Legal Walls maps 2,522 legal graffiti spots worldwide. Search by location, view on Street View, and read painter reviews.
Legal Walls is a free global directory of spots where you can spray without getting arrested. The website plots each location on a world map with clickable markers — zoom in on any one to pull up a Google Street View, read community notes, and see whether the wall is still active.
You can search by city or region to scope out what's available nearby. The site currently lists 2,522 sanctioned spots in total globally, with Europe leading the count by a wide margin — worth bookmarking before any trip abroad if you travel with spray cans.
Make sure to use your own best judgment when deciding to paint on one of these walls, and double-check that it's still legal before you show up with your gear. Click on any listing to read people's comments about the location. There's also a way to rate an area as still safe to paint, which helps keep the database up to date. A great resource for street artists, or anyone looking to experiment with graffiti for the first time without getting caught.
When thinking about Boston, people think about the brownstones, historical buildings, and the robust academic scene. But what is discovered
Because Boston has never been a street art hotspot, the Mayor’s Office of Arts and Culture hopes to grow more of their programs to spread public art throughout neighborhoods.
In the past, the city had the mayor’s mural crew, which trained muralists and created art around the city. The Mayor’s Office of Arts and Culture at Boston City Hall hopes to grow their new, similar program called A Canvas of Culture. This initiative focuses on long-term mural installations at Boston Public Schools.
Outside of Boston’s city hall initiatives, there are also numerous nonprofit organizations that support street artists and local culture. Boston Public Art Triennial, Now + There, and Boston Art and Music Soul Fest are among the organizations working to connect artists with their communities by creating opportunities for artists and raising awareness for creative spaces.
The ‘80s and ‘90s gave rise to big names in the community including ProBlak, Click, Maze, Hang, Ryze, and Alert. There are also artist collectives in the city such as Street Theory, a BIPOC-organized collaborative for street artists that has been operating for over two decades.
“There’s a really active community of muralists in Boston, and I think the more experienced artists are able to support each other, and the emerging artists are able to work on their crews and develop,” said Birgit Wurster, Boston’s Interim Director of Public Art.
Caleb Neelon is a graffiti artist and the co-author of the book “The History of American Graffiti,” which dives deep into the country’s biggest street artists, some of whom were Boston-based. He became interested in graffiti as a teenager growing up in Boston in the early ‘90s, but said the ‘90s was not a great time for graffiti in Boston, with stricter policing arising in the city.
“It’s not a very friendly culture. It’s never been a very friendly city to public art in general, and I think there is that sort of forged-in-the-flames aspect to a lot of the art that happened here and a lot of the graffiti that happened here,” Neelon said.
Travelling to cities around the world allowed him to connect with other artists and experience the local culture in each location. Working in places like Brazil and Nepal, he has seen the way street art shapes different locations and communities.
“It’s really what gives a place its sense of self,” he said. “Those are the people that give a city the sense of ‘you can only get that here.’”
Scaling Walls with Los Angeles’s Rappel Graffiti Artists
Rappel graffiti has roots in South America and 1980s New York City, and it has exploded in recent years with the extreme, skyscraper type of tag. The rappel style is finding its footing in LA, and things move fast here. While the rappel phenomenon originally fit vertical cities like NYC, LA is more horizontal. But the style’s big swaths of undeniable boldness match LA like fast friends, and rappel was bound to hit one of America’s graffiti meccas, says Steve Grody, author of 2007’s Graffiti L.A.: Street Styles and Art and the “Steve Grody’s Graffiti File” Substack. Read the complete article here.
The art initiative follows similar projects across the UK
The forward-thinking project has been funded through the National Lottery, proceeds from the police crime fund and Boardmasters following concerns a spate of tagging in Newquay is making the town look unsightly.
Your Art Connect is collaborating on the scheme with Newquay BID, Cornwall Council and Newquay Town Council.
The wall art rules include respecting other artists’ work, no hate, offensive or explicit content, keeping the space clean and painting legally and not elsewhere.
Marie Hutchinson-Ralph from Your Art Connect said: “Graffiti to Gallery is a project helping to build better communities through art. After seeing the success of similar projects across the UK, we were kindly given funding to run this six-week pilot scheme, which aims to reduce tag and graffiti crime.
As of the end of 2025, the walls of Atlanta have more than 2,000 murals and sanctioned graffiti pieces. Obviously, they didn’t paint themsel
John Dirga, Executive Director of the Cabbagetown Initiative, told ArtsATL how the Krog Street Tunnel became a legal graffiti spot. “Atlanta’s graffiti culture was strong, and the tunnel/trainyard combo was pretty magnetic,” said Dirga. “By 2003, Cabbagetown had worked with Major Banda (Zone 6 Commander for the Atlanta Police Department) to decriminalize painting in Krog, then hired Mister Totem to do a proper piece at the entrance. He depicted a snowball fight, which I think sorta personified the tunnel etiquette: a fierce battle, but . . . melting and radically impermanent.”
