finally stop, they remain like this, united, their breaths trying to find the same rhythm.
Zaraya is the first to move. She lifts herself off him, but doesn't move away. She lies down next to him, her head resting on his chest, listening to his heartbeat slowly returning to normal.
“Now you can talk,” she says.
Oberyn closes his eyes for a moment. Just a moment. “A boy is missing.”
Zaraya doesn't react immediately. It's a sign that she's understood this isn't just any question. “Many kids disappear,” she replies.
“Not this one.”
Silence.
“Who is he?” she asks.
“His name is Cole.”
The name hangs between them like something fragile.
Zaraya raises her head, observing him with newfound attention. “This boy isn't who you think he is,” she murmurs.
Oberyn looks at her. “Explain.”
She slowly gets up, retrieves her robe but doesn't close it. She walks to a small chest near the wall and takes out an object wrapped in cloth.
She places it on the bed between them.
It's a knife.
The blade is narrow, elegant, crafted with thin incisions that look like waves intertwined with thorns.
“Does this remind you of anything?” she asks.
Oberyn looks at it. His eyes narrow slightly. “It’s not from the Reach.”
“No.” Zaraya runs a finger over the symbol engraved on the hilt. “It belongs to a house that should no longer exist.”
Oberyn looks up at her. “And Cole?”
“Cole carried it as a child,” she replies. “And someone... someone who pays well... has been looking for him since long before he disappeared.”
The silence that follows is no longer sensual nor full of that previous complicity. It's a dangerous one.
Zaraya returns to his side, sitting and observing him in silence for a moment. The candlelight casts golden reflections on her skin, but her gaze remains steady.
“What you are when you come in here stays here,” she says softly. “And what you fight for out there, I won't sell to anyone.” she pauses. “But I’ll tell you this: whoever’s looking for that boy doesn’t want a peasant. They want what he represents.”
Oberyn closes his fingers around the knife hilt. “And what does he represent?”
Zaraya looks at him as if she's deciding how much to risk. “A story someone buried too quickly.”
The knife remains between you on the bed, the blade reflecting the candlelight with a slow, almost lifelike flicker.
Zaraya doesn't touch it anymore. She lets him decide whether to grab or ignore it.
Oberyn watches it silently. His fingers barely glide over the hilt, not closing it in a fist. As if he recognized the language of the blade even before the symbol engraved on it.
“It's not a peasant's weapon,” he says finally. His voice is low. Not surprised. Just... careful.
Zaraya shakes her head slightly, her hair falling over her bare shoulder. “It never was.”
She settles down next to him, sitting sideways, one leg tucked under her. She's in no hurry to cover herself completely.
“That boy,” she continues, “didn’t disappear by accident.”
Oberyn finally looks up at her. “No one disappears by accident.”
Zaraya smiles faintly, a smile that isn't amusement. It's approval. “You've always had this flaw. You look at things as if they were already connected.”
“And they usually are.”
Silence.
The crackling of the brazier fills the room. The heat makes a drop of sweat glisten on her collarbone, which he follows with his eyes absentmindedly.
“Tell me what you know,” he says finally.
Zaraya leans back against the headboard, studying him calmly. “I know his name has been circulating for years among people who have no interest in the fields of the Reach.”
“Who?”
“Relic dealers.” A pause. “Blood collectors.”
Oberyn's jaw tenses slightly. It's a tiny movement, but Zaraya sees it. Zaraya always notices everything.
“Go on,” he says.
She reaches out and takes the knife, turning it slowly between her fingers. “This symbol...” she traces the line engraved on the hilt. “belongs to a house that the East of the Sea prefers to remember as a legend.”
Oberyn observes the sign with new attention. “A walking legend?” he asks.
“A legend that someone tried to exterminate.”
The silence grows heavier, no longer intimate—more like the edge of war.
Zaraya places the blade in his palm, offering it to him. “Cole doesn’t know what he’s carrying,” she says. “But someone does. And they want him alive.”
Oberyn takes the knife this time. His fingers close around the hilt effortlessly. As if the object already belongs to him, in a way he himself can't explain.
“Why do they want him alive?”
“Because dead blood is of no use to anyone,” she replies.
He raises an eyebrow, almost imperceptibly. “You sound like a priestess.”
Zaraya tilts her head. “I speak as someone who listens to people who pay not to be listened to.”
A pause.
“Who's looking for him?”
Zaraya hesitates. It's the first real hesitation she's shown. “Not a name,” she says finally. “A network.”
“Nets are cut.”
She looks at him with a hint of bitter amusement. “Not when they're made up of nobles, merchants, and old vendettas.”
Oberyn doesn't answer.
Silence stretches between them like an invisible map.
Zaraya looks at him. Then asks, more quietly, “Why do you care?”
There's no accusation in her voice. Just curiosity.
Oberyn places the knife beside him, on the crumpled sheet. “Because someone might use it on my wife.”
The words hang in the air. Heavy.
Zaraya studies him as if she's reading a page she didn't think she was reading. “Your...” she pauses briefly, “...wife.”
Oberyn doesn't turn to her. “Don’t give me that look.” he adds.
“I’m not making any faces.”
“You’re making the face you make when you’re deciding whether to laugh or stab someone.”
