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Things between you and Peter change with the seasons. [17k]Ā
c: friends-to-lovers, hurt/comfort, loneliness, peter parker isnāt good at hiding his alter ego, fluff, first kisses, mutual pining, loved-up epilogue, mention of self-harm with no graphic imagery
ļ½”š¦¹Ā°ā§ā.į
FallĀ
Peter Parker is a resting place for overworked eyes, like warm topaz nestled against a blue-cold city. He waits on you with his eyes to the screen of his phone, clicking the power button repetitively. A nervous tic.Ā
You close the heavy door of your apartment building. His head stays still, yet heās heard the sound of it settling, evidence in his calmed hand.Ā
āGood morning!ā You pull your coat on quickly. āSorry.āĀ
āGood morning,ā he says, offering a sleep-logged smile. āShould we go?āĀ
You follow Peter out of the cul-de-sac and into the street as he drops his phone into a deep pocket. To his credit, he doesnāt check it while you walk, and only glances at it when youāre taking your coat off in the heat of your favourite cafe: The Moroccan Mode glows around you, fog kissing the windows, condensation running down the inner lengths of it in beads. You murmur something to do with the odd fog and Peter tells you about water vapour. When it rains tonight, he says itāll be warm water that falls.Ā
He spreads his textbook, notebook, and rinky-dink laptop out across the table while you order drinks. Peter has the same thing every visit, a decaf americano, in a wide brim mug with the pink-petal saucer. You put it down on his textbook only because thatās where he would put it himself, and you both get to work.Ā
As Peter helps you study, you note the simplicity of another normal day, and canāt help wondering what it is thatās missing. Something is, something Peter wonāt tell you, the absence of a truth hanging over your heads. You ask him if he wants to get dinner and he says no, heās busy. You ask him to see a movie on Friday night and he wishes he could.Ā
Peter misses you. When he tells you, you believe him. āI wish I had more time,ā he says.Ā
āItās fine,ā you say, āyou canāt help it.ā
āWeāll do something next weekend,ā he says. The lie slips out easily.Ā
To Peter it isnāt a lie. In his head, heāll find the time for you again, and youāll be friends like you used to be.Ā
You press the end of your pencil into your cheek, the dark roast, white paper and condensation like grey noise. This time last year, the air had been thick for days with fog you could cut. He took you on a trip to Manhattan, less than an hour from your red-brick neighbourhood, and you spent the day in a hotel pool throwing great cupfuls of water at each other. The fog was gone just fifteen miles away from home but the warm air stayed. When it rained it was sudden, strange, spit-warm splashes of it hammering the tops of your heads, your cheeks as you tipped your faces back to spy the dark clouds.Ā
Peter had swam the short distance to you and held your shoulders. You remember feeling like your whole life was there, somewhere youād never been before, the sharp edges of cracked pool tile just under your feet.Ā
You peek over the top of your laptop screen and wonder if Peter ever thinks of that trip.Ā
He feels you watching and meets your eyes. āI have to tell you something,ā he says, smiling shyly.Ā
āSure.āĀ
āI signed us up for that club.āĀ
āEpigenetics?āĀ
āMolecular medicine,ā he says.Ā
The nice thing about fog is that it gives a feeling of lateness. Itās still morning, barely ten, but it feels like the early evening. Itās gentle on the eyes, colouring the whole room with a sconced shine. You reach for Peterās bag and sort through his jumble of possessions āstick deodorant, loose-leaf paper, a bodegaās worth of protein barsā and grab his camera.Ā
āWhat are you doing?āĀ
āIām cataloguing the moment you ruined our lives,ā you say, aiming the camera at his chin, squinting through the viewfinder.Ā
āTechnically, I signed us up a few days ago,ā he says.Ā
You snap his photo as his mouth closes around āagoā, keeping his half-laugh stuck on his lips. āSemantics,ā you murmur. āAnd molecular medicine club, this has nothing to do with the estranged Gwen Stacy?ā
āIt has nothing to do with her. And you like molecular medicine.ā
āI like oncology,ā you correct, which is a sub-genre at best, āand I have enough work without joining another club. Go by yourself.āĀ
āI canāt go without you,ā he says. Simple as that.Ā
He knew youād say yes when he signed you up. Itās why he didnāt ask. Youāre already forgiven him for the slight of assumption.Ā
āWhen is it?ā you ask, smiling.Ā
ā
Molecular medicine club is fun. You and a handful of ESU nerds gather around a big table in a private study room for a few hours and read about the newer discoveries and top research, like regenerative science and now taboo Oscorp research. Itās boring, sometimes, but then Peter will lean into your side and make a joke to keep you going.Ā
He looks at Gwen Stacy a lot. Slender, pale and freckled, with blonde hair framing a sweet face. Only when he thinks youāre not looking. Only when she isnāt either.Ā
ā
āGood morning,ā you say.Ā
Peter holds an umbrella over his head that heās quick to share with you, and together you walk with heads craned down, the umbrella angled forward to fight the wind. Your outermost shoulder is wet when you reach the cafĆ©, your other warm from being pressed against him. You shake the umbrella off outside the door and step onto a cushy, amber doormat to dry your sneakers. Peter stalks ahead and order the drinks, eager to get warm, so you look for a table. Your usual is full of businessmen drinking flat whites with briefcases at their legs. They laugh. You try to picture Peter in a suit: youāre still laughing when he finds you in the booth at the back.Ā
āTell the joke,ā he says, slamming his coffee down. Heās careful with yours. Heās given you the pink petal saucer from the side next to the straws and wooden stirrers.Ā
āI was thinking about you as a businessman.āĀ
āAnd thatās funny?āĀ
āWhen was the last time you wore a suit?āĀ
Peter shakes his head. Claims he doesnāt know. Later, youāll remember his Uncle Benās funeral and feel queasy with guilt, but you donāt remember yet. āWhen was the last time you wore one?ā he asks. āI donāt laugh at you.āĀ
āYouāre always laughing at me, Parker.āĀ
The cafe isnāt as warm today. Itās wet, grimy water footsteps tracking across the terracotta tile, streaks of grey water especially heavy near the counter, around it to the bathroom. Thereās no fog but a sad rattle of rain, not enough to make noise against the windows, but enough to watch as it falls in lazy rivulets down the lengths of them.
Your face is chapped with the cold, cheeks quickly come to heat as your fingers curl around your mug. They tingle with newfound warmth. When you raise your mug to your lips, your hand hardly shakes.
āYou okay?ā Peter asks.Ā
āFine. Are you gonna help me with the math today?āĀ
āDonāt think so. Did you ask nicely?āĀ
āI did.ā Youād called him last night. You wouldāve just as happily submitted your homework poorly solved with the grade to prove it āyou donāt want Peterās help, you just wanted to see him.Ā
Looking at him now, you remember why his distance had felt a little easier. The rain tangles in his hair, damp strands curling across his forehead, his eyes dark and outfitted by darker eyelashes. Peter has the looks of someone youāve seen before, a classical set to his nose and eyes reminiscent of that fallen angel weeping behind his arm, his russet hair in fiery disarray. There was an anger to Peter after Ben died that you didnāt recognise, until it was Peter, changed forever and for the worse and it didnāt matter āhe was grieving, he was terrified, who were you to tell him to be nice againā until it started to get better. You see less of your fallen, angry angel, no harsh brush strokes, no tears.Ā
His eyes are still dark. Bruised often underneath, like heās up late. If he is, it isnāt to talk to you.Ā
You spend an afternoon working through your equations, pretending to understand until Peter explains them to death. His earphones fall out of his pocket and he says, āHere, Iāll show you a song.āĀ
He walks you home. The song is dreary and sad. The man who sings is good. Lover, You Shouldāve Come Over. It feels like Peterās trying to tell you something āhe isnāt, but it feels like wishing he would.Ā
āYou okay?ā you ask before you can get to your street. A minute away, less.Ā
āIām fine, why?āĀ
You let the uncomfortable shape of his earbud fall out of your ear, the climax of the song a rattle on his chest. āYou look tired, thatās all. Are you sleeping?āĀ
āI have too much to do.āĀ
You just donāt get it. āMake sure youāre eating properly. Okay?āĀ
His smile squeezes your heart. Soft, the closest youāll ever get. āYou know May,ā he says, wrapping his arm around your shoulders to give you a short hug, āshe wouldnāt let me go hungry. Donāt worry about me.āĀ
ā
The dip into depression you take is predictable. You canāt help it. Peter being gone makes it worse.Ā
You listen to love songs and take long walks through the city, even when itās dark and you know itās a bad idea. If anything bad happens Spider-Man could probably save me, you think. New Yorkās not-so-new vigilante keeps a close eye on things, especially the women. You canāt count how many times youāve heard the same story. A man followed me home, saw me across the street, tried to get into my apartment, but Spider-Man saved me.Ā
Youāre not naive, you realise the danger of walking around without protection assuming some stranger in a mask will save you, but you need to get out of the house. It goes on for weeks.Ā
You walk under streetlights and past stores with CCTV, but honestly you donāt really care. Youāre not thinking. You feel sick and heavy and itās fine, really, itās okay, everything works out eventually. Itās not like itās all because you miss Peter, itās just a feeling. Itāll go away.Ā
āYouāre in deep thought,ā a voice says, garnering a huge flinch from the depths of your stomach.
You turn around, turn back, and flinch again at the sight of a man a few paces ahead. Red shoulders and legs, black shining in a webbed lattice across his chest. āOh,ā you say, your heartbeat an uncomfortable plodding under your hand, āsorry.āĀ
āWhy are you sorry? I scared you.ā
āI didnāt realise you were there.āĀ
Spider-Man doesnāt come any closer. You take a few steps in his direction. Youāve never met before but youād like to see him up close, and you arenāt scared. Not beyond the shock of his arrival.Ā
āCan I walk you to where youāre going?ā Spider-Man asks you. Heās humming energy, fidgeting and shifting from foot to foot.Ā
āHow do I know youāre the real Spider-Man?āĀ
After all, there are high definition videos of his suit on the news sometimes. You wouldnāt want to find out someone was capable of making a replica in the worst way possible.Ā
You canāt be sure, but you think he might be smiling behind the mask, his arms moving back as though impressed at your questioning. āWhat do you need me to do to prove it?ā he asks.Ā
He speaks hushed. Rough and deep. āI donāt know. Whatās Spider-Man exclusive?āĀ
āI can show you the webs?āĀ
You pull your handbag further up your arm. āOkay, sure. Shoot something.āĀ
Spider-Man aims his hand at the streetlight across the way and shoots it. He makes a severing motion with his wrist to stop from getting pulled along by it, letting the web fall like an alien tendril from the bulb. The light it produces dims slightly. A chill rides your spine.Ā
āCan I walk you now?ā he asks.Ā
āYou donāt have more important things to do?ā If the bitterness youāre feeling creeps into your tone unbidden, he doesnāt react.Ā
āNothing more important than you.āĀ
You laugh despite yourself. āIām going to Trader Joeās.āĀ
āYellowstone Boulevard?āĀ
āThatās the oneā¦āĀ
You fall into step beside him, and, awkwardly, begin to walk again. Itās a short walk. Trader Joeās will still be open for hours despite the dark sky, and youāre in no hurry. āMy friend, he likes the rolled tortilla chips they do, the chilli ones.āĀ
āAnd youāre going just for him?ā Spider-Man asks.Ā
āNot really. I mean, yeah, but I was already going on a walk.āĀ
āDo you always walk around by yourself? Itās late. Itās dangerous, you know, a beautiful girl like you,ā he says, descending into an odd mixture of seriousness and teasing. His voice jumps and swoons to match.Ā
āI like walking,ā you say.Ā
Spider-Man walking is a weird thing to see. On the news, heās running, swinging, or flying through the air untethered. Youāre having trouble acquainting the media image of him with the quiet man youāre walking beside now.
