I want you to elaborate, please đ„ș
Re: this post regarding that it's thematically important for Xadia to have failed Rayla.
So TDP demonstrates by and large what is required for a 'both' (or triple pronged) sides conflict to work, if we have the dragons, the elves, and the humans loosely on their own sides, with 90% more collaboration between elves and dragons. You need a good reason for each side to have beef with each other, even if those things are also flawed in their own ways and perspectives (the assassins were wrong that Harrow was someone who would do only harm to the world, but that doesn't mean he hadn't done genuine harm and, as far as he knew, let an actual newborn baby be murdered for the exact same preventative measure).
But the other important thing is that all the sides also have to have ways that they fail their own people. Otherwise it's too heavily tilted in a "well this one side is Much Much Better than the other" and leaves everything lopsided, which is the exact opposite of what you want.
After all, genuine both sides conflicts do exist in real life. When it comes to TDP, I always think about xenophobia / antiblackness in Asian communities and anti-asian sentiment in Black communities. This intracommunity racism doesn't help anyone except structures of white supremacy, it ruins opportunities for solidarity, and it leaves interracial partnerships and Mixed race kids out in the cold in particular. Intracommunity racism is equally wrong on both sides, at the very least, and it's fucking complicated, for a variety of reasons. (I've also heard from a lot of Eastern European people that TDP's handling of issues resonates with them as well). Either way, you are failing your own people, as well as others.
This is why Xadia has the magical moral high ground - primal magic over dark magic - and why the Pentarchy as the well, moral, moral high ground: introducing breaking the cycle to their Xadia counterparts, wanting to solve issues together over hyper independence. The Pentarchy - Katolis specifically - embraces imperfection and asymmetry ("It's okay to be afraid of things" / the uneven towers of Katolis). Xadia maintains perfection and rejects anything less, covering it up in a variety of ways ("If she is not useful, get rid of her" / "Moonshadow elves aren't supposed to show fear, ever"). We see this carry wholeheartedly into S4 where the Orphan Queen was, most likely, the only one to criticize and question Aaravos, at least at first; "It was a human who saw through the Fallen Star's schemes" as he was "respected and beloved by all" previously.
The Pentarchy is flawed because it relies so heavily on having and letting kings solely make decisions (everything in S2 and S3 with Viren and Kasef; this is why it's actually a good thing that Ezran has the means and encouragement to leave in S4). A lack of magic means it is understandable why they turn to dark magic, because resource sharing has broken down across the kingdoms, never mind with Xadia, when it comes to things like famine. But Harrow heavily fails his children because of dark magic, his actions of revenge resulting in instigating a war, leaving his children as orphans, and susceptible to a world of grief, pain, and fear. Sending them away from the fray is already too late, no matter how much Callum posits "Can't you just make peace with them? It seems pretty simple to me!"
We see this in two of our primary antagonists, working against Callum and Ezran, being human. In order to write a conflict like this, you must have antagonists on all sides, and Viren and Claudia (and councilman guy / Kasef) primarily fill those roles. And they specifically have to go after other humans (Ezran, Callum, Aanya for Viren, as well) to show the flaws in the systems Viren is manifesting.
If humans don't fail other humans, all you have is humans failing elves - and that's precisely what the elves believe is going on. It means "this system fails only your enemies" which doesn't seem like a problem. Again, can't have one side be Too Good, or it doesn't work, and if a system works for you (dark magic) you will have no reason to reject it, even if you probably should.
But Rayla isn't sent away from the fray. She's sent right into it, and more than that, she's there because she wants to be. At the beginning of the series, Rayla has fully bought into the Cycle; not without good intentions, but disastrous consequences for both herself and others, even before she spares Marcos. And again, this is important: Rayla is a Believer. Until she isn't.
While certain individuals fail Callum and Ezran in particular, generally, we see that they were raised in a pretty happy, emotionally safe home. While both have their own issues of self esteem, neither have strong issues of persistent self loathing. It is the societal history of dark magic and lingering fear/paranoia getting in their way, bolstered by the military surrounding them being unable to consider a life without war.
Likewise, Rayla was also raised and surrounded by assassins who were heroic protectors, in a world at war. But what if you weren't at war? What if you didn't have to be at war? Runaan can't fathom this, just like her village can't fathom a world where Rayla was captured or injured or just delayed, or countless other reasons that would've meant she survived and nobody else did. Instead, they deem Rayla guilty and flawed by association; she isn't just banished for her survival - which, just Survival is worthy of a punishment, when you are supposed to act like you are "already dead" - but specifically because she's seen as her parents' daughter. "They thought I ran away. Just like my parents."