Zaraya actually laughs this time, a low sound, “I didn’t know you were so attentive.”
He shifts slightly, leaning against the headboard beside her. The contact of their shoulders is only seemingly casual. “She's not my concern” he says. Then he adds, after a moment, “But I won't let her be used.”
“Does she resemble her?” Zaraya asks suddenly.
There's no need to say the name, Oberyn knows the reference.
He doesn't answer right away.
The fingers stop on the sheet, as if unable to move.
“No,” he says finally.
Zaraya tilts her head. She's not a woman who believes in simple answers. “How’s she different?” she asks.
Oberyn breathes in slowly. “Elia was… restrained light,” he murmurs. “She knew how fragile the world was, and she kept looking at it without lowering her gaze.”
The silence stretches between them.
“And her?” insists Zaraya.
Oberyn's eyes drop for a moment, then harden again. “She still hasn't understood how cruel the world can be,” he replies. “And I have no intention of being the man to teach her.”
Zaraya nods slowly, as if that were the only possible answer. “And yet… it seems to bother you that someone might break her,” she notes.
Oberyn turns his face toward her. His dark eyes are colder now.
“Because someone already has. Enough.”
The silence that follows is different.
Zaraya leans her head back against the wall behind her, staring at the ceiling. “Cole had been watched for months,” she continues. “Not just by those who live in the shadows. Also by people who wear rings and seals.”
“Tyrell?”
“Not directly.” A pause. “But someone who buys what the Tyrells prefer not to see.”
Oberyn folds his arms across his chest. “And now he’s gone.”
She looks at him. “Or taken.”
“By whom?”
Zaraya inhales slowly. “If I knew, you wouldn’t be here asking. And I wouldn’t be stupid enough to tell you.”
A hint of a smile passes between them. The kind of respect that only exists between people used to lying to survive.
Oberyn leans forward, picking up the knife again. “Where did you find this?”
“It came here with a man who never gave his real name,” she replies. “He paid for silence. Not for pleasure.”
“And?”
“He died three months ago.” She pauses briefly. “Throat cut in a street too narrow for anyone to claim they saw.”
Oberyn nods faintly, as if that kind of death were a language he knows well.
Zaraya watches him again. “If you follow this,” she says quietly, “it won’t end with a peasant saved.”
“I’ve never believed in fairy tales.”
She leans toward him, her fingers brushing his chest, tracing slowly along an old scar. “No,” she murmurs. “You only believe in revenge.”
Oberyn catches her wrist—not roughly, but with decision. “I believe that people who use others like pieces eventually forget that pieces bite back.”
Zaraya smiles. Slow. Proud. “That’s why I let you in here,” she says. “Not because you pay.”
He releases her wrist but doesn’t move away. “Then why?”
She leans closer, her forehead almost touching his. “Because you never lie enough to insult my intelligence.”
The silence between them fills again with warmth, but it’s different from before. More dangerous. More lasting.
Zaraya moves slowly away from the bed, retrieving her robe and closing it this time with unhurried gestures. “I’ll ask questions,” she says.
“I know.”
“They won’t be free,” she adds.
“I never asked you to.”
She turns toward him. “If anyone finds out you’re looking for this boy, they won’t come for you first.”
“They’ll come for her.”
Zaraya nods. “Then listen carefully, Oberyn Martell.” Her tone shifts, suddenly sharper. “If you want to protect her, you need the world to believe you don’t care enough.”
He gives a faint smile. “I’m good at that.”
Zaraya studies him a moment longer. “Too good,” she says quietly. “Maybe.”
When Oberyn leaves Zaraya’s house, night has already fallen over the Reach like a veil too heavy to ignore.
The air is colder outside, more damp. It carries the smell of turned earth, lit hearths, wine spilled across tavern floors. Real smells. More honest than the spices and perfumes of the castle.
He doesn’t turn when the door closes behind him.
He never does.
Zaraya’s words linger on him like an echo that refuses to fade.
Cole is not what you think.
The knife.
The carved symbol.
Someone was already looking for him.
Oberyn walks without hurry through the village streets. His steps are light, but not silent enough to seem furtive. He has no need to hide. Men who know how to kill don’t need to look like shadows to be feared.
A lantern sways above the entrance of a tavern. From inside comes a rough chorus of drunken voices. A woman laughs too loudly. A dog barks, then falls silent, as if it has recognized something it would rather not disturb.
Oberyn keeps walking.
He is thinking.
Not about politics. Not yet.
He is thinking about the precision with which Zaraya always chooses what to say—and what not to say. If she mentioned a lost house, it means someone powerful enough to erase it might still be alive… or someone reckless enough to try to bring it back.
When the castle walls rise before him again, he doesn’t slow.
The guards at the secondary gate see him approaching and stiffen almost imperceptibly. No one speaks. No one asks.
The gate opens.
Oberyn crosses the courtyard with the same stride with which he left it hours earlier. Fewer servants now, lower torches, longer shadows. The castle at night feels more honest: less ceremonial, more cruel.
He enters.
He doesn’t return immediately to the rooms assigned to him.
Instead, he turns into a side corridor, one he memorized on the very first day. Fortresses are all alike, if you know where to look. Service passages, narrow stairways, routes built for those who are not meant to be seen.