āIs everything okay?ā he asks. āYou seem sad.āĀ
āDo I?āĀ
āYeah, you do.āĀ
āMaybe I am sad,ā you confess, looking forward, the bright sign of Trader Joeās already in view. It really is a short walk. āDo you everāā You swallow against a surprising tightness in your throat and try again, āDo you ever feel like youāre alone?āĀ
āIām not alone,ā he says carefully.
āMe neither, but sometimes I feel like I am.āĀ
He laughs quietly. You bristle thinking youāre being made fun of, but the laugh tapers into a sad one. āSometimes I feel like Iām the only person in the world,ā he says. āEven here. I forget that itās not something I invented.āĀ
āWell, I guess being a hero would feel really lonely. Who else do we have like you?ā You smile sympathetically. āIt must be hard.āĀ
āYeah.ā His head tips to the side, and a crash of glass rings in the distance, crunching, and then thereās a squeal. It sounds like a car accident. Spider-Man goes tense. āIāll come back,ā he says.Ā
āThatās okay, Spider-Man, I can get home by myself. Thank you for the protection detail.āĀ
He sprints away. In half a second heās up onto a short roof, then between buildings. It looks natural. It takes your breath away.Ā
You buy Peterās chips at Trader Joeās and wait for a few minutes at the door, but Spider-Man doesnāt come back.Ā
ā
I donāt want to study today, Peterās text says the next day. Come over and watch movies?Ā
The last handholds of your fugue are washed away in the shower. You dab moisturiser onto your face and neck and stand by the open window to help it dry faster, taking in the light drizzle of rain, the smell of it filling your room and your lungs in cold gales. You dress in sweatpants and a hoodie, throw on your coat, and stuff the rolled tortilla chips into a backpack to ferry across the neighbourhood.Ā
Peter still lives at home with his Aunt May. Youād been in awe of it when you were younger, Peter and his Aunt and Uncle, their home-cooked family dinners, nights spent on the roof trying to find constellations through light pollution, stretched out together while it was warm enough to soak in your small rebellion. Ben would call you both down eventually. When youāre older! heād always promise.Ā
Peterās waiting in the open door for you. He ushers you inside excitedly, stripping you out of your coat and forgetting your wet shoes as he drags you to the kitchen. āLook what I got,ā he says.Ā
The Parker kitchen is a big, bright space with a chopping block island. The counters are crowded by pots, pans, spices, jams, coffee grounds, the impossible drying rack. Thereās a cross-stitch about the home on the microwave Ben did to prove to May he could still see the holes in the aida.Ā
You follow Peter to the stove where he points at a ceramic Dutch oven youāve eaten from a hundred times. āThere,ā he says.Ā
āDid you cook?ā you ask.Ā
āOf course I didnāt cook, even if the way you said that is offensive. I could cook. Iām an excellent chef.āĀ
āThe only thing Mayās ever taught you is spaghetti and meatballs.āĀ
āHope you like marinara,ā he says, nudging you toward the stove.Ā
You take the lid off of the Dutch oven to unveil a huge cake. Dripping with frosting, only slightly squashed by the lid, obviously homemade. Heās dotted the top with swirls of frosting and deep red strawberries.Ā
āItās for you,ā he says casually.Ā
āItās not my birthday.āĀ
āI know. You like cake though, donāt you?āĀ
Youād tell Peter you liked chunks of glass if that was what he unveiled. āWhyād you make me a cake?āĀ
āI felt like you deserved a cake. You donāt want it?āĀ
āNo, I want it! I want the cake, letās have cake, we can go to 91st and get some ice cream, itāll be amazing.ā You donāt bother trying to hide your beaming smile now, twisting on the spot to see him properly, your hands falling behind your back. āThank you, Peter. Itās awesome. I had no idea you could evenā that youād evenāā You press forward, smushing your face against his chest. āWow.āĀ
āWow,ā he says, wrapping his arms around you. He angles his head to nose at your temple. āYouāre welcome. I wouldāve made you a cake years ago if I knew it was gonna make you this happy.āĀ
āIt mustāve taken hours.āĀ
āMay helped.āĀ
āThat makes much more sense.āĀ
āDonāt be insolent.ā Peter squeezes you tightly. He doesnāt let go for a really long time.Ā
He extracts the cake from the depths of the Dutch oven and cuts you both a slice. He already has ice cream, a Neapolitan box that he cuts into with a serrated knife so you can each have a slice of all three flavours. Itās good ice cream, fresh for what it is and melting in big drops of cream as he gets the couch ready.
āSit down,ā he says, shoving the plates with his strangely great balance onto the coffee table. āRemoteās by you. Iām gonna get drinks.āĀ
You take your plate, carving into the cake with the end of a warped spoon, its handle stamped PETE and burnished in your grasp. The crumb is soft but dense in the best way. The ganache between layers is loose, cake wet with it, and the frosting is perfect, just messy. You take another satisfied bite. Youāre halfway through your slice before Peter makes it back.Ā
āI brought you something too, but itās garbage compared to this,ā you say through a mouthful, hand barely covering your mouth.Ā
Peter laughs at you. āYeah, well, say it, donāt spray it.āĀ
āI guess Iāll keep it.āĀ
āKeep it, bub, I donāt need anything from you.āĀ
He doesnāt say it the way youāre expecting. āNo,ā you say, pleased when he sits knee to knee, āyou can have it. Sājust a bag of chips from Traderāā
āThe rolled tortilla chips?ā he asks. You nod, and his eyes light up. āYou really are the best friend ever.āĀ
āBetter than Harry?āĀ
āHarryās rich,ā Peter says, āso no. Iām kidding! Joking, come here, let me try some of that.āĀ
āEat your own.āĀ
Peter plays a great host, letting you choose the movies, making lunch, ordering takeout in the evening and refusing to let you pay for it. This isnāt that out of character for Peter, but what shocks you is his complete unfiltered attention. He doesnāt check his phone, the tension you couldnāt name from these last few weeks nowhere to be felt. Youāre flummoxed by the sudden change, but you missed him. You wonāt look a gift horse in the mouth; you wonāt question what it is that had Peter keeping you at armās length now itās gone.
To your annoyance, you canāt stop thinking about Spider-Man. You keep opening your mouth to tell Peter you talked to him but biting your tongue. Why am I keeping it a secret? you wonder.Ā
āHave something to tell you.āĀ
āYou do?ā you ask, reluctant to sit properly, your feet tucked under his thigh and your body completely lax with the weight of the Parker throw.Ā
āIs that surprising?āĀ
āIs that a trick question?āĀ
āNo. Just. Iāve been not telling you something.āĀ
āOkay, so tell me.āĀ
Peter goes pink, and stiff, a fake smile plastered over his lips. āMe and Gwen, weāre really done.āĀ
āI know, Pete. She broke up with you for reasons nobody felt I should be enlightened right after graduation.ā Your stomach pangs painfully. āUnless youā¦ā
āSheās going to England.āĀ
āShe is?āĀ
āOxford.āĀ
You struggle to sit up. āThat sucks, Peter. Iām sorry.āĀ
āBut?āĀ
You find your words carefully. āYou and Gwen really liked each other, but I think thatāā You grow in confidence, meeting his eyes firmly. āThat thereās always been some part of you that couldnāt actually commit to her. So. I donāt know, maybe some distance will give you clarity. And maybe itāll break your heart, but at least then youāll know how you really feel, and you can move forward.ā You avoid telling him to move on.Ā
āIt wasnāt Gwen,ā he says, which has a completely different meaning to the both of you.Ā
āObviously, sheās the smartest girl Iāve ever met. Sheās beautiful. Of course itās not her fault,ā you say, teasing.
āReally, that you ever met?ā Peter asks.Ā
āSheās the best girl you were ever gonna land.āĀ
He rolls his eyes. āYeah, I guess so.ā After a few more minutes of quiet, he says, āI think we were done before. I just hadnāt figured it out yet. Something wasnāt right.āĀ
āYou were so back and forth. Youāre not mean, there mustāve been something stopping you from going steady,ā you agree. āYou were breaking up every other week.ā
āI know,ā he whispers, tipping his head against the back couch.Ā
āWhich, itās fine, you donātāā You grimace. āI canāt talk today. Sorry. I just mean that itās alright that you never made it work.ā You worry that sounds plainly obvious and amend, āDoesnāt make you a bad person. Youāre never a bad person, Peter.āĀ
āI know. Thank you.āĀ
āYouāre welcome. You donāt need me to tell you.āĀ
āItās nice, though. I like when you tell me stuff. I want all of your secrets.āĀ
You should say Good, because I have something unbelievable to tell you, and I shouldāve said it the moment I got home.Ā
Good, because last night I met the bravest man in New York City, and he walked me to the store for your chips.Ā
Good, because I have so much Iām keeping to myself.
You ruffle his hair. Spider-Man goes unmentioned.Ā
āĀ
He visits with a whoop. You donāt flinch when he lands āyouād heard the strange whip and splat of his webs landing nearby.Ā
āSpider-Man,ā you say.Ā
āWhatās that about?āĀ
āWhat?āĀ
āThe way you said that. You laughed.ā Spider-Man stands in spandexed glory before you, mask in place. Heās got a brown stain up the side of his thigh that looks more like mud than blood, but itās not as though each of his fights are bloodless. Theyāre infamously gory on occasion.
