Mary sits across from her Husband, a Kettle untouch’d between them. Enveloping the two is a Silence of peculiar Character, one which ever follows the unexpected Inquiry of a wondering Mind. She is waiting for him to break it. He is watching a Bird in the Garden. At length, he speaks.
“‘Tis natural to love thy Friend.”
“Mm...?” he shakes his head, wandering the twist’d valleys of Language for an Approximation. “I loved him in what way I ought to love you.” Despondent, “Is that natural, Mary?”
She considers him a while, careful and calm, and he is hit, suddenly, with how little he knows of her. “I do not know,” she decides. “Tho’ in Love, I believe that which becomes Grief cannot be unnatural.”
“A poor Design of Nature, then, that I should have given my Heart, thee awaiting, to one who could never have taken it.”
“To say such a Quandary is the fault of Nature is folly,” twisting the pinchbeck Band on her ring-finger. “The Labyrinth of Expectation belongs to Man.”
By her Mouth lays the Ghost of a smile, though her Eyes shine with something else. Charles sighs, an assent, turning back to the Window with the whistling Bird, motes a-twirl in the cold light of Morning.
“What cruel Comfort is it, that I know this now, only to bury it with him?”
“Perhaps the very same which let the Apple taste sweet on Eve’s tongue.”
They return to their Silence, and the Wingèd Singer flies away.