The silence here is deeper.
Only the distant crackle of torches.
Oberyn moves without hesitation. He doesn’t count his steps. He feels them.
He stops only when he reaches the bend that leads to the wing where his wife’s chambers lie.
He doesn’t enter.
He doesn’t approach the door.
He stays in the shadows, leaning against a worn stone column. From there he can see the corridor—and beyond, through a narrow arch, the window of her room.
The light inside is out.
For a moment, he thinks you are asleep.
Then he sees you.
A dark shape against the window.
You're standing. Still. Your shoulders straight, but not rigid. Your hands resting on the sill as if you're trying to hold the world outside… or keep yourself from falling into it.
The wind stirs the curtains behind you. Moonlight slips in through thin stripes, tracing silver lines along the curve of your face, your neck, your bare arms.
He doesn’t know how long you've been standing there.
You don’t look like a woman waiting for someone.
You look like a woman learning how to be alone.
Oberyn remains still.
Not because he doesn’t know what to do. Because he knows exactly what he must not do.
To step closer would mean breaking something that isn’t his. Something that, perhaps, you don't even have the right to own.
He watches as you tilt your head slightly, as if searching for something in the courtyard below. Maybe light. Maybe air. Maybe a memory you can no longer reach.
The thought of Cole cuts through his mind with the precision of a blade.
If someone was already looking for him before he disappeared…
If someone was looking for him while you were still here…
His gaze narrows slightly.
It isn’t jealousy.
It’s calculation. It’s anger. It’s something that reminds him too much of other rooms, other corridors, other women left unprotected while men decided their fate.
He sees you bring a hand to your mouth. You aren’t crying. Not yet. But the gesture belongs to someone learning to swallow sound before it can become words.
Oberyn inhales slowly.
The castle around him seems to hold its breath with you.
For a moment—just one—he considers going in. Saying something. Anything.
He doesn’t.
Zaraya was right.
People in places like this turn anything that is shown into a weapon.
And he still doesn’t know who is watching you. Or him.
He watches you remain at the window a moment longer, then slowly step away. Your figure disappears into the darkness of the room. The curtains fall still.
Oberyn stays where he is.
He counts three breaths. Then four. Then he pushes himself off the column. He moves without a sound, heading back toward the opposite wing of the castle. His steps are slower now. Not tired. Thoughtful.
Cole.
The knife.
The lost house.
And you who don’t know you stand at the center of something far older than the marriage forced upon you.
When he reaches his chamber, he doesn’t light any candles. He sits on the edge of the bed, elbows on his knees, hands clasped in front of his mouth.
Silence surrounds him.
And for the first time since arriving in the Reach, Oberyn Martell allows himself to remain still long enough to listen to his own thoughts.
Not for you.
Not unless it becomes necessary.
But for what might happen if the name Cole is only the beginning.
rules: make a 24hr poll listing the titles of every wip you want to work on. (it’s fine if you only have one, still make a poll for the vote count). whichever wip title gets the most votes, write 1 sentence for every vote received.
What should I work on next?
heat of the moment - jack 'agent whiskey' daniels x cnc - 2026 kink challenge
practice makes perfect - joel miller x humiliation kink
just a taste - hybrid puppy! dieter bravo
Voting ended onApr 1
no pressure tag: @tenured-yearning, @joelsgoodgirl (yes, i tagged you twice. on the off chance you're writing anything other than the loves of your life from the pitt), @marc-spectorr , and whomever else wants to join.
So this a was a Oberyn Martell x OC (I believe) x Ellaria fic.
It’s an arranged Marriage, and Oberyn does NOT want to marry — however they are forced to.
Ellaria does become a romantic interest as well. eventually some fall out happens between Oc and Oberyn and OC finds her self leaving Dorne and leaving to Daenerys.
She rides a dragon, comes back and bother Oberyn and Ellaria are in awe of her and everything. It’s angsty and yearning and Oberyn does eventually apologize and works for her back same with Ellaria.
PLEASE HELP ME FIND THIS BRO! I think read it either on Wattpad or A03
Summary: You were forced into a marriage without love. Years later, when something shatters your fragile serenity, you must uncover the secrets that could ruin everything.
TW: arranged marriage, Oberyn is older than you, use of female pronouns and reference to female features of the main character, use of you, Oberyn likes men and women like in the TV series, death, violence, smut. I will mark chapters with a warning if there are descriptions that might bother you.
credits: divider created by @zaldritzosrose
MASTERLIST
You leave the room.
Oberyn left minutes before you. He didn’t say where he was going, and you didn’t ask.
You both know you have no interest in each other’s lives. Circumstance has bound you together—nothing else. In truth, you are strangers who neither chose nor wanted one another.
In the courtyard, the castle’s pulse falters, as if it has been holding its breath too long.
The soldiers at the main gate stand in formation, pikes in hand, cloaks neatly aligned. Servants carrying jugs or baskets slow their steps, move aside, they tiptoe to see without being noticed.
You remain in the shadow of an inner archway.
You shouldn’t be there. Not alone.
But for once, no one is watching you.
And then you see it.
A green banner, embroidered with a blooming golden rose.
Not Florayne’s.
But similar.
Larger.
The Tyrell rose.
