I wonder if we have confused hardness with the strength it takes to truly give and receive love. Let us praise softness.
Amid Safi
http://www.onbeing.org/blog/in-praise-of-softness/7659
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I wonder if we have confused hardness with the strength it takes to truly give and receive love. Let us praise softness.
Amid Safi
http://www.onbeing.org/blog/in-praise-of-softness/7659
Emily Dickinson’s poem “1383” and the friendships that endure across time, place, and even misunderstanding.
One of the most profound perspectives I have gained was the time I spent living in Hong Kong and traveling all over Asia. For the first time, as an American, I began to understand and experience directly what it truly feels like to be the “other” (though I have been the other in many aspect throughout my life). . In the end, even though I lived there but two years and never would have divined the outcome, Hong Kong is a place I dearly call “home.” And while I eventually lived a decent life there, it certainly was not a walled off and insulated “expat package” existence. It was, for who I was and am, genuine. . #Repost @onbeing ・・・ @poetrichardblanco’s work touches on the polarizing issue of immigration through the fullness of the human experience and the question: What is home? “Especially in our contemporary society, we’re all in exile. We all have immigrant experiences of some kind that weren’t happening, exactly, 100 years ago. You move from Miami to Seattle, you’re gonna have an immigrant experience,” he says. #onbeing #conversation #wisdom #immigrantexperience #richardblanco #poet #poetsofinstagram #humanity #society https://www.instagram.com/p/B5e8rCZjH4LG7V9641LdE0T7dWI0inTqpB_TKg0/?igshid=1j6unfn9gs7gu
I just came back from Japan a month ago, and in every classroom, I would just write on the board, “You are living in a poem.” And then I would write other things just relating to whatever we were doing in that class. But I found the students very intrigued by discussing that. “What do you mean, we’re living in a poem?” Or, “When? All the time, or just when someone talks about poetry?” And I’d say, “No, when you think, when you’re in a very quiet place, when you’re remembering, when you’re savoring an image, when you’re allowing your mind calmly to leap from one thought to another — that’s a poem. That’s what a poem does.” And they liked that. And a girl, in fact, wrote me a note in Yokohama on the day that I was leaving her school that has come to be the most significant note any student has written me in years. She said, “Well, here in Japan, we have a concept called ‘yutori,’ and it is spaciousness. It’s a kind of living with spaciousness. For example, it’s leaving early enough to get somewhere so that you know you’re going to arrive early, so when you get there, you have time to look around.” Or — and then she gave all these different definitions of what yutori was, to her. But one of them was: “After you read a poem, just knowing you can hold it — you can be in that space of the poem, and it can hold you in its space, and you don’t have to explain it. You don’t have to paraphrase it. You just hold it, and it allows you to see differently.”
Naomi Shihab Nye on OnBeing
“Show-Off.” - via @soulful.ness on Instagram
... Elizabeth Gilbert: I think curiosity is our friend that teaches us how to become ourselves. And it's a very gentle friend and a very forgiving friend, and a very constant one. Passion is not so constant, not so gentle, not so forgiving, and sometimes. not so available. And so, when we live in a world that has come to fetishize passion above all, there's a great deal of pressure around that. ... Ms. Gilbert: It doesn't. And here's the thing. Sometimes, following your curiosity will lead you to your passion. Sometimes it won't; and then, guess what? That's still totally fine. You've lived a life following your curiosity. You've created a life that is a very interesting thing, different from anybody else's. And your life itself then becomes the work of art — not so much contingent upon what you produced, but about a certain spirit of being that, I think, is a lot more interesting, and also, a lot more sustainable. Ms. Tippett: You use the language, “the virtue of inquisitiveness.” That's great. Ms. Gilbert: I think a definition of an interesting person is an interested person. I've never met an interesting person who's not also an interested person.
Elizabeth Gilbert - Choosing Curiosity Over Fear, On Being with Krista Tippett
"The way my feelings and emotions could render me vulnerable frightened me for a long time. It seemed easier, behind a calm, reasonable veneer, to stay safe and project a dispassionate persona, wielding the shield of certainty that would keep anyone from seeing the trembling me beneath. (...) But I no longer see my depression and grief, anxiety and anger, as enemies. I try to treat them as messengers sent to caution me: to remind me of the need for self care; to help me reassess and release attachments; to encourage me to reexamine values; to suggest that it’s time to revisit and revise the story of my identity. To come to my rescue."
The tensions of our time are well-known. But there are stories that are not being told, because they are not violent and not shouting to be heard. One of them is that all over this country, synagogues and mosques, Muslims and Jews, have been coming to know one another. There is friendship. There are initiatives that are patiently, and at human scale, planting the seeds for new realities across generational time. As part of the Civil Conversations Project, a live conversation at the Union for Reform Judaism’s General Assembly in Boston between Imam Abdullah Antepli and Rabbi Sarah Bassin.