Continuing my attempt to finish filling a Gondolin bingo card with various snippets... Here is a description of Tuor written without any adjectives, like, a decade ago, when I was learning to write! (Although I do not seem to have learnt much since.)
How can they fail to see that the mortal is a beast? Yes, I know he can speak, but so can parrots, and one does not invite a parrot to dinner. Besides, he mangles our language. He chews on the consonants and mashes the vowels, so half of the words he grunts out confuse even the scholars. He tries to compensate for this with gestures: his hands snap up and down, his fingers--which do not taper like ours do, but end in nails like shovels--crush and puncture the air. I watch him speak with her, and I shudder. It is like watching an ox dance around a glassblowers' workshop.
Yes, an ox. Look at those shoulders. See how his tunic stretches across them, how the sleeve-tops bulge whenever he lifts an arm? His body calls out for a plow-yoke; wrapping him in silk and satin is folly, a waste of our weavers' arts. Velvet, with its nap, mocks him, for it contrasts with the hair that covers his skin, beast that he is. Clothes cannot conceal this pelt: it peeks out at his throat and through the slits in his sleeves. I have heard that it grows even on his face, that he scrapes it off in the morning, as tanners scrape the bristles off pig skin, in an attempt to look like one of us. He will never succeed, not while those lines mar the corners of his eyes and mouth. Such creases develop in parchment, with use, before it falls apart. They are marks of his doom, I suppose; harbingers of the death that will prove that I have the right of it--that he is a beast in truth.