āDid you get hurt?ā you ask. Youāre worried. You could help him, if he needs it.Ā
āAw, this? Thatās a scratch. Thatās nothing, donāt worry about it. Iāve had worse from that stray cat living outside of 91st.āĀ
You look at him sharply. 91st is shorthand for 91st Bodega, and itās not like you and Peter made it up, but suddenly, the man in front of you is Peter. The way he says it, that unique rhythm.Ā
Peterās not so rough-voiced, you argue with yourself. Your Peter speaks in a higher register, dulcet often, only occasionally sarcastic. Spider-Man is rough, and cawing, and loud. Spider-Man acts as though the ground is a suggestion. Peter canāt jump off the second diving board at the pool. Spider-Man rolls his shoulders back in front of you with a confidence Peter rarely has.Ā
āWhat?ā he asks.Ā
āSorry. You just reminded me of someone.āĀ
His voice falls deeper still. āSomeone handsome, I hope.āĀ
You take a small step around him, hoping it invites him to walk along while communicating how sorely you want to leave the subject behind. When he doesnāt follow, you add, āYes, heās handsome.āĀ
āI knew it.ā
āWhat do you look like under the mask?ā
Spider-Man laughs boisterously. āI canāt just tell you that.āĀ
āNo? Do I have to earn it?āĀ
āItās not like that. I just donāt tell anyone, ever.āĀ
āNobody in the whole world?ā you ask.Ā
The rain is spitting. New York lately is cold cold cold, little in the way of sunshine and no end in sight. Perhaps thatās all Novemberās are destined to be. You and Spider-Man stick to the inside of the sidewalk. Occasionally, a passerby stares at him, or calls out in Hello, and Spider-Man waves but doesnāt part from you.Ā
āTell me something about you and Iāll tell you something about me,ā Spider-Man says. āIāll tell you who knows my identity.āĀ
āWhat do you want to know about me?ā you ask, surprised.Ā
āA secret. Thatās fair.āĀ
āHold on, howās that fair?ā You tighten your scarf against a bitter breeze. āWhat use do I have for the people who know who you are? That doesnāt bring me any closer to the truth.āĀ
āItās not about who knows, itās about why I told them.ā Spider-Man slips around you, forcing you to walk on the inside of the sidewalk as a car pulls past you all too quickly and sends a sheet of dirty rainwater up Spider-Manās side. He shakes himself off. āJerk!ā he shouts after the car.Ā
āMy secrets arenāt worth anything.ā
āI doubt that, but if thatās true, that makes it a fair trade, doesnāt it?āĀ
He sounds peppy considering the pool of runoff collecting at his feet. You pick up your pace again and say, āAlright, useless secret for a useless secret.āĀ
You think about all your secrets. Some are odd, some gross. Some might make the people around you think less of you, while others would surely paint you in a nice light. A topaz sort of technicolor. But they arenāt useless, then, so you move on.Ā
āOh, I know. I hate my major.ā You grin at Spider-Man. āThatās a good one, right? No one else knows about that.āĀ
āYou do?ā Spider-Man asks. His voice is familiar, then, for its sympathy.Ā
āI like science, I just hate math. Itās harder than I thought it would be, and I need so much help it makes me hate the whole thing.āĀ
Spider-Man doesnāt drag the knife. āOkay. Only three people know who I am under the mask. It was four, briefly.ā He clears his throat. āI told one person because I was being selfish and the others out of necessity. Iām trying really hard not to tell anybody else.ā
āHow come?āĀ
āIt just hurts people.āĀ
You linger in a gap of silence, not sure what to say. A handful of cars pass you on the road.Ā
āTell me another one,ā he says.Ā
āWhat for?āĀ
āI donāt know, just tell me one.āĀ
āHow do I know you arenāt extorting me for something?ā You grin as you say it, a hint of flirtation. āYouāll know my face and my secrets and even if you tell me a really gory juicy one, I have no one to tell and no name to pair it with.āĀ
āIām not showing you anything,ā he warns, teasing, sounding so awfully like Peter that your heart trips again, an uneven capering that has you faltering in the street.Ā
Peterās shorter, you decide, sizing him up. His voice sounds similar and familiar but Peter doesnāt ask for secrets. He doesnāt have to. (Or, he didnāt have to, once upon a time.)Ā
āWhere are you going?ā Spider-Man asks.Ā
āOh, nowhere.āĀ
āSeriously, youāre out here walking again for no reason?āĀ
āI like to walk. Itās not like itās dark out yet.ā Youāre not far at all from Queensboro Hill here. Walking in any direction would lead you to a garden āFlushing Meadows, Kew Gardens, Kissena Park. āWalk me to Kissena?ā you ask.Ā
āSure, for that secret.āĀ
You laugh as Spider-Man takes the lead, keeping time with him, a natural match of pace. Itās exciting that Spider-Man of all people wants to know one of your useless secrets enough to ask you twice. The attention of it makes searching for one a matter of how fast you can find one rather than a question of why youād want to. It slips out before you can think better of it.Ā
āI burned my wrist a few days ago on a frying pan,ā you confess, the phantom pain of the injury an itch. āIt blistered and I cried when I did it, but I havenāt told anyone about it.āĀ
āWhy not?ā he asks.Ā
He shouldnāt use that tone with you, like heās so so sorry. It makes you want to really tell him everything. How insecure you feel, how telling things feels like asking for someone to care, and half the time they donāt, and half the time youāre embarrassed.Ā
You walk past the bakery that demarcates the beginning of Kissena Park grounds across the way. āI didnāt think about it at first. Iām used to keeping things to myself. And then I didnāt tell anyone for so long that mentioning it now wouldnāt make sense. Like, bringing it up when itās a scar wonāt do much.ā Itās a weak lie. It comes out like a spigot to a drying up tree. Glugs, fat beads of sound and the pull to find another thing to say.
āIt was only a few days ago, right? It must still hurt. People want to know that stuff.āĀ
āMaybe Iāll tell someone tomorrow,ā you say, though you wonāt.Ā
āThanks for telling me.ā
The humour in spilling a secret like that to a superhero stops you from feeling sorry for yourself. You hide your cold fingers in your coat, rubbing the stiff skin of your knuckles into the lining for friction-heat. The rain has let up, wind whipping empty but brisk against your cheeks. Your lips will be chapped when you get home, whenever that turns out to be.Ā
āThis is pretty far from Trader Joeās,ā he comments, like heās read your mind.Ā
āJust an hour.āĀ
āAre you kidding? Itās an hour for me.āĀ
āThatās not true, Spider-Man, Iāve seen those webs in action. I still remember watching you on the News that night, the cranes. I remember,ā āyou try to meet his eyes despite the maskā āmy heart in my throat. Werenāt you scared?ā
āIs that the secret you want?ā he asks.Ā
āI get to choose?āĀ
Spider-Man throws his gaze around, his hand behind his head like he might play with his hair. You come to a natural stop across the street from Kissena Parkās playground. Teenagers crowd the soft-landing floor, smaller children playing on the wet rungs of the climbing frame.Ā
āIf you want to,ā he says.Ā
āThen yeah, I want to know if you were scared.āĀ
āI didnāt haveI time to be scared. Connors was already there, you know?ā He shifts from one foot to the other. āI donāt think Iāve ever thought about it before. I wasnāt scared of the height, if thatās what you mean. I already had practice by then, and I knew I had to do it. Like, I didnāt have a choice, so I just did it. I had to save the day, so I did.āĀ
āWhen they lined up the cranesāā
āIt felt like flying,ā Spider-Man interrupts.Ā
āLike flying.ā
You picture the weightlessness, the adrenaline, the catch of your weight so high up and the pressure of being flung between the next point. The idea that you have to just do something, so you do.Ā
āThatās a good secret.ā You offer a grateful smile. āIt doesnāt feel equal. I burned myself and you saved the city.āĀ
āSo tell me another one,ā he says.Ā
ā
Maybe you started to fall for Peter after his Uncle Ben passed away. Not the days where youād text him and heād ignore you, or the days spent camping outside of his house waiting for him to get home. It wasnāt that you couldnāt like him, angry as he was; thereās always been something about his eyes when heās upset that sticks around. You loathe to see him sad but he really is pretty, and when his eyelashes are wet and his mouth is turned down, formidable, itās an ache. A Cabanel painting, dramatic and dark and other.Ā
It was after. When he started sending Gwen weird smiles and showing up to the movies exhilarated, out of breath, unwilling to tell you where heād been. Skating, heād always say. Most of the time he didnāt have his skateboard.Ā
Youād only seen them kiss once, his hand on her shoulder curling her in, a pang of heat. You were curdled by jealousy but it was more than that. Peter was tipping her head back, was kissing her soundly, a fierceness from him that made you sick to think about. You spent weeks afterwards up at night, tossing, turning, wishing heād kiss you like that, just once, so you could feel how it felt to be completely wrapped up in another person.Ā
Youād always held out for Peter, in a way. It was more important to you that he be your friend. You were young, and love had been a far off thing, and then one day you suddenly wanted it. You learned just how aching an unrequited love could be, like a bruise, where every time you saw Peter āwhether it be alone or with Gwen, with anyoneā it was like he knew exactly where to poke the bruise. Press the heel of his hand and push. The worst is when he found himself affectionate with you, a quick clasp of your cheek in his palm as he said goodbye. Nights spent in his twin bed, of course youāll fit, of course you couldnāt go home, not this late, May wonāt care if we keep the door open āthe suggestion that the door being closed mightāve meant something. His sleeping arm furled around you.Ā
Now youāre nearing the end of your second semester at ESU, Gwen is going to England at the end of the year, and Peter hasnāt tried to stop her, but heās still busy.Ā
āWhatever,ā you say, taking a deep breath. Youāre not mad at Peter, you just miss him. Thinking about him all the time wonāt change a thing. āItās fine.āĀ
āIād hope so.āĀ
You swing around. āDonāt do that!ā
Spider-Man looks vaguely chastened, taking a step back. āI called out.āĀ
āYou did?āĀ
āI did. Hey, miss, over there! The one who doesnāt know how to get a goddamn taxi!āĀ
āI like to walk,ā you say.Ā
āYeah, so youāve said. Have you considered that all this walking is bad for you? Itās freezing out, Miss Bennett!āĀ
āItās not that bad.ā You have your coat, a scarf, your thermal leggings underneath your jeans. āIām fine.āĀ
āWhatās wrong with staying at home?āĀ
āThatās not good for you. And youāre one to talk, Spider-Man, arenāt you out on the streets every night? You should take a day off.āĀ
āI donāt do this every night.āĀ
āDonāt you get tired?ā
Spider-Manās eyelets seem to squint, his mock-anger effusive as he crosses his arms across his chest. āNo, of course not. Do I look like I get tired?āĀ
āI donāt know. Youāre in a full suit, I canāt tell. I guess you donāt⦠seem tired. You know, with all the backflips.āĀ
āWant me to do one?āĀ
āOn command?ā You laugh. āNo, thatās okay. Save your strength, Spider-Man.āĀ
āSo where are you heading today?ā he asks.Ā
Thereās a slip of skin peeking out against his neck. Youāre surprised he canāt feel the cold there, stepping toward him to point. āI can see your stubble.āĀ
He yanks his mask down. āHasty getaway.āĀ
āA getaway, undressed? Spider-Man, thatās not very gentlemanly.āĀ
You start to walk toward the Cinemart. Spider-Man, to your strange pleasure, follows. He walks with considerable casualness down the sidewalk by your left, occasionally letting his head turn to chase a distant sound where it echoes from between high-rises and along the busy street. Itās cold and dark, but New York is hectic no matter what, even the residential areas. (Is there such a thing? The neighbourhoods burst with small businesses and backstreet sales, no matter the time.)
