Scene:
The hero dragging the villain to their death knowing that they'll die too, and being scared to die. So they cling to the only person within arms reach, the villain, as they plummet to their demise.
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Scene:
The hero dragging the villain to their death knowing that they'll die too, and being scared to die. So they cling to the only person within arms reach, the villain, as they plummet to their demise.
The more darlin backstory we receive the more and more I want to sit down and write a whole timeline of events for my version of them just because I need to be able to correctly reflect their experiences in the blurbs I write….
Also: (unpopular opinion, so if you disagree that’s cool, don’t worry I’m not comin for you, this is just my darlin in my head)
I tend to see a lot of content that has David being sort of an older sibling to Darlin, or that their role in the pack is often more inflated then what’s canon (which again, cool for y’all if that’s how y’all wanna play it) but there’s so much room for angst and growth and raw emotions by exploring the avenue that Darlin isn’t really that same teenager that they all managed to make friends with- and that now after everything that happened they’re much more jaded.
They’re trying again, and they want to be a part of the pack again, and right now David, Asher, and Milo are all trying to find their footing with where they stand with Darlin. Too much has happened for all of them for them to just resume that easy teenage experience- but I think that the four of them rebuilding a bond that extends beyond just being in a pack, that stems beyond blood (real or metaphorical), is a stronger bond than the idea of them being there out of obligation.
Darlin is choosing the pack. Not because they have a duty to their past self- not out of guilt for some connection to Gabe, not because they feel like they owe it to anybody, but because these people are people that have proven they’re reliable, safe, and willing to allow darlin the space to breathe that they need. Consistently, David has made it a point to not try to take up the role of an overbearing older brother because Darlin does not need more family. Darlin needs friends. And at the end of the day, they need a circle of support they know they could never let down rather than more people they have to try to meet expectations for.
CHERRY BULLET DISBANDED?!?!?! What the heck FNC?!?! With all of the protest trucks asking for better treatment and such this is what y’all decide? I’ll still support the girls in what they decide, but come on!
I'm seriously considering doing the st characters as Florida Man headlines. Any characters in particular y'all want?
I’ve been thinking...
So, I’ve had this idea in my head for a very long time, but I’m thinking about posting it here or making a whole new blog for it.
I have two OCs who are both popular singers in the 90s, but I’m not sure if I should post it here, on shining-red-diamond, or create a new blog. Lemme know what y’all think
A prince seeks out a witch for a love potion.
He has been forced into an arranged marriage so this is his last chance...
That is the only thing he will willingly tell the witch.
He returns months later upset that it didn't work, when the witch asks who he gave it to the prince proclaims that he took it.
He says that he wanted the potion so that he can force himself to love his new spouse and give her the loving husband she deserves.
He asks again why it stopped working, begging and pleading for the witch to make it work again.
Only for the witch to round the table, and softly hold his hand as she tells him that the reason it stopped working is...
A failsafe.
For a love potion, she always adds a failsafe so that if the other partner becomes in any way toxic or abusive then the potion stops working allowing the other party to escape...
I love the trope:
Character A, who hides from the light due to past trauma and persecution that follows them. And finds someone something in that darkness who understands them so wholeheartedly, and they are never going back.
Character B, literally a creature of shadows enthralled by the one human that finds comfort in the darkness rather than running from it. They will never let a creature of light lay a finger on them now, their hands are soaked with blood and they cradle the face of their beloved.
The trope of "child drawing horrific drawings" but instead it's "child draws a 'scary' woman".
And when the school guidance counselor calls the kid's parents a woman with the same red blob that the child always draws on the 'scary' woman shows up.
She's the kid's mother.
She just has a birthmark.
But the guidance counselor is convinced he's in The fuckin Ring and is basically stalking this innocent woman and creative accepting toddler.