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I show up to this blog once every year to post Naseem and then leave
I had the amazing opportunity to create the character artwork for JoCat's new live D&D campaign, Heart of Elynthi!
He even animated them in the trailer he made, please check it out, it's incredible and I still can't get over how well he brought my designs to life :'D
Anyway, if D&D is your thing, you can watch the campaign yourself when it begins later this week, streaming Wednesdays at 4pm CST over on his twitch channel \o/
★ patreon || website || twitter ★
Jekyll Onyx!! Swiftstride Shifter, Artillerist Artificer👌 she’s attaching canons to dragons like no other
Concept sketch for a character in a campaign I didn't like playing ( Swiftstride Shifter, Waxwork Rogue)
illustration commission for @motelphone of Salazar "Sal" Cézanne and his marvellous show! 🐇🎪
✨commission info in source link below✨
have a little doodle of baby Surkho with his baby sister, Amina, in the snow
Completely forgot to post this!
This is Thalia, an OC I've talked about before - i changed their look a little bit so they look a bit more cat-like
Thalia Lionheart (she/they), Swiftstride Shifter Oath of Glory Paladin
She has armor now and also cat ears and a tail because i thought she looked too human
[Image Description: a digital drawing of my OC Thalia, drawn from the waist up. She is a shifter with light skin, curly blonde hair, cat ears and a cat tail of the same color and amber eyes with slitted pupils. They are wearing a flowy red shirt with a golden breastplate over it, as well as dark golden bracers and brown pants. Her left hand is holding an iron-colored longsword with red accents while her right hand is in front of her chest with a warm orange light coming out of it. They are looking to their left with furrowed brows and a smile that shows off their fangs. END ID]
Ceres Fortemar
Playing with a lot of new brushes and tools (I discovered the color balancing tools and the bloom tools- you know the ones very obviously there the whole time.) and using some new techniques for linework, lights and shadows. This took easily 6 hours, but I imagine I’ll get faster soon.