āLuckily for you, crime is slow tonight,ā he says.Ā
āLucky me?ā You wonder if your acquainted vigilante flirts with every girl he stalks. āYou realise Iāve managed to get everywhere Iām going for the last two decades without help?āĀ
āI assume there was more than a little help during that first decade.āĀ
āThatās what you think. I was a super independent toddler.āĀ
Spider-Man tips his head back and laughs, but that laugh is quickly squashed with a cough. āSure you were.āĀ
āIs there a reason youāre escorting me, Spider-Man?ā you ask.Ā
āNo. Iā I recognised you, I thought Iād say hi.āĀ
āHi, Spider-Man.āĀ
āHi.āĀ
āCan I ask you something? Do you work?āĀ
Spider-Man stammers again, āIā yeah. I work. Freelance, mostly.āĀ
āI was wondering how you fit all the crime fighting into your life, is all. University is tough enough.ā You let the wind bat your scarf off of your shoulder. āI couldnāt do what you do.āĀ
āYeah, you could.āĀ
He sounds sure.Ā
āHow would you know?ā you ask. āMaybe Iām awful when youāre not walking me around. I hate New York. I hate people.āĀ
āNo, you donāt. Youāre not awful. Donāt ask me how I know, ācos I just know.āĀ
You try not to look at him. If you look at him, youāre gonna smile at him like he hung the moon. āWell, tonight Iām going to be dreadfully selfish. My friend said heād buy my movie ticket and take me out for dinner, a real dinner, the mac and cheese with imitation lobster at Bennyās. Have you tried that?āĀ
Spider-Man takes a big step. āTonight?ā he asks.Ā
āYep, tonight. Thatās where Iām going, the Cinemart.ā You frown at his hand pressing into his stomach. āAre you okay? You look like youāre gonna throw up.āĀ
āI can hearā something. Someoneās crying. I gotta go, okay? Have fun at the movies, okay?ā He throws his arm up, a silken web shooting from his wrist to the third floor of an apartment complex. āBye!ā he shouts, taking a running jump to the apartment, using his web as an anchor. He flings himself over the roof.Ā
Woah, you think, warmth filling your cold cheeks, the tip of your nose. Heās lithe.Ā Ā
Peter arrives ten minutes late for the movie, which is half an hour later than youād agreed to meet.Ā
āSorry!ā he shouts, breathless as he grabs your hands. āGod, Iām sorry! Iām so sorry. You should beat me up. Iām sorry.āĀ
āWhat the fuck happened?ā you ask, not particularly angry, only relieved to see him with enough time to still catch the movie. āYouāre sweating like crazy, your hairās wet.āĀ
āI ran all the way here, Jesus, do I smell bad? Donāt answer that. Fuck, do we have time?āĀ
You usher Peter inside. He pays for the tickets with hands shaking and you attempt to wipe the sweat from his forehead with your sleeve. āYou couldāve called me,ā you say, content to let him grab you by the arm and race you to the screen doors, āwe couldāve caught the next one. Why were you so late, anyways? Did you forget?āĀ
āForget about my favourite girl? How could I?ā He elbows open the doors to let you enter first. āNow shh,ā he whispers, āfind the seats, donāt miss the trailers. You love them.āĀ
āYou love themāā
āIāll get popcorn,ā he promises, letting the door close between you.Ā
Youāre tempted to follow, fingers an inch from the handle.Ā
You turn away and rush to find your seats. Hopefully, the popcorn line is ten blocks long, and he spends the night punished for his wrongdoing. My favourite girl. You laugh nervously into your hand.Ā
ā
WinterĀ
Spider-Man finds you at least once a week for the next few weeks. He even brings you an umbrella one time, stars on the handle, asking you rather politely to go home. He offers to buy you a hot dog as youāre walking past the stand, takes you on a shortcut to the convenience store, and helps you get a piece of gum off of your shoe with a leaf and a scared scream. Heās friendly, and youāre getting used to his company.Ā
One night, youāre almost home from Trader Joeās, racing in the pouring rain when a familiar voice calls out, āHey! Running girl! Wait a second!āĀ
Him, you think, as ridiculous as it sounds. You donāt know his name, but Spider-Manās a sunny surprise in a shitty, wet winter, and you turn to the sound with a grin.
He jogs toward you.Ā
You feel the world pause, right in the centre of your throat. All the air gets sucked out of you.Ā
āHey, what are you doing out here? Did you get my texts?āĀ
You blink as fat rain lands on your face.Ā
āYou okay?ā Peter asks, Peter, in a navy hoodie turning black in the rain and a brown corduroy jacket. Itās sodden, hanging heavily around his shoulders. āCome on, letās go,ā āhe takes your hand and pulls until you begin to speed walk beside himā āitās freezing!āĀ
āPeterāā
āJesus Christ!āĀ
āPeter, what are you doing here?ā you ask, your voice an echo as he drags you into the foyer of your apartment building.Ā
Rain hammers the door as he closes it, the windows, the foyer too dark to see properly.Ā
āI wanted to see you. Is that allowed?āĀ
āNo.āĀ
Peter takes your hand. You look down at it, and he looks down in tandem, and it is decidedly a non-platonic move. āNo?ā he asks, a hairās width from murmuring.Ā
āShit, my groceries are soaked.āĀ
āItās all snacks, itās fine,ā he says, pulling you to the stairs.Ā
You rush up the steps together to your floor. Peter takes your key when you offer it, your own fingers too stiff to manage it by yourself, and he holds the door open for you again to let you in.Ā
Your apartment is a ragtag assortment to match the one next door, old wooden furniture wheeled from the street corners they were left on, thrifted homeward and heavy blankets everywhere you look. You almost slip getting out of your shoes. Peter steadies you with a firm hand. He shrugs out of his coat and hangs it on the hook, prying the damp hoodie over his head and exposing a solid length of back that trips your heart as you do the same.Ā
āSorry I didnāt ask,ā Peter says.Ā
āWhat, to come over? Itās fine. I like you being here, you know that.āĀ
All your favourite days were spent here or at Peterās house, in beds, on sofas, his hair tickling your neck as credits run down the TV and his breath evens to a light snore. You try to settle down with him, changing into dry clothes, his spare stuff left at the bottom of your wardrobe for his next inevitable impromptu visit. You turn on the TV, letting him gather you into his side with more familiarity than ever. Rain lays its fingertips on your window and draws lazy lines behind half-turned blinds. You rest on the arm and watch Peter watch the movie, answering his occasional, āYou okay?ā with a meagre nod.Ā
āWhatās wrong?ā he asks eventually. āYouāre so quiet.āĀ
Your hand over your mouth, you part your marriage and pinky finger, marriage at the corner, pinky pressed to your bottom lip, the flesh chapped by a season of frigid winds and long walks. āāM thinking,ā you say.Ā
āAbout?āĀ
About the first night in your new apartment. You got the apartment a couple of weeks before the start of ESU. Not particularly close to the university but close to Peter, your best, nicest friend. You met in your second year of High School, before Peter got contacts, ācos he was good at taking photographs and you were in charge of the school newspapers media sourcing. You used to wait for Peter to show up ten minutes late like clockwork, every week. And every week heād barge into the club room and say, āFuck, Iām sorry, my last class is on the other side of the building,ā until it turned into its own joke.Ā
Three years later, you got your apartment, and Peter insisted you throw a housewarming party even if he was the only person invited.Ā
āFuck,ā heād said, ten minutes late, a cake in one hand and a whicker basket the other, āsorry. My last class is onāā
But he didnāt finish. Youād laughed so hard with relief at the reference that he never got the chance. Peter remembered your very first inside joke, because Peter wasnāt about to go off to ESU and meet new friends and forget you.Ā
But Peterās been distant for a while now, because Peterās Spider-Man.Ā
āDo you remember,ā you say, not willing to share the whole truth, āwhen you joined the school newspaper to be the official photographer, and you taught me the rule of thirds?āĀ
āSo you didnāt need me,ā he says.Ā
āI was just thinking about it. We ran that newspaper like the Navy.āĀ
Peter holds your gaze. āIs that really what you were thinking about?āĀ
āJust funny,ā you murmur, dropping your hand in your lap and breaking his stare. āSo much has changed.āĀ
āNot that much.āĀ
āNot for me, no.āĀ
Peter gets a look in his eyes you know well. Heās found a crack in you and heās gonna smooth it over until you feel better. Youāre expecting his soft tone, his loving smile, but youāre not expecting the way he pulls you in āyouād slipped away from him as the evening went on, but Peter erases every millimetre of space as he slides his arm under your lower back and ushers you into his side. You hold your breath as he hugs you, as he looks down at you. Itās really like he loves you, the line between platonic and romantic a blur. Heās never looked at you like this before.
āI donāt want you to change,ā he whispers.Ā
āI want to catch up with you,ā you whisper back.Ā
āCatch up with me? Weāre in the exact same place, arenāt we?ā
āI donāt know, are we?āĀ
Peter hugs you closer, squishing your head down against his jaw as he rubs your shoulder. āOf course we are.āĀ
Peter⦠What is he doing?Ā
You let yourself relax against him.Ā
āYou do change,ā he whispers, an utterance of sound to calm that awful bruise he gave you all those months ago, āyou change every day, but you donāt need to try.āĀ
āI just⦠feel like everyone around me isā¦ā You shake your head. āEveryoneās so smart, and they know what theyāre doing, or theyāreā theyāre special. I donāt know anything. So I guess lately Iāve been thinking about that, and then youāā
āWhat?āĀ
You can say it out loud. You could.Ā
āPeter, youāreā¦āĀ
āIām what?ā he asks.Ā
His fingers glide down the length of your arm and up again.Ā
If you're wrong, heāll laugh. And if youāre right, he mightā might stop touching you. Your head feels so heavy, and his touch feels like itās gonna put you to sleep.Ā
Heās Spider-Man.Ā
It makes sense. Who else could have a good enough heart to do that? Of course itās Peter. It explains so much about him, about Peter and Spider-Man both. Why Peter is suddenly firmer, lighter on his feet, why he can help you move a wardrobe up two flights of stairs without complaint; why Spider-Man is so kind to you, why he knows where to find you, why he rolls his words around just like Pete.Ā
Spider-Man said there are reasons he wears his mask. And Peter doesnāt tell you much, but you trust him.Ā
You wonāt make him say anything, you decide. Not now.Ā
You curl your arm over his stomach hesitantly, smiling into his shirt as he hugs you tighter.Ā
āI was thinking about you,ā he says.Ā
āYeah?āĀ
āYouāre quieter lately. I know youāre having a hard time right now, okay? You donāt have to tell me. Iām here for you whenever you need me.āĀ
āYeah?ā you ask.