The knight bearing it wears polished armor, though dust clings to his greaves — he has ridden hard.
Behind him walks another man in a dark green cloak, hood lowered: a messenger bearing the sigil of Highgarden.
Your stomach tightens.
Highgarden.
The heart of the Reach, they say. The center of whispers. Of alliances. Of plots.
The knight dismounts. He hands the reins to a stable boy and surveys the courtyard, as if assessing the worth of the place.
The messenger lowers his head, but there is no humility in the gesture—only protocol.
It isn’t long before your father appears at the top of the courtyard steps.
The man from Highgarden bows, just deep enough to offend no one.
“Lord Florayne?” he asks.
“In the flesh,” your father says. “My house welcomes you. Does Highgarden bring news—or requests?”
The man lifts his gaze. “Both, my lord.”
You stay where you are, the Dornish cloak heavy on your shoulders, your thoughts already racing elsewhere.
News.
Requests.
It is difficult not to think that one of those pieces of news might touch the small corner of the world you still call home.
Your father gestures toward the interior. “We will speak in my study. I doubt the courtyard walls are discreet enough for letters bearing the greater rose.”
He smiles, but it does not reach his eyes. It is the smile of a man calculating.
They turn and enter.
The guards step aside.
The courtyard slowly returns to its rhythm.
You linger there a moment. For a heartbeat, you consider walking away—finding Talia, preparing for the formal breakfast, doing what is expected of you.
Instead, you make your way toward your father’s study.
Not because you want to listen.
But because something stronger than will pulls you forward.
Your father’s study lies on the first floor, in one of the side towers. The corridor leading there is narrow, with few windows and many closed doors. The air smells of wax and trapped dust.
By the time you draw near, you can already hear their voices from within.
The door stands slightly ajar.
Not enough to see inside—just enough to let fragments of conversation slip through.
You stop.
Your father is speaking.
“…House Florayne has always honored Highgarden,” he says, in that tone he uses when he wishes to please. “If there are issues within my lands, you may rest assured they will be resolved.”
The man from Highgarden speaks differently—lower, more detached.
“It is not a matter of honor, my lord,” he says. “It is a matter of… irregularities.”
“Irregularities?” your father repeats, tasting the word.
“Yes. Disappearances. Unusual movements. People abandoning the fields without apparent cause. Ordinarily, the Tyrells would not concern themselves with individual peasants, but in recent months, circumstances have shifted.”
Your blood runs cold.
You should not listen.
But you have already heard too much to step away now.
“What news?” your father asks.
“Whispers,” the messenger replies. “Envoys who pass through and do not return. Farmers leaving fertile lands to relocate elsewhere without permission. A young man drawing too much attention from those who should have no interest in him.”
Silence.
You hold your breath.
You almost hear a name without it being spoken.
“Does this young man have a name?” your father asks quietly.
“He has more than one, depending on who speaks it,” the man replies. “To some he is Cole, the farm boy who was meant to have died years ago and yet still stands. To others, he is merely a peasant who reads too well. And to others still, he is an inconvenience best removed.”
Your nails dig into your palm.
Cole.
They should not even know who he is.
And yet his name has reached the Reach.
“He’s gone,” the messenger continues. “His house was found empty. No signs of a struggle. No trace of preparations for travel. No one saw him take a horse, a boat, or a road. He simply… vanished.”
It feels as if the air has been stolen from your lungs.
Your father remains silent for a moment.
Then he asks, “And why come to me?”
“Because it lies within your lands,” the man replies, “and because he is not the only one. A couple of farmers from nearby villages. A young man with a scar on his cheek who claimed he once served as a squire. People who, until recently, interested no one. Now they disappear.”
A pause.
“My lords fear recruitment. Bands forming. The beginnings of rebellion. Or simply that someone is gathering people… with certain characteristics.”
You lean against the wall.
The stones are cold.
“And what, precisely, do you expect me to do?” your father asks, a thin thread of irritation in his voice.
“Find me answers,” the messenger replies. “Determine whether this problem originates in your lands—or merely passes through them. And ensure that none of your peasants, nor anyone close to you, is being used for something that might draw unwanted attention to the entire continent.”
The word close strikes you straight in the chest.
Your father inhales slowly.
You hear the rustle of his cloak as he shifts.
“The people close to me are where they belong,” he says coldly. “My daughter is married. My lands have been sold where it was advantageous. My peasants are part of an order no boy with too many books will ever challenge.”
There is something in that sentence that hurts more than all the others.
Once again, your father proves exactly what he is—and once again, he reminds you that to him you are nothing more than property.
“And yet,” the messenger says, “Cole was very close to your family. So they say. To someone in your family, at least.”
You press your lips together to keep from making a sound.
Your father remains silent for a few seconds longer.
When he speaks again, his voice carries the tone you know all too well—the one he uses when deciding what must be sacrificed.
“If he is found,” he says, “you will be the first to know.”
The messenger does not seem satisfied.
But it is Highgarden speaking, and your father is clever enough not to make promises he cannot keep.
“I hope so, my lord. Because if these young men are gathering… someone is gathering them. And if that is the case, neither you nor we will be able to pretend it does not concern us.”
The rustle of fabric. The scrape of a chair being pushed back.
