The first thing I have to say back on this account is to be controversial (maybe, I don’t know but it seems to be the case on etc Reddit) that overthinking the semantics of the Prophecy in Deltarune Chapter 4 imo undermines the sheer emotional force behind the Susie scenes in the Second Sanctuary.
When the Prophecy says “love finds the girl” I understand the compulsion to read love as defined by Undertale (however, I will say that I’m inclined towards this reading of the word on the Weird Route), I am thinking about how that element of the prophecy has already been fulfilled. Susie doesn’t realise it but love HAS found the girl: Kris, Ralsei, Lancer, Noelle, Gerson and hell, even Toriel, have shown her their love for her. She’s an adolescent who’s been outcast, loveless for the most of her life. She’s someone who used to believe that she was unredeemable, unlovable, and something abject. Of course, this is not justifying her more mean acts pre Chapter 1 (and during it) but you can’t deny that you can’t see how she became the person she was before getting close to Kris and Ralsei.
To me when I see “love comes to the girl”, it’s something so redemptive, that Susie, despite all her flaws, all her mistakes, is capable of not just being loved BUT loving so deeply, that she can be forgiven, makes me so emotional. This is a girl that is finally realises how deeply she feels, how deeply she loves, and with her white pen of her hope she will be able to read between the lines and create a future so loving and liberating.
And this is supported by how the icon of the girl is replicated ad infinitum, it’s everywhere, it follows Susie. Her immense capacity for love is multiplied everywhere that it is OVERWHELMING. It’s of course easy to read this with scepticism (though the appearance argument is the one argument I’m against) especially with how some of the icons display the soul, but I think at least for now, in isolation, I think to me it’s a scene that plays so sincerely and with such great love for Susie, that I struggle reading it in even a negative light.