āYou used to sit on my porch when you knew May wouldnāt be home to make sure I wasnāt alone.ā Peterās breath is warm on your forehead. āI donāt know what youāre worried about being, but Iām with you,ā he says, āān nothing is gonna change that.āĀ
Peter isnāt as far away as you thought.Ā
āThank you,ā you say.Ā
He kisses your forehead softly. Your whole world goes amber. He brings his hand to your cheek, the thought of him tipping your head back sudden and heart-racing, but Peter only holds you. You lose count of how many minutes you spend cupped in his hand.Ā
āCan I stay over tonight?ā he utters, barely audible under the sound of the battering rain.Ā
āYeah, please.āĀ
His thumb strokes your cheek.Ā
ā
Two switches flip at once, that night. Peter is suddenly as tactile as youāve craved, and Spider-Man disappears.Ā
Heās alive and well, as evidenced by Peterās continued survival and presence in your life, but Spider-Man doesnāt drop in on your nightly walks.Ā
You take less of them lately, feeling better in yourself. Your spirits are certainly lifted by Peterās increasing affection, but now that you know heās Spider-Man you were waiting to see him in spandex to mess with his head. Nothing mean, but you wouldāve liked to pick at his secret identity, toy with him like you know heād do to you. After all, heās been trailing you for weeks and getting to know you. Peter already knows you. Plus, you told Spider-Man secrets not meant for Peter Parkerās ears.Ā
You find it hard to be angry with him. A thread of it remains whenever you remember his deception, but mostly you worry about him. Peterās out every night until who knows what hour fighting crime. There are guns. He could get shot, and he doesnāt seem scared. You end up watching videos on the internet of the night he ran to Oscorp, when he fought Connorsā and got that huge gash in his leg. His leg is soiled deep red with blood but banded in white webbing. He limps as he races across a rooftop, the recording shaky yet high definition.Ā
Itās not nice to see Peter in pain. You cling to what heād said, how he wasnāt scared, but not being scared doesnāt mean he wasnāt hurting.Ā
You chew the tip of a finger and click on a different video. Your computer monitor bears heat, the tower whirring by your thigh. Your eyes burn, another hour sitting in the same seat, sick with worry. You donāt mind when Peter doesnāt answer your texts anymore. You didnāt mind so much before, just terrified of becoming an irrelevance in his life and lonely, too, maybe a little hurt, but never worried for his safety. Now when Peter doesnāt text you back you convince yourself that heās been hurt, or that heās swinging across New York City about to risk his life.
Itās not a good way to live. You canāt stop giving into it, is all.Ā
In the next video, Spider-Man sits on a billboard with a can of coke in hand. He doesnāt lift his mask, seemingly aware of his watcher. You laugh as he angles his head down, suspicion in his tight shoulders. He relaxes when he sees whoever it is recording.Ā
āHey,ā he says, āyou all right?āĀ
āShould you be up there?ā the person recording shouts.Ā
āIām fine up here!āĀ
āAre you really Spider-Man?āĀ
āSure am.āĀ
āAre you single?āĀ
Peter laughs like crazy. How you didnāt know it was him before is a mystery āit couldnāt sound more like him. āIāve got my eye on someone!ā he says, sounding younger for it, the character voice he enacts when heās Spider-Man lost to a good mood.Ā Ā
Your phone rings in the back pocket of your jeans. You wriggle it out, nonplussed to find Peter himself on your screen. You click the green answer button.Ā
āHello?ā Peter asks.Ā
You bring the phone snug to your ear. āHey, Peter.āĀ
āHi, are you busy?āĀ
āNot really.āĀ
āDo you wanna come over? I know itās late. Come stay the night and tomorrow weāll go out for breakfast.āĀ
āIs Aunt May okay with that?āĀ
āSheās staring at me right now shaking her head, but Iām in trouble for something. May, can she come over, is that allowed?āĀ
āSheās always allowed as long as you keep the door open.ā
You laugh under your breath at Mayās begrudging answer. āAre you sure sheās alright with it?ā you ask softly. āI donāt want to be a burden.āĀ
āYou never, ever could be. Iām coming to your place and weāll walk over together. Did you eat dinner?āĀ
āNot yet, butāā
āOkay, Iāll make you something when you get here. Iāll meet you at the door. Twenty minutes?āĀ
āI have to shower first.āĀ
āTwenty five?āĀ
You choke on a laugh, a weird bubbly thing youāre not used to. Peter laughs on the other side of the phone. āHow about Iāll see you at seven?āĀ
āItās a date,ā he says.Ā
āMm, put it in your calendar, Parker.āĀ
ā
Peter waits for you at the door like he promised. He frowns at your still-wet face as he slips your backpack from your shoulder, throwing it over his own. āYouāre gonna get sick.āĀ
āIāll dry fast,ā you say. āI took too long finding my pyjamas.āĀ
āI have stuff you can wear. Probably have your sweatpants somewhere, the grey ones.ā Peter pulls you forward and wipes your tacky face. āI wouldāve waited,ā he says.Ā
āItās fine.ā
āItās not fine. Are you cold?āĀ
āPete, itās fine.āĀ
āYou always remind me of my Uncle Ben when you call me Pete,ā he laughs, āsuper stern.āĀ
āIām not stern. Look, take me home, please, Iām cold.āĀ
āYou said it wasnāt cold!āĀ
āItās not, Iām just dampāā Peter cuts you off as he grabs you, sudden and tight, arms around you and rubbing the lengths of your back through your coat. āHandsy!ā
āYou like it,ā he jokes back, his playful warming turning into a hug. You smile, hiding your face in his neck for a few moments.Ā
āI donāt like it,ā you lie.Ā
āOkay, you donāt like it, and Iām sorry.ā Peter gives you a last hug and pulls away. āNow letās go. I gotta feed you before midnight.āĀ
āThatās not funny.āĀ
āApparently, nothing is.āĀ
Peter links your arms together. By the time you get to his house, youāve fallen away from each other naturally. May is in the hallway when you climb through the door, an empty laundry basket in her hands.Ā
āI see Peter hasnāt won this argument yet,ā you say in way of greeting. Peterās desperate to do his own laundry now heās getting older. May wonāt let him.Ā
āNo, he hasnāt.ā She looks you up and down. āItās nice to see you, honey. And in one piece! Peter tells me youāve been walking a lot, and I mean, in this city? Canāt you buy a treadmill?ā she asks.Ā
āMay!ā Peter says, startled.Ā
āI like walking, I like the air,ā you say.
āCanāt exactly call it fresh,ā May says.Ā
āNo, but itās alright. It helps me think.āĀ
āIs everything okay?ā May asks, putting her hand on her hip.Ā
āOf course.ā You smile at her genuinely. āI think starting college was too much for me? It was hard. But things are settling now, I donāt know what Peter told you, but Iām not walking a lot anymore. You know, not more than necessary.ā
She softens her disapproving. āGood, honey. Thatās good. Peterās gonna make you some dinner now, right?āĀ
āYeah, Aunt May, Iām gonna make dinner,ā Peter sighs, pulling a leg up to take off his shoes.Ā
Peter shouldnāt really know that youāve been walking. He might see you coming back from Trader Joeās or the bodega on his way to your apartment, but you havenāt mentioned any of your longer excursions, and everybody in Queens has to walk. Thatās information he wouldnāt know without Spider-Man.Ā
He seems to be hoping you wonāt realise, changing the subject to the frankly killer grilled cheese and tomato soup that heās about to make you, and pushing you into a chair at the table. āWarm up,ā he says near the back of your head, forcing a wave of shivers down your arms.
He makes soup in one pan, grilled cheese in the other, two for him and two for you. Peterās a good eater, and he encourages the same from you, setting a big bowl of tomato soup (from the can, splash of fresh cream) down in front of you with the grilled cheese on a plate between you. You eat it in too-hot bites and try not to get caught looking at him. He does the same, but when he catches you, or when you catch him, he holds your eye and smiles.Ā
āI can do the dishes,ā you say. You might need a breather.Ā
āAre you kidding? Iām gonna rinse them, put them in the dishwasher.ā Peter stands and feels your forehead with his hand. āWarmer. Good job.āĀ
You shrug away from his hand. āLoser.āĀ
āConcerned friend.āĀ
āHandsy loser.āĀ
āShut up,ā he mumbles.Ā
As flustered as youāve ever seen, Peter takes your empty dishes to the kitchen. When heās done rinsing them off you follow him upstairs to his bedroom and tuck your backpack under his bed.Ā
You look down at your socks. Peterās room is on the smaller side, but itās never been as startlingly small as it is when Peterās socked feet align with yours, toe to toe. Quick recovery time, this boy.Ā
āThereās chips and stuff on my desk. Or I could run to 91st for some ice cream sandwiches if you want something sweet,ā he says.Ā
You lift your eyes, tilt your head up just a touch, not wanting him to think youāre in his space no matter how strange that might be, considering he chose to stand there. āIām all right. Did you want ice cream? We can go if you want to, but if you want to go ācos you think I do then Iām fine.āĀ
āThatās such a long answer,ā he says, draping an arm over your shoulder. āYou donāt have to say all of that, just tell me no.āĀ
āI donāt want ice cream.āĀ
āWasnāt that easy?ā he asks.Ā
āWell, no, it wasnāt. Saying no to you is like saying no to a puppy.āĀ
āBecause Iām adorable?āĀ
āPersistent.āĀ
āYeah, I guess I am.ā He drapes the other arm over you. The soap he used at the kitchen sink lingers on his hands.Ā
āPeterā¦?ā you murmur.Ā
āWhat?ā he murmurs back.Ā
You touch a knuckle to his chest. āThisā Youā¦ā Every quelled thought rushes to the surface at once āPeter doesnāt like you as you desire, how could he, you arenāt beautiful like he is, arenāt smart, arenāt brave, no exceptional kindness or goodness to mark you enough for him. Itās why his being with Gwen didnāt hurt; she made sense. And for months now youāve wondered what it is that made him struggle to be with her. And sometimes, foolishly, you wondered if it was you. But itās not you, itās never you, and whatever Peterās trying to do nowā
āHey, you okay?ā he asks, taking your face into his hand.Ā
āWhat are you doing?āĀ
āWhat?ā He pushes his hand back to hold your nape, thumb under your ear. āI canāt hear you.āĀ Ā
You raise your voice. āWhy did you invite me over tonight?āĀ
āāCos I missed you?āĀ
āI used to think you didnāt miss me at all.āĀ
Peter winces, hurt. āHow could you think that? Of course I miss you. What you said to May, about college being hard? Itās like that for me too, okay? I miss you all the time.āĀ
You bite the inside of your bottom lip. āā¦College isnāt hard for you.āĀ
āItās not easy.ā He frowns, the fallen angel, his lips an unsure brushstroke. āWhatās wrong? Did I say the wrong thing?āĀ
Youāre being wretched, you know, saying it isnāt hard for him. āYou didnāt. Really, you didnāt.āĀ
āBut why are you upset?ā he implores, dark eyes darker as his eyebrows tug together.
āIām notāā
āYou are. Itās okay, you can be upset. I just want you to feel better, you know that?ā He settles his hands at the tops of your arms. Less intimate, but something warm remains. āEven if it takes a long time.āĀ
āIām fine.āĀ
āYouāre not fine.ā
āHow would you know?ā you finally ask.Ā
Peter stares at you.Ā
āI know you,ā he says carefully, āand I know you arenāt struggling like you were, but that doesnāt mean it didnāt happen or that you have to be a hundred percent better now.āĀ
āI didnāt realise that I was,ā you say, licking your lips, āātil now. I didnāt get that it was on the surface.ā
Peter pulls you in for a gentle hug. āIām here for you forever, and Iāll make it up to you for not noticing sooner,ā he says, scrunching your shirt in his hand.
After the hug, he tells you to change and make yourself comfortable while he showers. So you put on your pyjamas and climb into Peterās bed, head pounding as though all your energy was stolen in a fell swoop. You press your nose to his pillow and arm wrapped around his comforter, gathering it into a Peter sized lump. The shower pump whines against the shared wall.Ā
Things arenāt meant to be like this. You thought Peter touching you āholding youā was the deepest of your desires, but you feel now exactly as you had before he started blurring the line, needing Peter to kiss you so badly it becomes its own kind of nausea. Why are you still acting like itās an impossibility?