“Now, unless you have further questions, I must carry the same message to other lords. The rose does not tend to only one garden at a time.”
“I see no reason to rush your departure,” your father says. “Allow me to at least offer you our table. Breakfast is already prepared, and it would be discourteous to send you on your way without honoring our hospitality.”
“You have my thanks.”
You hear footsteps approaching the door.
You step back, your heart pounding in your throat, and pretend to be coming from the opposite corridor.
When the messenger notices you, he sees the cloak on your shoulders, your lowered gaze.
For a moment, your eyes meet.
He does not recognize who you truly are—but he sees the fabric you wear, the colors of Dorne.
“My lady,” he murmurs, inclining his head slightly.
You answer with a small nod.
Behind him, your father appears in the doorway.
He sees you.
He understands.
“Daughter,” he says, as though he had summoned you himself. “I was about to send someone to find you. The formal breakfast will begin shortly.”
The messenger passes beyond you, escorted by a guard.
You leave the sound of his footsteps behind—but not the words he carried.
Cole.
Gone.
House empty.
No signs of struggle.
It feels as if your entire body is hollowing out, as though someone has opened a trapdoor beneath your chest.
“I did not ask you to eavesdrop,” your father says quietly once you are alone in the corridor.
You lift your gaze.
“I didn’t,” you lie. “The castle walls are not that thick.”
It is the truth, in a way.
And he knows it.
“That man speaks of peasants, of recruitment,” he continues, looking past you toward the courtyard, “and you, interestingly enough, have always had a weakness for those who do not know their place.” The words strike like a slap. “If you still care for the man who raised you,” he adds, his voice lower, “you will ensure that your name is never spoken alongside his. Not in whispers. Not in suspicions. Not in questions. Never.”
“And if something has happened to him?” you ask. “If he’s in danger?”
“If he is in danger, he will either survive or he will die,” your father replies with chilling calm. “But he will not drag our house into his fate. Not after everything I have invested in you.”
The words invested in you burn worse than anything else.
“So we do nothing?” you ask, incredulous.
“We do what is necessary to avoid attention,” he replies. “And you will begin to understand that the world does not revolve around the nostalgia of a girl who still does not understand power.”
He turns his back on you.
He descends the stairs toward the great hall without looking back.
You remain there, at the top of the steps, your hands gripping the balustrade, the cloak heavy on your shoulders as if woven from iron.
For a moment, you want to scream.
Cole’s name.
Your mother’s name.
Your own.
Anything that would make you feel real again.
You do not.
Because Talia is right: they are watching you.
Even when you cannot see them.
And someone, down there in the courtyard, is observing with sharper eyes than the rest.
Doran.
And, from a vantage point you have not yet identified, Oberyn.
They know something has happened.
You pull away from the balustrade only when you feel your legs beginning to stiffen.
You turn to head back toward the wing where your chambers lie, but after only a few steps, a voice stops you.
“So this is where you hide.”
Talia stands at the far end of the corridor, half-shadow taking shape as she approaches. Her hands are clasped before her, her stride quick and deliberate. She does not seem out of breath, but her eyes shine more sharply than usual — she knows something has happened, even if no one has told her yet.
“The house is unsettled,” she says without preamble. “Guards running, servants whispering, your father receiving a man from Highgarden… and you vanish.”
You are not sure whether it is an accusation or an observation.
Probably both.
“I didn’t vanish,” you manage. “I was…”
The sentence breaks apart. If you say there, you will have to explain where.
If you say listening, you will admit too much.
Talia studies you in silence for a few long seconds. Then she steps closer, near enough that you could count the fine lines at the corners of her eyes.
“You have the look of someone who heard something she was not meant to hear,” she murmurs. “And we do not have time for that. Not today.”
“They spoke about him,” you whisper, before you even realize you are speaking. “About… disappearances.”
You do not say the name.
You do not need to.
You see it flicker across her expression anyway, quick as a shadow.
“Of course,” she sighs, lifting her chin slightly. “As if a wedding, a prince of Dorne, and an alliance we must make appear unbreakable were not enough. Naturally, the ghost of your peasant past had to resurface as well.”
The word peasant carries a thread of disdain.
“He is not a ghost,” you reply. “He’s missing.”
“For now,” she corrects. “And believe me, you do not want your father to start wondering how much you still care.”
Your stomach tightens.
“What am I supposed to do, then?” you ask. “Pretend it means nothing?”
Talia tilts her head, a cold smile touching her lips.
“You should remember where you are,” she says quietly. “Not in your old house of stone and mud, but in a castle where every glance carries weight. There is a Tyrell emissary downstairs, a prince of Dorne who must be convinced we have not lost our wits, his brother who watches everything without speaking.” She pauses briefly. “And a young woman who, whether she wishes it or not, wears the cloak of Dorne on her shoulders. Do you want them to remember your past — or your position?”
The words wound you, but they strike truth.
“I… can’t help worrying,” you murmur.
“Then worry in silence,” Talia replies. “Weep where no one can see you. But in the hall today, you will be calm. And grateful.”
“Grateful for what?” The question slips out, more breath than voice.
“For the fact that your name now carries enough weight to seat a Tyrell and a Martell at the same table,” she answers without hesitation, “and for the fact that, as long as you remain useful, neither of them will care to dig too deeply into the mud where you were raised.”
