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Merleau-Ponty is concerned with the particular figuration of human life. To what extent is this articulation of life a specifically human one? From the perspective of a phenomenology that situates itself beyond the Husserlian level and is instead concerned with the prehuman sphere, prior to emergence of the ego, the distinction of life loses its clarity. Merleau-Ponty poses a critical question: ‘Life and nonlife are different only as chemistry of mass and individual chemistry: Are viruses living or nonliving beings?’. The question is in direct contradistinction to a phenomenology purportedly concerned with the human experience, and that alone. From the perspective of a human subject, a virus or a disease enters the body and is experienced as a form of anti-life. It is experienced as something that reduces life to a paralysed state, draining the body at all times of the resources [it] depends [on] in order to advance itself in the world. But how does the virus perceive us, to paraphrase David Cronenberg? The very reversibility of these perspectives confuses the boundaries between life and nonlife, masking the phenomena with both dimensions at once

Dylan Trigg, The Thing: A Phenomenology of Horror, pg. 29

“We are the cave men. We are the Ancients, the Progenitors, the blue-collar steel monkeys. We spin your webs and build your magic gateways, thread each needle's eye at sixty thousand kilometers a second. We never stop. We never even dare to slow down, lest the light of your coming turn us to plasma. All for you. All so you can step from star to star without dirtying your feet in these endless, empty wastes between. Is it really too much to ask, that you might talk to us now and then? I know about evolution and engineering. I know how much you've changed. I've seen these portals give birth to gods and demons and things we can't begin to comprehend, things I can't believe were ever human; alien hitchikers, maybe, riding the rails we've left behind. Alien conquerers. Exterminators, perhaps. But I've also seen those gates stay dark and empty until they faded from view. We've infered diebacks and dark ages, civilizations burned to the ground and others rising from their ashes— and sometimes, afterwards, the things that come out look a little like the ships we might have built, back in the day. They speak to each other— radio, laser, carrier neutrinos— and sometimes their voices sound something like ours. There was a time we dared to hope that they really were like us, that the circle had come round again and closed on beings we could talk to. I've lost count of the times we tried to break the ice. I've lost count of the eons since we gave up. All these iterations fading behind us. All these hybrids and posthumans and immortals, gods and catatonic cavemen trapped in magical chariots they can't begin to understand, and not one of them ever pointed a comm laser in our direction to say Hey, how's it going, or Guess what? We cured Damascus Disease! or even Thanks, guys, keep up the good work. We're not some fucking cargo cult. We're the backbone of your goddamn empire. You wouldn't even be out here if it weren't for us. And— and you're our children. Whatever you've become, you were once like this, like me. I believed in you once. There was a time, long ago, when I believed in this mission with all my heart. Why have you forsaken us?” - Peter Watts, The Island (2009)