When he comes back, youāll apologise. He hasnāt done anything wrong. He does keep a secret, but donāt you keep one too? Heās Spider-Man. Youāve had deep, complicated feelings for him for months. They are secrets of equal magnitude, and are, more apparently, badly kept.Ā
You wish you could fall asleep. Your heart ticks in agitation.
Peter returns as perturbed as earlier.Ā
āAre you sure thereās nothing wrong?ā he asks, raking a hand through his hair. A towel hangs around his neck.Ā
āIām sorry for being weird.āĀ
āYouāre not weird,ā Peter says, bringing the towel to his hair to scrub ruthlessly.Ā
āItās just ācos things have been different between us.ā And, you try to say, that scares me no matter how bad I wanted it. because youāre not just Peter anymore, youāre Spider-Man. Iām only me, and I canāt do anything to protect you.
Peter gives his hair a long scrub before draping the towel on his desk chair. He rakes it messily into place and sits himself at the end of the bed. You sit up.Ā
āYeah, they have been. Good different?ā he asks hesitantly.Ā
āI think so,ā you say, quiet again.Ā
āThatās what I thought.āĀ
āI donāt want you to feel like I donāt want to be here. I just worry about you.āĀ
Peter uses his hands to get higher up the bed. āDonāt worry about me,ā he says, āJesus, please donāt. Thatās the last thing I want from you, I hate when people worry about me.āĀ
You curl into the lump of comforter youād made. Peter lets himself rest beside you, his back to the bedroom wall, tens of Polaroids above him shining with the light of the hallway and his orange-bulbed lamp. His skin is glowing like itās golden hour, dashes of topaz in his eyes, his Cupidās bow deep. How would it feel to lean forward and kiss him? To catch his Cupid's bow under your lips?
You brush a damp curl tangled in another onto his forehead.Ā
You lay there for a little while without talking, listening to the sound of the washing machine as it cycles downstairs.Ā
āAm I going too fast?ā Peter murmurs.Ā
You press your lips together, shaking your head minutely.Ā
āIs it something else?āĀ
You donāt move.Ā
āDo you want me to stop?ā he asks.Ā
āNo.ā
Peter rewards you with a smile, his hand on your arm. āAlright. Let me get this blanket on you the right way. Youāre still cold.āĀ
You resent the loss of a shape to hold when Peter slips down beside you and wrangles the comforter flat again, spreading it out over you both, his hand under the blankets. His knuckles brush your thigh.Ā
He takes a deep breath before turning and wrapping his arm over your stomach, asking softly, āIs this alright?āĀ
āYeah.āĀ
He gives you a look and then lifts his head to slot his nose against your temple. āPlease donāt take this in a way that I donāt mean it, but sometimes you think about things so much I worry youāre gonna get stuck in your head forever.āĀ
āI like thinking.āĀ
āI hate it,ā he says quickly, a fervent, flirting cadence to his otherwise dulcet tone, āwe should never do it ever again.āĀ
āIāll try not to.āĀ
āWould you? For me?āĀ
You laugh into his shirt, feeling the warmth of your breath on your own nose. āIāll do my best.āĀ
āGood. Iād miss you too much if you got lost in that nice head of yours.āĀ
You relax under his arm. You arenāt sure what all the fuss was about now that he's hugging you. āIād miss you too.ā
May comes up the stairs about an hour later. To her credit, she doesnāt flinch when she finds you and Peter smushed together watching a DVD on his old TV. Heās holding your arm, and youāre snoozing on his shoulder, half-aware of the world, fully aware of his nice smells and the shapes of his arms.Ā
āDoor open,ā she says.Ā
āNot that either of us want it closed, May, but weāre adults.āĀ
āNot while Iām still washing your clothes, youāre not.āĀ
He snorts. āGoodnight, Aunt May. The door isnāt gonna close, I promise.āĀ
āI know that,ā she says, scornful in her pride. āYouāre a good boy.ā She lightens. āThings are going okay?āĀ
Peter covers your ear. āGoodnight, Aunt May.āĀ
āI have half a mind to never listen to you again. You talk my ear off and I canāt ask a simple question?āĀ
āI love you,ā Peter sing-songs.Ā
āI love you, Peter,ā she says. āDonāt smother the girl.āĀ
āI wonāt smother her. Itās in my best interest that she survives the night. Sheās buying my breakfast tomorrow.āĀ
āPeter Parker.āĀ
āIām kidding,ā he whispers, petting your cheek absentmindedly. āJust messing with you, May.āĀ
You smile and curl further into his arms. His voice is like the sun, even when he whispers.Ā Ā
ā
To your surprise, Spider-Man comes to find you after class one evening. A guest lecturer had talked to your oncology class about click chemistry and other molecular therapies against cancer, and the zine book sheād given you is burning a hole in your pocket. Peter is going to love it.Ā
You pull it out and pause beside a bench and a silver trash can, the day grey but thankfully without rain. The pages of your little book whip forcefully in the wind. Itās chemistry, sure, but itās biology too, wrapping your and Peterās interests up neatly. If it werenāt for Peter you doubt youād love science as much as you do. Heās always been good at it, but since you started college he's been a genius. Watching him grow has encouraged you to work harder, and understanding the material is satisfying, if draining. You take a photo of the middle most pages and tuck the book away, writing a quick text to Peter to send with it.Ā
Look! it says, LEGO cancer treatment!!Ā
The moment you press send a beep chimes from somewhere close behind you, all too familiar. You turn to the source but find nobody you know waiting. Coincidence, you think, shaking yourself and beginning the trek to the subway.Ā
But then you hear the tell tale splat and thwick of Spider-Manās webbing.Ā
You wait until youāre at the alleyway between Portoās Bakery and the key cutting shop and turn down to stop by one of the dumpsters.Ā
āSpider-Man?ā you ask, shoulders tensed in case itās not who you think.Ā
āWhat are you doing?ā he asks.
You gasp as he hops down in front of you, his suit shiny with its dark web-pattern caught by the grey sunshine passing through the clouds overhead. āShit, donāt break your ankles.āĀ
āMy ankles?ā He laughs. He sounds so much like Peter that you can only laugh with him. What an idiot he is for thinking you donāt know; what a fool youād been for falling for his put upon tenor. āTheyāre fine. What would be wrong with my ankles?āĀ
āYou just dropped down twenty feet!āĀ
āItās more like thirty, and Iām fine. You understand the super part of superhero, donāt you?āĀ
āWho said youāre a superhero?āĀ
āNice. What are you doing down here?āĀ
āI was testing my theory. Youāre following me.āĀ
āNo, Iām visiting you, itās very different,ā he says confidently.Ā
āYou havenāt come to see me for weeks.āĀ
āYes, well, Iāā Spider-Peter crosses his arms across his chest. āHey, youāre the one who told me to take a day off.āĀ
āI did tell you to take a day off. Itās not nice thinking about you trying to save the world every single night. Thatās a lot of responsibility for one person to have.āĀ
āBut itās my responsibility,ā he says easily. āNo point in a beautiful girl like you wasting her time worrying about it. I have to do it, and I donāt mind it.āĀ
āDo you flirt with every girl you meet out here in the city?ā you ask, cheeks hot.Ā
āNo,ā he says, fondness evident even through the mask, ājust you.āĀ
āDo you wanna walk me home? I was gonna take the subway, but itās not that far.āĀ
Spider-Man nods. āYeah, Iāll walk you back.āĀ
He doesnāt hide that he knows the way very well. He takes preemptive turns, crosses roads without you telling him to go forward. You canāt believe him. Smartest guy at Midtown High and he canāt pretend to save his life.Ā
āAre you having a good semester?ā he asks.Ā
āItās getting better. Iām glad I stuck with it. I love biology, itās so fucking hard. I used to think that was a bad thing, but it makes it cooler now. Like, itās not something everyone understands.ā You give him a look, and you give into temptation. āMy best friend got me into all this stuff. I used to think math was hopeless and science was for dorks.āĀ
āItās definitely for dorks.āĀ
āRight, but I love being one.ā You offer a useless secret. āI like to think that itās why weāre such great friends.āĀ
āMe and you?ā Spider-Man asks hoarsely.Ā
āMe and Peter.ā You elbow him without force. āWhy, do you like science?āĀ
āI love itā¦āĀ
āYou know, I really like you, Spider-Man. I feel like weāve been friends for a long time.ā Youāre teasing poor Peter.Ā
He doesnāt speak for a while. He stops walking, but you take a few steps without him. When you realise heās stopped, you turn back to see him.Ā
Peterās gone so tense you could strike him with a flint and catch a spark. Itās the same way Peter looked at you when he told you about his Uncle, a truth he didnāt want to be true. Seeing it throws a spanner in the works of all your teasing: youād meant to wind him up, not make him panic.Ā
āWhatās wrong?ā you ask. āCan you hear something?āĀ
āNo, itās not thatā¦ā Heās masked, but you know him well enough to understand why heās stopped.Ā
āItās okay,ā you say.Ā
āItās not, actually.āĀ
āSpider-Man.ā You take a step toward him. āItās fine.ā
He presses his hands to his stomach. The sun is setting early, and in an hour, the dark will eat up New York and leave it in a blistering cold. āDo you remember when we first met, the second time, we swapped secrets?āĀ
āYeah, I remember. Useless secret for another. I told you I hated my major. Itās not true anymore, obviously. I was having a bad time.āĀ
āI know you were,ā he says, emphasis on know, like itās a different word entirely.Ā
āBut meeting you really helped. If it werenāt for you, for Peter,ā āyou give him a searching lookā āI wouldnāt feel better at all.āĀ
āIt wasnāt his fault?ā he asks. āHe was your friend, and you were lonely.āĀ
āNoāā
āHe didnāt know what was going on with you, he didnāt have a clue. You hurt yourself and you felt like you couldnāt tell anybody, and I know it wasnāt an accident, so what was his excuse?ā His voice burns with anger. āItās his fault.āĀ
āOf course it wasnāt your fault. Is that what you think?ā You shake your head, panicked by the bone-deep self loathing in his voice, his shameful dropped head. āYes, I was lonely, I am lonely, I donāt know many people and Iā Iā I hurt myself, and it wasnāt as accidental as I thought it was, but why would that be your fault?āĀ
āPeterās fault,ā he says, though his head is lifted now, and he doesnāt bother enthusing it with much gusto.Ā
āPeter, none of it was your fault.ā You cringe in your embarrassment, thinking Fuck, donāt let me ruin this. āI was in a weird way, and yes, I was lonely, and I really liked you more than I should have. You didn't want me and that wasnāt your fault, thatās just how it was, I tried not to let it get to me, just there were a lot of things weighing on me at once, but it really wasnāt as bad as you think it was and it wasnāt your fault.āĀ
āI wasnāt there for you,ā he says. āAnd Iāve been lying to you for a long time.āĀ
āYou couldnāt tell me, right? Spider-Man is your secret for a reason.āĀ
āā¦I didnāt even know you were lonely until you told him. He was a stranger.āĀ
You hold your hands behind your back. āWell, he was a familiar one.āĀ
Peter reaches out as though wanting to touch you, but your arms arenāt in his reach. āItās not because I didnāt want you.āĀ
āPeter,ā you say, squirming.Ā
He steps back.Ā
āI have to go,ā he says.Ā
āWhat?āĀ
āI have toā I donāt want to go,ā he says earnestly, āsweetheart, I can hear someone calling out, I have to go. But Iāll come back, Iāllā Iāll come back,ā he promises.Ā
And with a sudden lift of his arm, Peter pulls himself up the side of a building and disappears, leaving you whiplashed on the sidewalk, the sun setting just out of view.