She studies you for another moment.
Then she adds, more sharply, “When we enter, you will sit beside your husband. You will look straight ahead. You will not speak more than two words to the man from Highgarden. And whatever happens, do not let that boy’s name touch your lips. Do you understand?”
You nod. You do not trust your voice.
“Good,” she says. “Come. It is time.”
She turns her back and starts down the corridor, expecting you to follow.
You do.
You have no choice.
The great hall strikes you with sound and light the moment you cross the threshold.
Tall windows let in a pale glow. Torches complete the rest. The main table is already arranged. At its center sits your father, rigid and composed. To his right, in a slightly elevated chair, sits Doran Martell: earth-colored cloak, weary yet watchful face, hands folded.
To your father’s left is the emissary from Highgarden — the same man you saw in the courtyard and later in the study. Up close, you notice his features more clearly: not particularly old, yet already carrying the gaze of someone accustomed to weaving together many voices to reach the truth. Behind him, the banner bearing the golden rose stands clearly visible.
A little farther down the table, seated slightly back but near enough to make his presence known, is Baelor. His place is not central, yet close enough to ensure he is seen. He throws you a brief look, as though waiting for a misstep to savor.
On the opposite side, at the place reserved for the lords of Dorne, sits Oberyn.
He does not wear the heavy cloak from last night, but a sand-colored tunic, open at the chest just enough to remind everyone that he does not feel the cold as they do — and that he is not like them. Between his fingers he holds a goblet, not full, slowly turning its contents. You wonder whether he truly drinks or if it is merely habit, a way to keep his hands occupied.
When you enter, he does not turn sharply like your father.
He notices you from the corner of his eye, with that calm that suggests nothing in the hall truly escapes him.
Talia walks a step ahead of you, then shifts just enough to clear your path to your seat.
“Daughter,” your father says, as though he had summoned you himself, “our hospitality is now complete.”
The Tyrell emissary rises slightly in a courteous half-bow. “My lady,” he murmurs, assessing you with a swift but precise glance. “It is an honor to see you so swiftly at ease in your new position.”
You cannot tell whether it is courtesy or a barb.
“My lord,” you reply, inclining your head.
Oberyn gives you the faintest nod, then turns back to the man from Highgarden. “I imagine certain news must be… digested slowly.”
The man offers a composed smile. “Important news deserves attention, my prince. And a hospitable house always provides the proper setting.” He dabs his lips lightly with a napkin. “Moreover, Highgarden takes interest in what unfolds in lands that look toward the rose — especially when pieces of the board begin to disappear.”
Doran sets his goblet down slowly. “In uncertain times,” he says in his calm voice, “it is wise to listen before deciding what to nourish and what to cut away.”
You watch them speak as though you have suddenly become transparent.
Words move across the table like carefully traded pieces, yet none of them are harmless.
Oberyn does not look away from the emissary. Doran never raises his voice.
And you understand — not with your mind but with the tightening in your stomach — that this breakfast is not about wine or courtesy.
It is about who has already chosen to look deeper. And who is trying to measure how much you are willing to endure before you break.
Only when you hear the word disappearances again do you truly return to the conversation, and your body stiffens.
“The Tyrell lords fear instability,” the emissary repeats, now in a more public tone. “One farmer, two, a young squire… taken individually, they are nothing. But if someone begins gathering them — or making them vanish — then the rose must ask who is plucking its petals.”
“House Florayne does not lose sleep over every farmer who decides to change air,” your father replies with lucid calm. “There is no shortage of labor in the fields. Those who disappear will be replaced by others more willing to remain.”
A muffled laugh escapes Baelor’s lips, quickly suppressed.
The Tyrell emissary glances at him briefly before returning his attention to your father.
“That may be,” he concedes, “but it is unusual for a house to be found empty. No signs of struggle. No preparations. No debts left unpaid. You know well which land I mean.”
You feel your fingers stiffen on the edge of the table.
Beneath the cloth, Talia brushes your wrist — more warning than comfort.
“I know which lands you speak of,” your father replies. “They were sold. Those who lived there knew their time would come. Some accept change and move accordingly. Others do so more… abruptly.”
“Or under compulsion,” the emissary murmurs, too softly for all to hear — but not too soft for you.
Oberyn does not intervene.
Not yet.
But you notice his gaze fixed on the edge of the table, and the movement of his fingers on the goblet has stopped. He listens. He absorbs everything.
“That is what has been reported, my lord,” the man from Highgarden continues. “A young man deemed… particular. Too clever, too educated for his station. Too closely observed by eyes that are not those of farmers.” His voice remains neutral, but his eyes shift briefly toward you. “And then the house empty. Cold tracks. No farewell.”
You want to speak.
You want to say he would not have left without saying goodbye, that he would not have gone alone, that he would have found you and taken you with him.
You realize you are gripping the napkin so tightly it might tear.
“If someone is gathering certain types of men,” the emissary concludes, “it is our duty to know. Rebellions always begin this way — with people who vanish where once they did not matter.”
“If rebellions arise in my lands, I will be the first to know,” your father says, cutting the matter short. “For now, you have a single name upon which to spill much ink. It does not seem enough to trouble the rose.”
