I think about this song, and how john describes it, a lot

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I think about this song, and how john describes it, a lot
When I hunt down the vampire that did this to us, I will rip out his heart with my hands
There is nobody innocent here- I've got more blood on my hands than you do, It's you and it's me, and the baby makes three. Ah, but we've got our love to carry us through. We've got our love to carry us through.
"I suspect but can't prove that this song predates Tallahassee. There's a child involved in the story; that makes it partner to "Poltergeist", and to "Letter from a Motel", songs in which the warring couple risk greater collateral damage than usual. These songs draw some of my better vocal takes out of me, because—well, you know, "collateral damage". It's a phrase you've maybe had occasion to contemplate in quiet hours. Or maybe you haven't, depending on your luck."
-- JD in 'This Year: 365 songs annotated', 2025.
i love you like a rotten dog, i love you like my canines are falling out of my gums. like a monster, like a beast. like something not worth loving back.
Marie Lu The Young Elites / @/bloodyhellharry (on tumblr) from The Infamous Willow Prank, Part Three / Hélène Cixous excerpt from Love of the Wolf, "Stigmata: Escaping Texts" / @/thymoss (on tumblr) / Virginia Woolf The Waves / Deborah Landau Soft Targets / Tory Adkisson Anecdote of the Pig
soft targets - the mountain goats
There is nobody innocent here I have got more blood on my hands than you do It's you and it's me and the baby makes three Yeah, but we've got our love to carry us through We've got our love to carry us through -Soft Targets, The Mountain Goats
jd fucked up what did he do