ā
You fall asleep that night waiting for Peter. When you wake up, 5AM, eyes aching, he isnāt there. You check your phone but he hasnāt texted. You check the Bugle and Spider-Man hasnāt been seen.Ā
You arenāt sure what to think. He sounded sincere to the fullest extent when he said heād come back, but he didnāt, not ten minutes later, not twenty. You made excuses and you went home before it got too dark to see the street, sat on the couch rehearsing what youād say. How could Peter think your unhappiness was his fault? Why does he always put the entire world on his shoulders?
Selfishly, you worried what it all meant for his lazy touches. Would he want to curl up into bed with you again now he knows what it means to you? Itās different for him. It isnāt like heās in love with you⦠youād just thought maybe he could be. That this was falling in love, real love, not the unrequited ache youād suffered before.Ā
But maybe you got everything wrong. All of it. It wouldn't be the first time.Ā
ā
You and Peter found The Moroccan Mode in your senior year at Midtown. The school library was small and you were sick of being underfoot at home. When you started at ESU, you explored the on campus coffeehouse, the Coffee Bean, but it was crowded, and youād found yourself attached to the Modeās beautiful tiling, blues and topaz and platinum golds, its heavy, oiled wooden furniture, stained glass lampshades and the case full of lemony treats. The coffee here is better than anywhere else, but the best part out of everything is that itās your secret. Barely anybody comes to the Mode on purpose.Ā
You hide in a far corner with a book and an empty cup of decaf coffee, a slice of meskouta on the table untouched. Decaf because caffeine felt a terrible idea, meskouta untouched because you canāt stomach the smell. You push it to the opposite end of the table, considering another cup of coffee instead. Itās served slightly too hot, and will still be warm when it gets to your chest.Ā
The sunshine is creeping in slowly. It feels like the first time youāve seen it in months, warming rays kissing your fingers and lining the walls. You turn a page, turn your wrist, let the sun warm the scar you gave yourself those few months ago, when everything felt too big for you.Ā
Looking back, it was too big. Maybe soon youāll be ready to talk about it.Ā Ā
The author in your book is talking about bees. They can fly up to 15 miles per hour. They make short, fast motions from front to back, a rocking motion. Asian giant hornets can go even faster despite their increased mass. They consider humans running provocation. If you see a giant hornet, youāre supposed to lay down to avoid being stung.Ā
You put your face in your hand. Next year, youāll avoid the insect-based electives.Ā
Across the cafe, the bell at the top of the door rings. Laughter falls through it, a couple passing by. The register clashes open. A minute later it closes.Ā
You donāt raise your head when footsteps draw near. A plate is placed on the table, pushed across to you, stopping just shy of your coffee.Ā
āDid you eat breakfast?ā Peter asks quietly.Ā
His voice is gentle, but hoarse.Ā
You tense.Ā
āAre you okay?ā he asks, not waiting for your answer to either question. āYou donāt look like yourself. Your eyes are red.āĀ
You lift your head. Wet with the beginnings of tears, you see Peter through an astigmatic blur.Ā
āWhat are you reading?ā He frowns at you. āPlease donāt cry.āĀ
You shake your head. Your smile is all odd, nothing like his, no inherent warmth despite your best effort. āIām okay.āĀ
He nudges you across the booth seat and sits beside you. His arm settles behind your shoulders. He smells like smoke and soap, an acrid scent barely hidden. āCan you tell me you didnāt wait long for me?āĀ
āTen minutes,ā you lie.Ā
āOkay. Iām sorry. There was a fire.ā He rubs your arm where heās holding you. āIām sorry.āĀ
āWill you go half?ā you ask, nodding to the sandwich heās brought you. Itās tough sourdough bread, brown with white flour on the crusts and leafy greens poking between the slices. You and Peter complain about the price. Youāve never had one. He passes you the bigger half, holding the other in his hand without eating.Ā
āI know youāre hungry,ā you say, tapping his elbow, ājust eat.āĀ
You eat your sandwiches. Now that Peterās here, you donāt feel so sick āheās not upset with you. The dull pang of an empty stomach wonāt be ignored.Ā
Peter puts his sandwich down, which is crazy, and wipes his fingers on the plates napkin. Youāve never seen him stop before heās done.
āIt was in the apartments on Vernon. Iā I think I almost died, the smoke was everywhere.āĀ
You choke around a crust, thrusting the rest of your half onto the plate. āAre you hurt?ā you ask, coughing.Ā
He moves his head from side to side, not a shake, but a slow no. āHow long have you known it was me?ā he asks, curling his hand behind your back again, fingers spread over your shoulder blade, a fingertip on your neck.Ā
You savour his touch, but you give in to your apprehension and stare at his chest. āThe night you caught me outside in the rain in November. You called me ārunning girlā. The way you said it, you sounded exactly like him. I turned around expecting,ā āyou whisper, weary of the quiet cafeā āSpider-Man, and I realised itās him that sounds like you. That he is you.āĀ
āWas that disappointing?āĀ
āPeter, youāre, like, my favourite person in the world,ā you whisper fervently, your smile making it light. You laugh. āWhy would that be disappointing?āĀ
āI thought maybe you think heās cooler than me.āĀ
āHe is cooler than you, Peter.ā You laugh again, pleased when he scoffs and draws you nearer. āI guess youāre the same person, right? So heās just as cool as you are. But why would being cool matter to me? You know I like you.āĀ
āYou flirted pretty heavily with Spider-Man.ā
āWell, he flirted with me first.āĀ
You chance a look at his face. From that moment you canāt look away, not from Peter. You like when he wears that darkness in his eyes, the hint of his rarer side so uncommonly seen, but you love this most of all, Peter like your best memory, the way heās looking at you now a picture perfect copy of that moment in a swimming pool in Manhattan with cracked tile under your feet. His arms heavy on your shoulders. You didnāt get it then, but youāre starting to understand now.
āIāve made a mess of everything,ā he says softly, the trail his hand makes to the small of your back leaving a wake of goosebumps. āI havenāt been honest with you.āĀ
āI havenāt, either.āĀ
āI want to ask you for something,ā Peter says, a fingertip trailing back up. He smiles when you shiver, not teasing, just loving. āYou can say no.āĀ
āYouāre hard to say no to.āĀ
āI need you to talk to me more,ā āand here he goes, Peter Parker, flirting and sweet-talking like his life depends on it, his face inching down into your spaceā ānot just because I love your voice, or because you think so much Iām scared youāll get lost, but I need you to talk to me. We need to talk about real things.ā
We do, you think morosely.Ā
āItās not your fault,ā he adds, the hand that isnāt holding your back coming up to cup your cheek, āitās mine. I was scared of telling you for stupid reasons, but I shouldnāt have let it be a secret for so long.āĀ
āNo, I doubt theyāre stupid,ā you murmur, following his hand as he attempts to move it to your ear. āItās not easy to tell someone youāre a hero.ā
His palm smells like smoke.Ā
āThatās not the secret I meant,ā he says.Ā
You take his hand from your face. Peter looks down and begins pressing his fingers between yours, squeezing them together as his thumb runs over the back of your hand.
āSo tell me.ā
The sunshine bleeds onto his cheek. Dappled orange light turning slowly white as time stretches and the sun moves up through a murky sky. āYou want to trade secrets again?ā he asks.Ā
āPlease.āĀ
āOkay. Okay, but I donāt have as many as you do,ā he warns.Ā
āI find that hard to believe.āĀ
āI donāt. Itās not a real secret, is it? Iāve been trying to show you for weeks, weā¦ā
He tilts his head invitingly.Ā
All those hand-holds and nights curled up in bed together. Am I going too fast? You know exactly what he means; it really isnāt a secret.
āIāll go first,ā he says, lowering his face to yours. You try not to close your eyes. āIāve wanted to kiss you for weeks.ā He closes his eyes so you follow, your breath not your own suddenly. You hold it. Let it go hastily. āWhatās your secret?āĀ
āSometime I want you to kiss me so badly I canāt sleep. It makes me feel sickāā
āSick?ā he asks worriedly.Ā
You touch the tip of your nose to his. āItās likeā like jealousy, butā¦āĀ
āYou have no one to be jealous of,ā he says surely. He cups your cheek, and he asks, āPlease, can I kiss you?āĀ
You say, āYes,ā very, very quietly, but he hears it, and his smile couldnāt be more obvious as he closes the last of the distance between you to kiss you.
It isnāt the sort of kiss that kept you up at night. Peter doesnāt hook you in or tip your head back, he kisses gently, his hand coming to live on your cheek, where it cradles. Itās so warm you donāt know what to make of him beyond kissing him back ākissing his smile, though itās catching. Kissing the line of his Cupidās bow as he leans down.Ā
āIām sorry about everything,ā he mumbles, nose flattened against yours.Ā
You feel sunlight on your cheek. Squinting, you turn into his hand to peer outside at the sudden abundance of it. Itās still cold outside, but the Mode is warm, Peterās hand warmer, and the sunshine is a welcome guest.Ā
Peter drops his hand. āOh, wow. December sun. Good thing it didnāt snow, weād be blind.ā
āI canāt be cold much longer,ā you confess. āIām sick of the shitty weather.āĀ
āI can keep you warm.āĀ
He smiles at you. His eyelashes tangle in the corners of his eyes, long and brown.Ā
āDid you want my meskouta?ā you ask.Ā
Peter plants a fat kiss against your brow.Ā
You let the sunshine warm your face. Two unfinished sandwich halves, a mouthful of coffee, and a round slice of meskouta, its flaky crumb and lemon drizzle shining on the table. You would ask Peter for his camera if youād thought he brought it with him, to take a picture of your breakfast and the carved table underneath. You could turn it on Peter, say something cheesy. This is the moment you ruined our lives, youād tease.