“A name,” the messenger repeats, “and some old stories about who once stood beside him.”
The silence that follows is brief but heavy.
You know exactly whom he means.
And you know your father knows it too.
You focus on your breathing and on the will not to reveal anything.
“Old stories serve only to waste time,” Talia interjects with her polite smile. “The princess has a new role to consider. I imagine Highgarden prefers a princess who looks forward, not back.”
The word princess sounds foreign to your ears.
The emissary looks at you once more. “Sometimes,” he says quietly, “it is those who look too far ahead who stumble over what they refused to see behind them.”
You do not know whether he speaks to you, to your father, or to them all.
You offer a courteous smile, as Talia taught you. You say nothing.
Your heart pounds in your ears.
And then, for the first time since the meal began, you hear Oberyn’s voice directed not to the hall, but to you.
“Breathe.”
It is barely above a whisper. You do not know whether he says it for you or for himself, but the word reaches you.
You glance sideways. He does not look at you; his gaze remains forward, toward the pitchers and plates, as though he were speaking of nothing important.
“You owe them nothing,” he adds quietly. “Neither explanations nor tears to display here.”
You bite the inside of your cheek. “I owe him far more than I owe this room,” you answer just as softly, meaning Cole.
One corner of his mouth shifts slightly. “That does not keep him safe,” he replies. “Everything people in places like this truly love becomes a blade in someone else’s hand. Has anyone been foolish enough to tell you otherwise?”
You think of Cole.
Of promises whispered at night.
Of your father in his study.
“I had to learn that alone,” you murmur.
“Then you are already ahead of many seated here,” he concludes.
Talia adjusts her cloak, shielding the line of your faces from the table. She is likely cursing every word exchanged between you.
The meal ends with formal toasts no one truly hears. At last, the emissary rises, thanks his hosts, and promises to report what he has seen and heard.
“I shall say that House Florayne is… attentive,” he says, fixing your father with a steady look. “And that the new Lady of Dorne knows how to keep her assigned place.”
You cannot tell whether it is observation or challenge.
You lower your head — not in submission, but to close the conversation.
When the banner of the golden rose disappears beyond the door, the hall seems to lose half its air. What remains, however, is heavier.
Your father rises first. “Baelor,” he says, “see that our guest is escorted to the gates. With respect.”
Baelor nods too quickly. It is clear he dislikes the idea of escorting a Tyrell, but he does not dare argue.
Doran remains seated a moment longer, fingers interlaced. His eyes move from your father to you, then to Oberyn. He says nothing — but you know he has seen everything.
Talia places a light but rigid arm around your shoulders. “Come,” she whispers. “Before someone thinks you have something to add.”
Once you step into the side corridor, her hand slips away.
“You did not cause disaster,” she concedes reluctantly. “For today, that will do.”
“It is called restraint,” you reply, weary.
“It is called survival,” she corrects. “And if you want advice, begin to understand that few in this castle will allow you both — a sharp tongue and a full heart.”
She leaves you with that sentence weighing like stone.
You stand alone for a moment, the corridor now empty, the echo of departing footsteps lingering in the air.
Then you hear another step. Slower.
You turn.
Oberyn approaches. Not leaning against a column this time. He walks unhurriedly, hands free, tunic brushing his legs.
“You did not go with the others,” you observe.
“I had no reason to follow them,” he replies. His voice is calm, almost absent. “I did not come here to take orders from a Tyrell envoy.” He stops a short distance from you. He looks at you — truly looks. “And I do not like the way they speak to you.”
You almost laugh, but the sound does not reach your eyes. “I am used to it,” you say.
He does not answer at once. His gaze lingers a fraction too long. “That does not seem a good reason to continue,” he replies seriously.
There is a moment of silence.
The words about Cole still burn in your throat, but you do not speak them. You do not know how. You do not know if he would understand.
He breaks the thread.
“That man who disappeared,” he says quietly, “if they were to find him, do you think the world would become kinder?”
You think for a moment.
“No,” you admit. “But at least I would know he is alive. Or what became of him.”
Oberyn nods slowly.
“Sometimes,” he murmurs, “knowing is worse. But I understand.”
He does not say he will look for him or that he will act — but for some reason, the fact that he understands warms you.
“For now,” he adds, looking away, “do what your peasants know how to do best: remain standing, even when it rains mud.”
He turns, ready to return to his chambers or to Doran — you do not know which.
“And you?” slips from you before you can stop it. “What do you do when it rains mud?”
He pauses.
Then he looks back over his shoulder with a gaze you have not yet fully learned to read.
“Me?” A pause. “I look for water before we are all too covered in filth to recognize it.”
And he walks away.
You remain alone in the corridor, Cole’s name still pulsing somewhere beneath your sternum — and with the unsettling sense that, for the first time in a long while, you are not the only one in this castle unwilling to pretend blindness.
Oberyn returns to the hall, where his brother still sits.
Doran has not risen.
He remains motionless, fingers laced before him as though he were weighing the table itself.
Oberyn begins pacing, hands clasped behind his back, a predator forced into a cage.
“Do you intend to bite every single person in this room?” Doran asks without looking at him.
Oberyn stops.
He slowly turns his face toward his brother. “If they do not know how to remain silent,” he replies, “yes.”
