(There) ...is what Heidegger called the hope for authenticity—the hope to be one’s own person rather than merely the creation of one’s education or one’s environment. As Heidegger emphasized, to achieve authenticity in this sense is not necessarily to reject one’s past. It may instead be a matter of reinterpreting that past so as to make it more suitable for one’s own purposes. What matters is to have seen one or more alternatives to the purposes that most people take for granted, and to have chosen among these alternatives--thereby, in some measure, creating yourself. As Harold Bloom has recently reminded us, the point of reading a great many books is to become aware of a great number of alternative purposes, and the point of that is to become an autonomous self. Autonomy, in this un-Kantian and distinctively Bloomian sense, is pretty much the same thing as Heideggerian authenticity. For members of the literary culture, redemption is to be achieved by getting in touch with the present limits of the human imagination. That is why a literary culture is always in search of novelty, always hoping to spot what Shelley called “the shadows that futurity casts upon the present”, rather than trying to escape from the temporal to the eternal. It is a premise of this culture that though the imagination has present limits, these limits are capable of being extended forever. The imagination endlessly consumes its own artifacts. It is an ever-living, ever-expanding, fire. It is as subject to time and chance as are the flies and the worms, but while it endures and preserves the memory of its past, it will continue to transcend its previous limits. Though the fear of belatedness is ever present within the literary culture, this very fear makes for an intenser blaze.
-- Rorty, The Decline of Redemptive Truth
