Art of The Hunchback of Notre Dame
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Art of The Hunchback of Notre Dame
Happy Birthday Mandy🥳🎂
Mandel Bruce Patinkin
November 30,1952
Buon Compleanno🥳🎂
30 Novembre 1952
The Hunchback of Notre Dame
Universal Monster: Quasimodo aka The Hunchback of Notre Dame
First Universal Appearance: The Hunchback of Notre Dame (1923)
Sequels: none
Last Universal Appearance: Mad Monster Party? (1967)
Portrayed by: Lon Chaney (1923)
Have you read The Hunchback by Paul Féval (orig. Le Bossu, 1858)?
yes
no
I've read parts of it
I've never heard of it
v random and a bit out of pocket but
can we talk about how strong quasimodo in thond is?? like? i barely see this get mentioned anywhere. i mean obviously, he rings the bells every morning and can climb the literal fucking cathedral in under a minute BUT HELLO??
first of all. he literally lifts phoebus with HIS ARMOR AND SWORD. MIND YOU-
he lifts at least 220 pounds like that?? (~100 kg)
AND THAT'S NOT ALL BECAUSE
not only does he lift madelleine and esme just like that but also
the attached bell? like how heavy is that thing.
AND-
THE BROKEN BELL. HE LITERALLY LIFTED AN UNATTACHED BELL BY THE END.
hello
HELLO
i think not enough people acknowledge how insanely strong this guy is im
antis clearly never read The Hunchback…
And it fucking shows.
Because if they had, they’d know that one of the most enduring tropes in literature — and I say this with my whole chest — is the guardian who becomes the lover once the ward comes of age and the narrative shifts from protection to partnership. Paul Féval was not out here inventing the genre, but Le Bossu (1858) walked so your faves could spiral into forbidden yearning with the man who once shielded them from the world.
Aurore and Lagardère are textbook of this trope. She’s rescued as a baby after her parents are violently killed, raised as something sacred that carries hope for the world (France in this case), taught to defend herself, and then the moment she blossoms into a woman of agency and strength — boom. Emotional whiplash. She realizes she’s not a child anymore and neither is her heart.
And yes, it's a fantasy. It’s supposed to be a fantasy.
No one’s arguing this should be your dating blueprint — but in fiction? It works because it's deeply emotional architecture. The trust is prebuilt. The intimacy has history. It’s not about power or power imbalance for that matter, it’s about safety.
The reader isn't here for grooming — they’re here for the moment someone says, “No one else could ever love you the way I do, because I know every wound you carry, and I’ve carried them with you.”
It's about transformation. Protection becoming passion. Loyalty becoming longing. The line between “I would die for you” and “I love you” becoming so razor-thin you cut your teeth on it.
And let’s not even pretend:
Obikin is the Hunchback’s number one fan.
Obi-Wan, the tragic, principled guardian who held his friend as he lay dying (that literally happens in the Hunchback), unwilling to acknowledge how long he’s been building his life around Anakin.
Anakin, the violently
devoted, emotionally stunted, desperate to be seen as a man by the one person who’s only ever called him Padawan.
They are Lagardère and Aurore with ... well, with a couppla more war crimes behind the belt ... but that's NOT the point!!
So the next time someone gets moralistic about “guardian-turned-lover” dynamics in fiction, just hand them The Hunchback and say, “Congratulations. You’re shipping 19th-century literature now. Welcome to Obikin.”
You peasant.
This doublet is a great example of how high definition television has greatly impacted the details of what we see. Makeup artists, set designers and costume designers all have to be even more focused on the small details than before, because everything will be seen in detail.
This costume was first worn by Benedick Blythe as Phoebus in the 1997 made for television production of The Hunchback. It’s a well made and good looking costume - but the fine details are not nearly as apparent as they are in later productions. In 2006 it was seen again on Hans Matheson as Robert Devereux, the Earl of Essex in The Virgin Queen, and in 2009 it appeared in the third season of The Tudors on Henry Cavill as Charles Brandon. In 2016 it was worn by Timothy Omundson as King Richard in Galavant. It was seen most recently in 2021 on Jedidiah Goodacre as Beckett Rush in Finding You.
Costume Credit: Anonymous, Katie S., Lucia, Ottoriver
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