#team17ltd

[solarisart]

“Déjame penar, déjame sufrir

Que llaga mía es una menos en tí.

Déjame sangrar, déjame sentir

Que un corte mío es caricia en tí

Déjame llorar, déjame gemir

Que todas mis lágrimas son solo para mí.”

He vuelto a jugar a Blasphemous, he vuelto a dibujar.

Fanart de Socorro, la Señora de la agonía perpetua.

~~~

“Let me grieve, let me suffer

For one wound on me is one less on you

Let me bleed, let me feel

For a cut on me is a caress for you

Let me cry, let me moan

As all of my tears are only for me.”

I’ve played again Blasphemous, I’ve drawn again.

Fanart based on Socorro, the lady of the perpetual agony. 

[thmadethis]

200. Boggy B - The hero we need but not the one we deserve. Thank you @team17ltd for such awesome games. - - - #team17 #team17ltd #worms #wormsworldparty #wormsarmageddon #worms2 #worms3d #turnbased #turnbasedstrategy #artillery #weapons #character #dailydrawing #dailydrawing2017 #illustration #taylohicksart

[solarisart]

I can't wait to play Blasphemous II.

So, to celebrate the upcoming release of Blasphemous 2 I'd like sharing some fanarts I drawn.

[solarisart]

“Tengo miedo. El pequeño dejó de llorar en cuanto lo pusimos en brazos de aquella mujer de mimbre como si de su madre se tratara. A veces pienso que hay algo vivo en ese mimbre. A veces parece mecerlo en la oscuridad.”

Lo he vuelto a hacer.

Fanart del único enemigo en Blasphemous que nunca me ha matado: Expósito, hijo de la Abjuración.

~~~

"The little one stopped crying as soon as we placed him in the arms of that wicker woman, as if it were his mother. Sometimes I can't help but think there's something living in that wicker. Sometimes it seems to be rocking him in the darkness."

Oops, I did it again, 

Fanart based on Expósito, Scion of Abjuration (Blasphemous). 

It’s the only boss who can’t killed me. 

[solarisart]

No puedo ponerme a dibujar con la BSO de @blasphemous-game de fondo, he dejado a Morgoth autocoronándose para hacer las carusas del muso. Si, el hype es fuerte desde que ascendí la partida y escuché el grito de ¡HERMANA! por parte de Esdras.

[solarisart]

He seguido practicando y como la inspiración me viene por @blasphemous-game aquí dejo un fanart de #Perpetva de la #LegionUngida

[solarisart]

Yep, another fan-art from "Blasphemous". This time, I wanted to draw something related with Esdras and Perpetva so I drawn them. Both of them fascinate me despite the few facts from lore about them.

I really like the description about an Perpetva’s item and I based the drawing in it:

Perpetva’s Protection:

“Esdras, you say?” spoke the soldier, “That madman could not bear the death of his sister. He’s still talking to her as if she were there beside him. Sometimes it even seems as if the were arguing. He’s long gone and hasn’t been seen since.” 

Perpetvua and Esdras are members of The Anointed Legion (she's the founder of this Legion and sister of Esdras)

The penitent one finds Perpetva for the first time in the Mountain of Endless Dusk, it’s a really hard fight (I died, of course). Later, when you’re crossing the Bridge of the Three Calvaries based on “Puente de Isabel II or Triana bridge” (a famous bridge of Seville) you find Esdras, (he’s chasing you during the first half of the game) then you can appreciate the relationship they have with each other. 

[solarisart]

El Penitente

Otra vez por aquí para compartir mi último dibujo, aprovechando la cuarentena, sigo experimentado con colores, sombras y luces.

Tenía muchas ganas de hacer un fan-art sobre “Blasphemous”. ¿Puede haberse convertido en uno de mis videojuegos favoritos? Si, de estilo retro, es un metroidvania lleno de reminiscencias al folclore y cultura andaluza (Sur de España), eso de ir reconociendo escenarios y desentrañando la historia encajando descripciones de ítems que vas encontrando hace de la experiencia una pasada. ¡Y la banda sonora es preciosa!

Centrándonos en el dibujo, idea de una gran amiga explicar un poco al personaje. Lo que más destaca de este del personaje principal del videjuego es el el casco/capirote, que como los mismo creadores dicen en el ARTBOOK de Blasphemous, es una máscara penitencial o capirote metálico que está parcialmente inspirado en las túnicas de los penitentes de la Semana Santa (una festividad de España), aunque sus orígenes históricos se remontan a la Edad Media, donde el sambenito (el nombre con el que se conocía a esta prenda) era utilizado por los penitentes para exponer públicamente el arrepentimiento de sus pecados. Más tarde fue utilizado por la Inquisición, que obligaba a los acusados a vestir dicha prenda como símbolo de infamia y cuyos diferentes colores y simbología plasmados en aquellas telas describían los crímenes de los que eran acusados, así como el tipo de condena a la que iban a ser sometidos.

***

The Penitent One

Hi again, I’m here to share with you my last drawing. While in quarentine, I keep practicing with colours, shadows and lights.

I really wanted to draw a fan-art about “Blasphemous”. Has this videogame become one of my favourites one? I think so. Its retro style, it’s a metroidvania game full of reminiscences about Andalusian (south of Spain) folklore and culture. When you’re playing, you discover and recognize some scenes based on real places where I’ve been. It’s an amazing experience! Oh, don’t forget the OST! It’s beautiful.

About the drawing. I was speaking with a friend and she had an idea about The Penitent One. She told me: “Explain it, the character would be misunderstood by foreign people”.

For this reason, I’ll tell you about the main character: The Penitent One.

As the creators say on the Blasphemous ArtBook: “The Penitent One wears a Penitential Mask or metallic hood, which is probably its most characteristic visual element. It’s partially inspired by the robes of the penitents during Holy Week, so strongly rooted in the culture of Southern Spain. However, it’s historical origins date back to the Middle Ages, where the sambenito, which was the name by which this garment was known, was used by penitents to publicly expose repentance for their sins. It was later used by the Inquisition too, forcing the accused to wear the garment as a symbol of shame whose different colours and symbols embodied in those fabrics describes what crimes they were charge and what kind of sentence to which they would be submitted.”