my use of cool and warm colors

seen from United States

seen from Germany
seen from United States
seen from China

seen from United States
seen from China
seen from Greece
seen from Morocco

seen from United States

seen from Singapore
seen from United States

seen from Singapore

seen from United States
seen from United States

seen from China
seen from South Korea
seen from United States
seen from Ireland
seen from Malaysia
seen from China
my use of cool and warm colors
Digital sketch of some made up ceremonial dancers
We Are The Ocean
Ursala Hudson (Tlingit/Filipino/German)
collar: merino wool, silk, steel cones, leather. ravenstail patterns, crochet, basketry twining technique. Woman as a Wave shawl: merino wool, silk, cedar bark. chilkat and ravenstail patterns, crochet, basketry twining technique. Tidal apron: merino wool, silk, leather, steel cones. chilkat and ravenstail patterns.
“We Are the Ocean is an ensemble comprised of a collar, apron (entitled Tidal), and shawl (entitled Woman as a Wave). The collar and bottom edge of the shawl are twined using a basketry technique to bring delicacy to the regalia, made specifically to emphasize the wearer’s feminine essence. In place of the sea otter fur that traditionally lines the top of Chilkat and Ravenstail weavings, the merino weft yarns were used to crochet the collar and shawl’s neck lines, bringing forward and incorporating a European craft practiced by both my maternal (Tlingit/Filipino) and paternal (German) grandmothers. The high neck of the collar gives tribute to the Western aesthetics that have forever influenced the Indigenous cultures of our lands; with grace, we embrace that which cannot be undone, and use our new form to be better. The apron’s pattern was studied and graphed from an old Tlingit cedar bark basket, and represents the tides of our lives, as our lessons continue to arise in a revolving cycle, yet made of new debris. The repetitive pattern of the shawl represents the infinite connectedness of our sisters, mothers, aunties, and daughters. Blue lines break up inverted rows, representing the “past,” “present,” and “future,” acknowledging these concepts as irrelevant constructs that fall away when we commune with the Divine. The entire ensemble is worn to evoke the innate spirit of the Woman as an ethereal deity, that resides within us all.”
It's been nearly 4 years since I last drew my knight, Regalia from my original setting I once ran a campaign for and played in Shun's DCC game… ❤️❤️❤️ I wanna bring her back, along with some other things I've been cookin' recently! ~Beann
Drew the past design of my DnD character~ He used to be known as Malachi and was actually covered in armor plates (they melted off in the fire that killed him) I love warforgeds with all my heart
When you're marrying in to House Corrino.
Native Dance
for @haunting-stims (jingle dress & fancy shawl)
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