Hello, father. I know we were all victims of the Gojo twins craze, but I present to you... Geto Twins Apocalypse
astro4ngel_ on tiktok btw
𝓘'𝓶 𝓵𝓲𝓼𝓽𝓮𝓷𝓲𝓷𝓰…

seen from Singapore

seen from Türkiye
seen from United States

seen from United States
seen from China

seen from Türkiye

seen from Canada
seen from Canada

seen from Australia

seen from Malaysia

seen from United States
seen from China
seen from United Kingdom
seen from South Korea
seen from United States
seen from United States
seen from United States
seen from China
seen from China
seen from Netherlands
Hello, father. I know we were all victims of the Gojo twins craze, but I present to you... Geto Twins Apocalypse
astro4ngel_ on tiktok btw
𝓘'𝓶 𝓵𝓲𝓼𝓽𝓮𝓷𝓲𝓷𝓰…
What a dashing group, sure hope nothing bad happens to them💞
…
Supplemental:
It was obvious that Pluto’s words in episode 61 had an impact on Morella, but being brought back to this line after reading Maeve state ‘Because if I don’t, then who will’, ohhh I know hearing that must have struck a nerve Morella doesn’t quite remember being so exposed
I feel like I stepped outside to clear my head and now I'm back in the soup thinking about jerejean again
I've jotted down a bunch of loose ideas for fics but I'm currently stuck on the tension that's been building between them. Like going from mutual attraction, to the realization that they're both into men, to a bunch of moments that bring them face to face with that attraction becoming pressing, to the scene with Jab in Jean's lap and Renee's "every three out of five texts has been about him"
Jean is still getting used to being allowed to want things. Jeremy wants to prioritize Jean's agency (and thinks he taints everything he touches, his attraction or his lust is a poisnonous thing). idk I love the idea of them just having to kind of deal with things coming to a head
like what if they're in the trojan's locker room and they think they're alone. practice has long since ended and they're getting their things together, taking their time with it. jean doesn't realize that jeremy's standing so close to him. he turns around and jeremy is right there and everything just kind of hangs between them.
time slows to molasses and jean catalogues each moment -- greedily hoards them away to examine later, when he's alone. the way jeremy's mouth hangs open, halfway through a word. jeremy's attention flicking rapidly between jean's eyes and his mouth. how jeremy sways toward him, so easily that it feels more like a magnetic pull than a conscious decision.
the sound of the door banging open around the corner. xavier and emma's voices distorting this quiet, isolated moment between them until it becomes something claustrophobic.
jeremy and jean gather their bags, walk out to the car, and have to deal with the weight of this thing between them being out in the open now, well before either of them was ready for it
Scott woke up tied to a metal folding chair with thick ropes around his torso, his hair a mess, and the taste of blood in his mouth. He was in a dark concrete room, with no windows. The only exit was a metal door.
"Ahh.. you're awake."
Saddler spoke from behind him.
..fuck...
He lifted his head, wincing at how sore and stiff his entire body was. It was also a bit hard to breathe with the ropes wrapped around his torso, and every breath in had a slight wheeze to it.
...where am i?
He seemed a bit more aware this time.