āYou never told me you met Spider-Man, you know.āĀ
You watch Peter lick the tip of his finger without shame. āThey could make a novella of things I havenāt told you about,ā you murmur wryly.Ā
Peter takes a bite of meskouta, reaching for your knee under the table. He shakes your leg a little, as if to say, Well, weāll work on that.Ā
ā
Spring
āSorry!ā
āNo, itāsāā
āSorry, sorry, Iāmā shit!ā
āāokay! All legs inside the ride?ā
āI couldnāt find my purseāā
āYou donāt need it!ā Peter leans over the console to kiss your cheek. āYou donāt have to rush.āĀ
āAre you sure you can drive this thing?āĀ
āHarry doesnāt mind.āĀ
āI donāt mean the car, I mean, are you sure you can drive?āĀ
āThatās not funny.āĀ
You grin and dart across to kiss his cheek, too. āNothing ever is with us.āĀ
Peter grabs you behind the neck āwhich might sound rough, if he were capable of such a thingā and pulls you forward for a kiss you donāt have time for. āIf we donāt check in,ā āyou begin, swiftly smothered by another press of his lips, his tongue a heat flirting with the seam of your lipsā āby three, they said they wonāt keep the roomāā He clasps the back of your neck and smiles when your breath stutters. You squeeze your eyes closed, kiss him fiercely, and pull away, hand on his chest to restrain him. āAnd then weāll have to drive home like losers.āĀ
Peter sits back in the driver's seat unbothered. He fixes his hair, and he wipes his bottom lip with his knuckle. Youāre rolling your eyes when he finally returns your gaze. āSorry, am I the one who lost her purse?āĀ
āPeter!āĀ
āI canāt make us un-late,ā he says, turning the key slowly, hands on the wheel but his eyes still flitting between your eyes and your lips.Ā
āAlright,ā you warn.Ā
He reaches for your knee. āItās a forty minute drive. Youāre panicking over nothing.āĀ
āItās an hour.āĀ
Your drive from Queens to Manhattan is entirely uneventful. You keep Peterās hand hostage on your knee, your palm atop it, the other hand wrapped around his wrist, your conversation a juxtaposition, almost lackadaisical. Peter doesnāt question your clinging nor your lazy murmurings, rubbing a circle into your knee with his thumb from Forest Hill to Lenox Hill. Thereās so much to do around Manhattan; you could visit MoMA, Central Park, The Empire State Building or Times Square, but you and Peter give it all a miss for the little known Manhattan Super 8.Ā
Itās been a long time since you and Peter first visited. You took the bus out to Lenox Hill for a med-student tour neither of you particularly enjoyed, feeling out future careers. Itās not that Lenox Hill isnāt one of the most impressive medical facilities in New York (if not the northeastern USA), itās that all the blood made him queasy, and you were panicking too much about the future to think it through. He got over his aversion to blood but chose the less hands-on science in the end, and you worked things through. Youāre a little less scared of the future everyday.Ā
You and Peter were supposed to get the bus straight back home for a sleepover, but one got cancelled, another delayed, and night closed in like two hands on your neck. Peter sensed your fear and emptied his wallet for a night in the Super 8.Ā
The next morning it was beautifully sunny. The first day of summer that year, warm and golden. The pool wasnāt anything special but it was invitingly cool, blue and white tiles patterned like fish below; you clambered into the water in shorts and a tank top and Peter his boxers before a worker could see and stop you.Ā
It was one of the best days of your life. When you told Peter about it last week, heād looked at you peculiarly, said, Bub, youāre cute, and let you waste the afternoon recounting one of your more embarrassing pangs of longing. A few days later he told you to clear your calendar for the weekend, only spilling the beans on what heād done when youād curled over his lap, a hand threaded into the hair at the nape of his neck, murmuring, Tell me, tell me, tell me.Ā
Heād hung his head over you and scrunched up his eyes. Cheater.
The best thing about having a boyfriend is that he always wants to listen to you. Peter was a good listener as a best friend, but now he has his act together and the secrets between you are never anything more than eating the last of the milk duds or not wanting to pee in front of him, heās a treasure. Thereās no feeling like having Peter pull you into his lap so he can ask about your day with his face buried in your neck, sniffing. Sometimes, when you text one another to meet up the next day, youāll accidentally will the hours away babbling about school and life and things without reason. Peter has a list on his phone of your silliest tangents; blood oranges to the super moon, fries dipped in ice cream to the world record for kick flips done in five minutes. Itās like when you talk to one another, you canāt stop.Ā
There are quiet moments. You wake up some mornings to find him awake already, an arm behind you, rubbing at your soft upper arm, fingertip displacing the fine hairs there and trailing circles as he reads. He bends the pages back and holds whatever novel heās reading at the bottom of his stomach, as though making sure you can see the words clearly, even when youāre sleeping.Ā
There are hectic, aching moments āvigilante boyfriends become blasĆ© with their lives and precious faces. Youāve teetered on the edge of anxiety attacks trying to pick glass from his cheek with a tweezers, lamented over bruises that heal the next day. Itās easier when Peterās careful, but Spider-Man isnāt careful. You ask him to take care of himself and heās gentle with himself for a few days, but then someone needs saving from an armed burglar or a car swerves dangerously onto the sidewalk and he forgets.Ā
He hadnāt patrolled last night in preparation for today.Ā
āDid you know,ā he says, pulling Harryās borrowed car into a parking spot just in front of the Super 8 reception, āthat todayās the last day of spring?āĀ
āAlready?āĀ
āTonightās the June equinox.āĀ
āWho told you that?āĀ
āAunt May. She said itās time to get a summer job.āĀ
You laugh loudly. āOur federal loans wonāt last forever.āĀ
āHarryās gonna get me something, I think. Do you want to work with me? It could be fun.āĀ
You nod emphatically. Itās barely a thought. āObviously I want to. Does Oscorp pay well, do you think?āĀ
Peter lets the engine go. The car turns off, engine ticking its last breath in the dash. āBetter than the Bugle.āĀ
You get your key from the reception and find your room upstairs, second floor. Itās not dirty nor exceptionally clean, no mould or damp but a strange smell in the bathroom. Thereās a microwave with two mugs and a few sachets of instant coffee. Peter deems it the nicest motel heās ever stayed in, laughing, crossing the room to its only window and pulling aside the curtain.Ā
āThere it is, sweetheart,ā he says, wrapping his arm around you as you join him, āthatās what dreams are made of.āĀ
The blue and white tiled pool. It hasnāt changed.Ā
Itās about as hot as itās going to get in June today, and, not knowing if itāll rain tomorrow, you and Peter change into your swim suits and gather your towels. You wear flip flops and tangle your fingers, clanking and thumping down the rickety metal stairs to the pool. Thereās nobody there, no lifeguard, no quests, and the pool is clean and cold when you dip your toes.Ā
Peter eases in first. Towels in a heap at the end of a sun lounger, his shirt tumbling to the floor, Peter splashes in frontward and turns to face you as the water laps his ribs. āItās cold,ā he says, wading for your legs, which he hugs.Ā
āI can feel it,ā you say, the cool waters to your calves where you sit on the edge.Ā
āYou wonāt come in and warm me up?ā he asks.Ā
You stroke a tendril of hair from his eyes. He attempts to kiss your fingers.Ā
āIām trying to prepare myself.āĀ
āMm, you have to get used to it.ā He puts wet hands on your thighs, looking up imploringly until you lean down for a kiss. The fact that heād want one still makes you dizzy. āThank you,ā he says.Ā
āYouāll have to move.āĀ
Peter steps back, a ripple of water ringing behind him, his hands raised. He slips them with ease under your arms and helps you down into the water, laughing at your shocked giggling āheās so strong, the water so cold.Ā
Peter doesnāt often show his strength. Never to intimidate, he prefers startling you helpfully. Heāll lift you when you want to reach something too tall, or raise the bed when youāre on his side to force you sideways.Ā
āOh, this is the perfect place to try the lift!ā he says.Ā
āHow will I run?ā you ask, letting your knees buckle, water rushing up to your neck.Ā
Peter pulls you up. He touches you easily, and yet you get the sense that heās precious with you, too. Thereās devotion to be found in his hands and the specific way they cradle your back, drawing your chest to his. āI donāt need you to do a running start, sweetheart,ā he says, tilting his head to the side, āIāll just lift you.āĀ
āLast time I laughed so much you dropped me.āĀ
āExactly, you laughed, and this is serious.āĀ
The world isnāt mild here. Car horns beep and tyres crunch asphalt. You can hear children, and singing, and a walkie talkie somewhere in the Super 8ās parking lot. The pool pumps gargle and Peterās breath is half laughter as he pulls you further from the sidelines, ceramic tiles slippery under your feet. In the distance, you swear you can hear one of those songs he likes from that poor singer who died in the Wolf River.Ā
Heās a beholden thing in the sun; you canāt not look at him, all of him, his sculpted chest wet and glinting in the sun, his eyes like browning honey, his smile curling up, and up.Ā
āYouāre beautiful,ā he says.Ā
You rest an arm behind his head. āThe rash guard is a good look?āĀ
āSweetheart, you couldnāt look cuter,ā he says, hands on your waist, pinky on your hip. āI wish youād mentioned these shorts a few days ago. I wouldāve prepared to be a more decent man.āĀ
āYouāre decent enough, Parker.āĀ
āMaybe now.āĀ
āWell, if things get too hot, you can always take a quick dip,ā you say.Ā
Youāre teasing, but Peterās eyes light up with mischief as he calls, āOh, great idea!ā and lets himself drop backwards into the water. You pull your arm back rather than go with him. You canāt avoid the great burst of water as he surges to the surface.Ā
He shakes himself off like a dog.Ā
āPete!ā you cry through laughs, wiping the water from your face before the chlorine gets in your eyes.Ā
āIt just didnāt help,ā he says, pulling you back into his arms, āyou know, the water is cold, but youāre so hot, and I actually got a pretty good look at them when I was under, and youāre just as pretty as I remembered you being ten seconds agoāā
āPeter,ā you say, tempted to roll your eyes.Ā
Water runs down his face in great rivers, but with the dopey smile heās sporting, they look like anything but tears. āTell me a secret?ā he asks, dripping in sunshine, an endless summer at his back.Ā
A soft smile takes your lips. āNo,ā you say, tipping up your chin, āyou tell me one first.ā
āWhat kind of secret?āĀ
āA real one,ā you insist.Ā
āOhā¦ā He leans away from you, though his arms stay crossed behind you. āOkay, I have one. Ask me again.āĀ
You raise a single brow. āTell me a secret, Peter.āĀ
He pulls your face in for a kiss. His hand is wet on your cheek, but no less welcome. āI love you,ā he says, kissing the skin just shy of your nose.Ā
Youāre lucky heās already holding you. āI love you too,ā you say, gathering him to you for a hug, digging your nose into the slope of his neck as his admission blows your mind. āI love you.āĀ
Peter wraps his arms around your shoulders, closing his eyes against the side of your head. You canāt know what heās thinking, but you can feel it. His hands canāt seem to stay still on your skin.Ā
The sun warms your back for a time.Ā
Peter lets out a deep breath of relief. You lean away to look at him, your hand slipping down into the water, where he finds it, his fingers circling your wrist.Ā
āThatās another one to let go of,ā he suggests.Ā
He peppers a row of gentle kisses along your lips and the soft skin below your eye.Ā
You and Peter swim until your fingers are pruned and the sun has been blanketed by clouds. You let him wrap you in a towel, and kiss your wet ears, and take you back to the room, where he holds your face.Ā
āIāll start the shower for you,ā he says, rubbing your cheeks with his thumbs, each stroke of them encouraging your face from one side to the other, just a touch, ever so slightly moved in the palms of his hands.Ā
āDonāt fall asleep standing up,ā he murmurs.Ā
Your eyes close unbidden to you both. āI wonāt.āĀ
He holds you still, leaning in slowly to kiss you with the barest of pressure. Every thought in your head fades, leaving only you and Peter, and the dizziness of his touch as he lays you down at the end of the bed.Ā
ļ½”š¦¹Ā°ā§ā.į
please like, comment or reblog if you enjoyed, i love comments and seeing what anyone reading liked about the fic is a treat āthank you for readingā¤ļø




