Monica Campana, co-founder of Living Walls, moved to town in 2007 to attend art school but dropped out — twice. “Street art in many ways saved me,” explained Campana. “At a time when I found myself so lost and depressed, learning the streets, going out at night, making art without having to put my name with it gave me a sense of freedom and direction over the things I wanted to do and the life I wanted to live.” Campana then met Blacki Li Rudi Migliozzi, the other co-founder of Living Walls, and learned about the academic side of street art’s impact on communities. Campana’s interest in street art shifted from a personal avocation to a civic duty.
Driven by social media, more and more urbanites are taking up birdwatching, helping to increase ecological awareness and molding photography
A year ago, Wang Zexian would never have expected to spend his commute observing birds. But in late 2024, while photographing along Shanghai’s Huangpu River, he unexpectedly captured an egret and a Siberian gull in his lens. This chance encounter ignited a passion for birdwatching and opened his eyes to the diverse bird species thriving in the urban environment.
“Birding has completely changed my daily rhythm,” said the 30-year-old network engineer, who now regularly posts his bird photography on the lifestyle app Xiaohongshu, known in English as RedNote. Since birds are most active at dawn and dusk, and good light is crucial for photography, he “forced” himself to go to bed and to get up early. His schedule became so regular that it practically revolved around sunrise.
He began by casually observing birds from his balcony and around his residential area. On one occasion, he identified over a dozen distinct species of varying sizes and plumage colors within his compound.
The festival was renamed this year in honour of Trey Helton, the initial festival organizer who died earlier this year.
Almost 70 graffiti and other artists from B.C. and abroad came together over the B.C. Day long weekend to cover an entire block of a Downtown Eastside alley in murals and enormous, full-colour pieces.
It was the result of Never Grow Up 2025, an annual graffiti arts festival that started in 2023.
Organizers estimated more than 3,000 people passed through the alley — north of Hastings Street, between Abbott and Cambie streets — over the course of the festival, from dedicated graffiti fans to curious locals and tourists.
“A lot of people just see (graffiti) as a nuisance, and then they come here, and they can really see how it’s a beautiful art form, really an amazing way to express yourself,” said Maeve Simpson, one of the festival’s organizers. “It’s just eye opening for a lot of people.”
For Kyle Simpson, Maeve’s partner and festival co-organizer, the event brought new life to the neighbourhood.
“It’s actually kind of transformed (the alley) from a space that used to be in decline itself,” he said, noting that before the festival, the alley wasn’t a place most people would feel comfortable walking through.
Originally called Clean Lines, the festival was renamed this year in honour of its founder, graffiti artist and Overdose Prevention Society manager, Trey “Grow Up” Helten, who died earlier this year.
Risking arrest, and even decapitation, she ‘bombed’ yards, tunnels and trains in the dead of night. As she brings the spirit of the subway t
She stopped illegally painting subway trains decades ago – “now I save my crazy for the galleries” – but the spirit of the subway lives on in the London show. And she says she’s still paying the price for her years of youthful rebellion. Twelve years ago, she and her husband moved upstate after “one too many” police raids on their home in NYC. “They took my stuff – including my husband – and messed with us. We had to spend money on an expensive attorney. They’ve told me to stick to the indoor stuff and not paint big old murals because they inspire people. I said yeah – community people, poets, artists, I should hope I inspire people!”
One thing is for sure: she doesn’t have any regrets. “Street art is the biggest art movement, we are in every corner of the world. By whatever means possible, we are taking over this world, it’s our whole plan! I think it’s cool, man – you’ve got to take control of your environment. You don’t need an MA to be an artist, you just need a little paint plus a little courage. Just do it!”
Artists on the South and West sides rely on free or subsidized community housing and the support of mission-driven arts organizations to mai
Rakya Graham, 23, is a painter and poet studying art at Harold Washington College in the Loop. Still, her only paying job—a server at The Cheesecake Factory—has nothing to do with her artistic passions.
“In terms of career, I think that’s almost every artist’s dream: to get paid for at least something they do in art,” Graham said.
Young Chicago artists are developing their crafts in hopes of following a rich local legacy of nationally impactful work, ranging from more contemporary performers such as singer-songwriter Jamila Woods to classic playwrights such as Lorraine Hansberry.
What would be a requirement in most professional fields—a living wage—remains a dream for many aspiring young creators. Reliable, well-paid jobs in the arts can be hard to come by.
Youths facing life challenges learn to express themselves and heal through arts education, thanks to a Museum Without Walls grant.
At the RYSE Hawai‘i shelter in Kailua, youth and young adults who are facing challenges in their lives can stop by to receive free support services, including hot showers and meals, laundry facilities, clothing, as well as referrals to stable housing, medical and mental health care, and counseling. This past fall, they also had the opportunity to get something you might not expect: art classes taught by a La Sorbonne-educated artist.
Fatiha Kheddaoui is a teaching artist originally from France with a wide range of skills including screen printing, drawing, bronze casting, painting, ceramics, and video. She has years of experience teaching K-through-12 and art residencies in France and Panama, and has exhibited her work extensively around the world. Now in Hawai‘i, she created an art residency with nonprofit organization Residential Youth Services & Empowerment (RYSE), to bring the transformative power of art to young people.