Doran inhales slowly, a breath that seems to pain him as well. “They are not enemies.”
“Not yet.”
“Nor is everything that is not Dorne against us.”
Oberyn laughs. A short, splintered sound. “Dorne stands against everyone. Remember that. And everyone forgets us until they need a handful of sand to plug a political hole.”
Only then does Doran lift his eyes to him. “And the girl?”
Silence.
Oberyn stiffens slightly. “What do you wish to know?” he asks, resuming his pacing.
“Whether you believe she is a political hole.”
Oberyn stops again, more abruptly this time. “I believe she is a lamb placed among cruel predators.” A shadow — only one — crosses his face. “I saw her breathing as though she expected someone to tear the air from her chest.”
“Then why did you say nothing?”
“Because I was not invited to offer comfort,” Oberyn replies coldly, “but to a marriage.”
The word marriage slips from him like venom.
“And yet,” Doran murmurs, “it was you who chose not to consummate the wedding night.”
Oberyn’s eyes narrow into sharp lines. “I will not touch her,” he says quietly. “Not now. Perhaps never.”
“She is your wife.”
“She is a prisoner disguised as a wife,” Oberyn retorts. “And I will not use my name to wound her further than he already has.”
Doran sighs. Slowly.
“Have you spoken with her?”
Oberyn does not answer at once.
Then he says, “Yes.”
“And?”
Another step. Another turn.
The silence that hurts more than words.
“She is…” Oberyn searches for a word to describe you, then says, “different.”
Doran does not smile, but his expression softens slightly, as though he expected that answer.
“Different how?”
“She does not speak like them. She does not look like them. She does not lie like them. And she is not afraid of me.”
Doran tilts his head.
“For now.”
“For now, certainly,” Oberyn concedes. “But she is sharper than she pretends to be. And too honest to survive here. I noticed it immediately.”
“Does it trouble you?”
Oberyn finally meets his brother’s gaze. “It irritates me.”
Doran exhales slowly.
“Oberyn…”
“No,” he interrupts. “Do not lecture me. Not today.”
The ruling prince waits.
Patiently.
With that calm Oberyn has always despised.
“That man,” Doran says, “the vanished farmer… Cole…”
Oberyn stiffens again, but this time the tension is different.
“Not my concern.”
“Is it not?” Doran asks. “She knew him.”
“Many peasants know many people,” Oberyn cuts in. “That does not mean they disappear for her.”
Doran remains silent for a moment. Then, “Have you considered that someone might use him against her?”
Oberyn stops pacing.
His sudden stillness is far more dangerous than his movement. “Yes,” he says without hesitation. “And if it happens, I will not stand aside.”
“You cannot prevent her from feeling pain.”
“I can prevent it from becoming a weapon.”
Doran nods slowly. “And do you believe her father will protect her?”
Oberyn laughs again, bitter this time. “Her father would sell even her shadow if he believed it would earn him half a yard more land.”
“And what will you do?” Doran asks.
Oberyn looks at him.
Not like a brother. Not like a prince. But like a man forced back into a world he hates — a world that reminds him every day of Elia and the children.
“I will do what I do best.”
Doran waits.
Oberyn finishes, “I will watch. I will learn who is lying. I will learn why a boy no one should even name has reached the Tyrells.” A flash ignites in his eyes. “And if his name is used to hurt her, then…”
A pause.
A smile with nothing joyful in it.
“…then someone will learn how quickly those who believe a girl raised among fields is worthless can die.”
Doran finally places his hands upon the table and rises slowly, his heavy, almost painful gait steady.
“Oberyn,” he says, “you cannot protect her from everything.”
“I know.”
“And you cannot protect her from yourself.”
Oberyn’s eyes flash for a moment with something that might be pain — or merely restrained fury.
“She will not need protection from me,” he says. “I did not want her. I did not choose her. But I will not break her to please men who are not worth her silence.”
Doran studies him a moment longer, then nods once.
“Then let us hope she does not choose to break you.”
Oberyn does not answer.
And this time, the silence carries more weight than any threat.
You enter your chamber without lighting any candles.
You do not need the light.
You close the door with a slow gesture, but you do not check whether it is properly shut.
The thought does not even cross your mind.
You remove your cloak.
Your shoulders ache, as though you were carrying the weight of someone who never stops watching you.
You sit on the edge of the bed and rest your head in your hands.
For a few minutes — you do not know how many — you simply breathe, as if trying to find yourself again.
Eventually, you lie down on the bed, with no desire to undress or straighten the covers.
You close your eyes, hoping that at least sleep might offer you some comfort.
On the other side of the door, in the corridor where the torchlight does not reach, Oberyn has been standing for several minutes.
The door to your chamber is not fully closed.
A thin crack lets through a faint draft of air and just the slightest hint of your movement in the dimness.
Oberyn makes no sound.
He does not breathe any louder than necessary.
He has not come to speak to you.
He has not come to watch over you.
He has not come to comfort you.
He has come only to make sure that, somehow, you are alright.
He could not say why.
Perhaps he does not even want to know.
When he sees you lie down on the bed, he understands that you will not break — not tonight.
Only then does he step away from the door.
One step back.
Then another.
His shadow withdraws down the corridor, swallowed by darkness and silence.