Sometimes I remember that one book, Guida al Mondo Magico- And that part where they say, with their full chests; "Duman only likes Ogron and doesn't fw Anagan and Gantlos, so they don't fw him either." (exact words being; "Per Ogron farebbe qualsiasi cosa. Detesta gli altri due stregoni, che ricambiano il suo sentimento.") And ngl I used to have some pretty strong thoughts about that. Mainly 'nuh uh'.
BUT with the combined power of not taking the book too seriously, and my homegrown 'their dynamic is whatever I need it to be at the moment', I went back in. Open-minded.
Guys?? Not to stir shit, but I fear there might be grounds for this.
BUT LISTEN LISTEN LISTEN HEAR ME OUT. Am I saying it is the truthful 100% canon take that they were definitely going for back then? .......No?? I don't know. And even if it was, that's actually up to everyone BUT Rainbow. Mhm. What I am saying though, is that watching S4 with 'Duman only gets along with Ogron' in mind, is super funny to me. Because??
Fellas what's going on there.
Also Gantlos and Anagan working together while Duman works alone?? Happens more than once. Strategic choice? Or do they just HATE each other? Things to think about.
Again, this is with that specific take in mind, there's plenty of clips/interactions you can use to do the exact opposite <3 ........But that brings me to my next point.
Only sort of related but. Sometimes I forget that? A majority of Anagan and Duman interactions?? I hallucinated those. They're completely made up. Guys they don't really talk, someone pointed that out to me and it's been on my mind since. Yeah they interact and acknowledge each other's existence, kinda, but direct conversation?? Not really?????? When it comes to moments between the wizards, Anagan and Duman have the least?? They've been a duo in my brain for so long, I genuinely forgot they're not actually, like in canon.
I mean, I'll keep putting them together regardless ofc, but it was a very eye-opening realisation to uh. Go back to how I used to see them, for a brief moment. The real way.
30's Ford having 2 Stans (Old Stan and 30's Stan) and being Mommy Kinked until he finally submits. I am so unwell about this. I have spent all night thinking about them dominating Ford in a way that he finally breaks and accepts his little boy status. OOOOO MAMA I AM NOT OK!
And when Old Stan has to go (Time Anomoly) obviously his Ford is also had a Mommy Kink and is well in tuned to Stan's demands. That leaves 30's Stan to Mommy 30's Ford, thus saving the dimension from Bill's influence.
hypnotizing tumblr users into giving me more notes
❄︎♒︎♏︎ ☞︎♓︎⧫︎■︎♏︎⬧︎⬧︎☝︎❒︎♋︎❍︎ 🏱︎♋︎♍︎♏︎❒︎ ❄︎♏︎⬧︎⧫︎ ♓︎⬧︎ ♋︎ ❍︎◆︎●︎⧫︎♓︎⬧︎⧫︎♋︎♑︎♏︎ ♋︎♏︎❒︎□︎♌︎♓︎♍︎ ♍︎♋︎◻︎♋︎♍︎♓︎⧫︎⍓︎ ⧫︎♏︎⬧︎⧫︎ ⧫︎♒︎♋︎⧫︎ ◻︎❒︎□︎♑︎❒︎♏︎⬧︎⬧︎♓︎❖︎♏︎●︎⍓︎ ♑︎♏︎⧫︎⬧︎ ❍︎□︎❒︎♏︎ ♎︎♓︎♐︎♐︎♓︎♍︎◆︎●︎⧫︎ ♋︎⬧︎ ♓︎⧫︎ ♍︎□︎■︎⧫︎♓︎■︎◆︎♏︎⬧︎📬︎ ❄︎♒︎♏︎ 📄︎📁︎ ❍︎♏︎⧫︎♏︎❒︎ ◻︎♋︎♍︎♏︎❒︎ ⧫︎♏︎⬧︎⧫︎ ⬥︎♓︎●︎●︎ ♌︎♏︎♑︎♓︎■︎ ♓︎■︎ 🗏︎📁︎ ⬧︎♏︎♍︎□︎■︎♎︎⬧︎📬︎ ☹︎♓︎■︎♏︎ ◆︎◻︎ ♋︎⧫︎ ⧫︎♒︎♏︎ ⬧︎⧫︎♋︎❒︎⧫︎📬︎ ❄︎♒︎♏︎ ❒︎◆︎■︎■︎♓︎■︎♑︎ ⬧︎◻︎♏︎♏︎♎︎ ⬧︎⧫︎♋︎❒︎⧫︎⬧︎ ⬧︎●︎□︎⬥︎●︎⍓︎ ♌︎◆︎⧫︎ ♑︎♏︎⧫︎⬧︎ ♐︎♋︎⬧︎⧫︎♏︎❒︎ ♏︎♋︎♍︎♒︎ ❍︎♓︎■︎◆︎⧫︎♏︎ ♋︎♐︎⧫︎♏︎❒︎ ⍓︎□︎◆︎ ♒︎♏︎♋︎❒︎ ⧫︎♒︎♓︎⬧︎ ⬧︎♓︎♑︎■︎♋︎●︎ ♌︎□︎♎︎♏︎♌︎□︎□︎◻︎📬︎ ✌︎ ⬧︎♓︎■︎♑︎ ●︎♋︎◻︎ ⬧︎♒︎□︎◆︎●︎♎︎ ♌︎♏︎ ♍︎□︎❍︎◻︎●︎♏︎⧫︎♏︎♎︎ ♏︎❖︎♏︎❒︎⍓︎ ⧫︎♓︎❍︎♏︎ ⍓︎□︎◆︎ ♒︎♏︎♋︎❒︎ ⧫︎♒︎♓︎⬧︎ ⬧︎□︎◆︎■︎♎︎📬︎ ♎︎♓︎■︎♑︎ ☼︎♏︎❍︎♏︎❍︎♌︎♏︎❒︎ ⧫︎□︎ ❒︎◆︎■︎ ♓︎■︎ ♋︎ ⬧︎⧫︎❒︎♋︎♓︎♑︎♒︎⧫︎ ●︎♓︎■︎♏︎ ♋︎■︎♎︎ ❒︎◆︎■︎ ♋︎⬧︎ ●︎□︎■︎♑︎ ♋︎⬧︎ ◻︎□︎⬧︎⬧︎♓︎♌︎●︎♏︎📬︎ ❄︎♒︎♏︎ ⬧︎♏︎♍︎□︎■︎♎︎ ⧫︎♓︎❍︎♏︎ ⍓︎□︎◆︎ ♐︎♋︎♓︎●︎ ⧫︎□︎ ♍︎□︎❍︎◻︎●︎♏︎⧫︎♏︎ ♋︎ ●︎♋︎◻︎ ♌︎♏︎♐︎□︎❒︎♏︎ ⧫︎♒︎♏︎ ⬧︎□︎◆︎■︎♎︎📪︎ ⍓︎□︎◆︎❒︎ ⧫︎♏︎⬧︎⧫︎ ♓︎⬧︎ □︎❖︎♏︎❒︎📬︎ ❄︎♒︎♏︎ ⧫︎♏︎⬧︎⧫︎ ⬥︎♓︎●︎●︎ ♌︎♏︎♑︎♓︎■︎ □︎■︎ ⧫︎♒︎♏︎ ⬥︎□︎❒︎♎︎ ⬧︎⧫︎♋︎❒︎⧫︎📬︎ ⚐︎■︎ ⍓︎□︎◆︎❒︎ ❍︎♋︎❒︎🙵📬︎ ☝︎♏︎⧫︎ ❒︎♏︎♋︎♎︎⍓︎✏︎⑤︎ 💧︎⧫︎♋︎❒︎⧫︎📬︎ ♎︎♓︎■︎♑︎