“I use art as a tool to connect with people,” Fatiha says. “I like for it to be a conversation. I don’t like making art alone; I’m much more interested in having someone sit down with me, start creating, and suddenly I’m learning so much about their creativity and who they are.”
Colum McCann's Narrative 4 organization is bringing the power of story to students in a time of division. The project helps young people aro
Colum McCann's Narrative 4 organization is bringing the power of story to students in a time of division. The project helps young people around the world share their stories and bridge divides in politics and culture. Senior arts correspondent Jeffrey Brown reports for our series, Art in Action, exploring the intersection of art and democracy.
The Making A Difference Foundation's Feeding Our Future program empowers disadvantaged youth with microgreen hydroponic farming and entrepre
The American Journal of Preventive Medicine reports that programs teaching urban farming, nutrition, and food preparation to teens and young adults leads to a 45% increase in vegetable intake and a 40% reduction in fast food consumption. Inspired by these findings, Blue was determined to equip our urban youth farmers with the tools to achieve the same.
“We wanted to teach our urban youth farmers how to farm and to prepare them to increase their vegetable intake, but also to reduce fast food consumption with them. More importantly, we also wanted to teach them how to become entrepreneurs because many of our kids were already entrepreneurs,” said Blue. “We realized that we could teach them to grow microgreens or other healthy, sustainable fruits and vegetables with less risk and higher profits.”
While Blue considers her greatest achievement as having the privilege to positively impact the lives of children who are not her own, she said that the youth in the program have also experienced meaningful accomplishments throughout their journey. Out of 27 total participants, 10 have agricultural businesses.
It is the first of three legal street art walls that will be opened in the city in the coming months
The first of three new 'legal graffiti' walls is due to officialy launch in Belfast City Centre later this week.
Belfast City Council will officially launch the new wall on Little Patrick Street on Friday, July 4, which will provide a space for street artists in the city to express themselves and hopefully reduce illegal graffiti in the area.
Lord Mayor of Belfast, Councillor Tracy Kelly said: "Belfast already has an impressive array of street art which has become a huge draw for visitors and really brightens up our city for residents and communities too.
“We want to harness that creative spirit and create further opportunities for young artists by offering them safe spaces where they can create, practice and experiment without fear of getting into trouble. “Legal walls have long been used in Europe to nurture artists and encourage collaborative art projects, and I’m pleased that our first Belfast wall is now in place.
The Indian Pueblo Cultural Center in Albuquerque is currently hosting the 44th Annual Native American Student Art Show. The art show feature
The Indian Pueblo Cultural Center in Albuquerque is currently hosting the 44th Annual Native American Student Art Show. The art show features the works of Indigenous youth from kindergarten through 12th grade who attend schools all across New Mexico.
The exhibition opened on Nov. 23 and can be seen through Feb. 6.
This year, the show’s theme is “Water is life.”
“For Native American youth in New Mexico, this year’s exhibition activates a responsive avenue to channel their understandings of the vitality and sustaining force of water into innovative and artistic expressions,” a placard in the exhibition room reads.
All of the pieces in the art show are an exploration of what this prompt entails. They range from literal portrayals, which represent the importance of water to Indigenous communities, to abstract interpretations of the theme.
The art show is also a contest, which is judged by multiple individuals and organizations. These include NSRGNTS, a local Indigenous artist collective; Sonny Ray Olguin, a student in the University of New Mexico’s Museum Studies graduate program; and the NM-INSPIRES and CHANGES centers, two organizations based at UNM that focus on the impact of climate change on New Mexico.
The New Hampshire Children’s System of Care (CSoC) is accepting submissions for the seventh annual Magnify Voices Expressive Art Contest. Op
The New Hampshire Children’s System of Care (CSoC) is accepting submissions for the seventh annual Magnify Voices Expressive Art Contest. Open to students in grades five through 12, the contest invites youth to share creative works reflecting their experiences with and connections to mental health. Submissions will be accepted through April 20.
The contest, part of CSoC’s effort to raise awareness and reduce stigma around youth mental health, encourages artistic entries in various forms, including short videos, songs, performances, interpretive dances (two minutes or less), essays or poems (1,000 words or less), and visual designs such as sculptures, photographs, paintings, or dioramas.
“The Magnify Voices contest provides a forum for youth to share their stories and raise awareness about mental health,” said Deb Jurkoic, committee member and NAMI New Hampshire Family Network Coordinator. “These works continue to make an impact as they are shared statewide, allowing the artists to engage with their communities.”
An exhibit featuring all submissions will take place at a celebration event on May 21, where 12 finalists will be announced. Each finalist will receive a $250 cash prize, and their work will be featured in an academic planner. The event will also include a People’s Choice Award, selected by audience vote.
Do you know a student interested in the environment and art? We're looking for 8th-12th grade Raleigh students to show how they would help protect streams and lakes from water pollution through visual art.
The Capture It! Stormwater Arts Contest is open until February 28 and a $500 cash prize will be awarded to winners in each category (artwork or video). Winners will be recognized at the Earth Day event at Dorothea Dix Park and select artwork will be displayed at the Pullen Arts Center Youth & Teen Gallery.
