in awe over the fact that community truly knows how to pack a punch. in season 3, episode 17, “basic lupine urology”, the show once again makes a parody, just like it has for the past three seasons. the entire episode is law and order based, and it every single joke is seamlessly written and performed, like genuinely the whole thing is perfect. the serious tone of law and order, coupled with the absurdity of the show, it works so well! by the end of the episode, despite the jokes, and despite the parody, the show manages to create a tone that is far more sombre and dramatic than most episodes so far. when the call about star burns’ (his name is alex) death comes in, it feels surreal, it feels genuinely heartbreaking, and it feels utterly different than the rest of the show.
they used the entire sombre setup, despite it being parodical, to force their last line to pack a ginormous punch. of course, the end credits scene show that the cast is back to their usual shenanigans, effectively breaking the soap-opera esque episode that they had just aired. it’s their way of saying “hey friends, thanks for watching, here’s a cookie”. and i eat that shit up every time!!
by the time they craft another parody of a serious crime related media, they manage to do the exact same thing over a season later while still making it fresh and new. in season 5, episode 3, “basic intergluteal numismatics”, they opt for a parody of david fincher’s “seven”, and if i’m being real here, i know next to nothing about the film other than its general premise. however, they still manage to use the same formula, while accomplishing something brand new. here, they use the sombre and serious tone to once again deliver bad news in a way that packs a punch. it’s their way of saying “we’re a comedy show, but we can go toe to toe with all the academy award winners if we so please”. but this time, they follow through on the storyline introduced in basic lupine urology: star burns. he’s alive and well, and they incorporate him seamlessly back into the show as if he never left. they set up his death perfectly, then use his death to set up arguably the biggest storyline in the series, before resolving it with what is simultaneously the most serious and the most silly resolution possible. then, just when you are comfortable in the show’s parody seriousness, they do it again! they lure you into a false sense of security and introduce another major character death without it feeling like a cliche or a repeat scenario.