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How to make hard choices | Ruth Chang
How to make hard choices | Ruth Chang
Source | YouTube | TED
Here’s a talk that could literally change your life. Which career should I pursue? Should I break up — or get married?! Where should I live? Big decisions like these can be agonizingly difficult. But that’s because we think about them the wrong way, says philosopher Ruth Chang. She offers a powerful new framework for shaping who we truly are
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Hard choices are hard not because of us or our ignorance; they are hard because there is no best option.
Ruth Chang
I love this Ted Talk!!!!
Far from being sources of agony and dread, hard choices are precious opportunities for us to celebrate what is special about the human condition, that the reasons that govern our choices as correct or incorrect sometimes run out, and it is here, in the space of hard choices, that we have the power to create reasons for ourselves to become the distinctive people that we are. And that’s why hard choices are not a curse but a godsend.
Ruth Chang
Please watch this! It is so worth the time!
When you think about it, it's nuts to believe that the reasons given to you dictated that you had most reason to pursue the exact hobbies you do, to live in the exact house you do, to work at the exact job you do. Instead, you faced alternatives that were on a par — hard choices — and you made reasons for yourself to choose that hobby, that house and that job. When alternatives are on a par, the reasons given to us, the ones that determine whether we're making a mistake, are silent as to what to do. It's here, in the space of hard choices, that we get to exercise our normative power, the power to create reasons for yourself, to make yourself into the kind of person for whom country living is preferable to the urban life. When we choose between options that are on a par, we can do something really rather remarkable. We can put our very selves behind an option. Here's where I stand. Here's who I am. I am for banking. I am for chocolate donuts. This response in hard choices is a rational response, but it's not dictated by reasons given to us. Rather, it's supported by reasons created by us. When we create reasons for ourselves to become this kind of person rather than that, we wholeheartedly become the people that we are. You might say that we become the authors of our own lives. So when we face hard choices, we shouldn't beat our head against a wall trying to figure out which alternative is better. There is no best alternative. Instead of looking for reasons out there, we should be looking for reasons in here: Who am I to be? You might decide to be a pink sock-wearing, cereal-loving, country-living banker, and I might decide to be a black sock-wearing, urban, donut-loving artist. What we do in hard choices is very much up to each of us. Now, people who don't exercise their normative powers in hard choices are drifters. We all know people like that. I drifted into being a lawyer. I didn't put my agency behind lawyering. I wasn't for lawyering. Drifters allow the world to write the story of their lives. They let mechanisms of reward and punishment -- pats on the head, fear, the easiness of an option — to determine what they do. So the lesson of hard choices: reflect on what you can put your agency behind, on what you can be for, and through hard choices, become that person. Far from being sources of agony and dread, hard choices are precious opportunities for us to celebrate what is special about the human condition, that the reasons that govern our choices as correct or incorrect sometimes run out, and it is here, in the space of hard choices, that we have the power to create reasons for ourselves to become the distinctive people that we are. And that's why hard choices are not a curse but a godsend.
Ruth Chang
Confering value on options
At the heart of this model is a simple assumption: that what you should choose is always determined by facts in the world about which option has more value — facts that, if only you were smart enough to discover, would make decision-making relatively easy.
But the assumption is false. When we compute distances, there are only three possibilities: one distance is more than, less than or equal to another. Similarly, when we compute value, there are only three possibilities: one thing is better than, worse than or just as good as another. But we shouldn’t assume that goodness is like distance. Values don’t have the same structure as facts.
Options can be “on a par” — different in value while being in the same overall neighborhood. If your alternatives are on a par, you can’t make a mistake of reason in choosing one instead of the other. Since one isn’t better than the other, you can’t choose wrongly. But nor are they equally good. When alternatives are on a par, when the world doesn’t determine a single right thing to do, that doesn’t mean that value writ large has been exhausted. Instead of looking outward to find the value that determines what you should do, you can look inward to what you can stand behind, commit to, resolve to throw yourself behind. By committing to an option, you can confer value on it.
When we choose between options that are on a par, we make ourselves the authors of our own lives. Instead of being led by the nose by what we imagine to be facts of the world, we should instead recognize that sometimes the world is silent about what we should do. In those cases, we can create value for ourselves by committing to an option. By doing so, we not only create value for ourselves but we also (re)create ourselves. Eve might resolve to make her life in Boston. Someone else, in her shoes, might resolve to start a new life in California. There is no error here, only different resolutions that create different sorts of people.
So Eve, faced with her choice, should reflect on what kind of person she can be. Can she be someone who abandons a contented life for a new adventure? A choice between alternatives that are on a par is a precious opportunity to create the sort of person she can commit to being, by committing to being that sort of person.
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