الرجل الذي باع ظهره [The Man Who Sold His Skin] (Kaouther Ben Hania, 2020)

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الرجل الذي باع ظهره [The Man Who Sold His Skin] (Kaouther Ben Hania, 2020)
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If any story has been inescapable this century, it's surely immigration.
The subject has spawned so many newscasts, books, movies and TV shows that it takes real imagination to find an invigorating angle on such a well-worn and difficult theme.
That's why I was surprised and delighted by The Man Who Sold His Skin, a funny, touching and pointed film that's been nominated for the Oscar for Best International Feature. Made by the Tunisian writer-director Kaouther Ben Hania, it weaves together satire and humane political awareness to create an original fable about art, privilege, freedom and identity.
The winning newcomer Yahya Mahayni stars as Sam Ali, a handsome young Syrian madly in love with his girlfriend, Abeer (Dea Liane). But when Sam's thrown into prison by the Assad regime for a trifle, he's forced to escape to Lebanon. He's burning to get to Belgium where Abeer has moved with the Syrian diplomat she's been married off to, but he can't get a visa.
Sam's situation seems hopeless until he sneaks into an opening at a Beirut gallery hoping to sponge free food. Once there, he's caught by a glamorous art-dealer who introduces him to Jeffrey Godefroi, an internationally renowned artist played by Belgian star Koen De Bouw. Jeffrey specializes in glib work that sells for millions and seems to embody Oscar Wilde's definition of a cynic as one who knows the price of everything and the value of nothing.
Over drinks, Jeffrey proposes a deal that will let Sam get to Abeer. Using Sam's back as his canvas, Jeffrey creates a large tattoo depicting the Schengen Visa, the document that allows free movement between European countries. In exchange, he gives Sam a cut of the profits and — because Sam is now a pricey work of art — gets him into Belgium. There Sam spends his time being displayed in a museum and looking for Abeer. He finally appears to be free.
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