Oct 15, 2024
PremRock & Willie Green - Love What You've Done With The Place
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PremRock & Willie Green - Love What You've Done With The Place
Martyn’s Through Lines
How to draw Vehicles via Through Lines
Credit: Etherington Brothers
If you can’t hear me I can’t help you.
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The through line isn't just the main plot of the book. It's very much a character thing. Core themes and moods, main character arcs, yearnings and fears and inner conflicts...all part of the through line.
Really, it's the continuous heart thread of the book.
The through line is what lets the reader stand in the middle of the road of your book (which starts at page 1 and ends at The End) and look both backward and ahead into the misty unknown. It gives them stuff to anticipate or dread or wonder about. It keeps them turning pages.
The thing about through lines is that they are WAY too easy to drop or snarl or break in drafting! I lose my through line ALL THE TIME and have to fix it.
https://www.patreon.com/posts/85323697?utm_campaign=postshare_fan
Okay, I feel a writing post coming on! Here we go: How to unf*ck your through line.
You ever get that feeling that something's not right—a reluctance to push ahead, a dissatisfaction with your draft—but it's hard to pin down?
For me, often that's a through line issue.
These can be tricky, because there are lots of reasons that the thread runnning through your book from beginning to end might be broken or snarled!
Here are some questions I ask to try to assess what might be wrong:
Molly Herron ~ Through Lines
Molly Herron ~ Through Lines
Through Lines is a gentle work, so gentle one might miss it, if not for a pair of intriguing videos. “Canon No. 3” is playful and fun, while “Lyra” is lovely and restrained. Together they showcase two sides of composer Molly Herron, whose works for viola da gamba are brought to life with the aid of the Science Ficta trio. It’s astonishing and bittersweet to learn that the instrument virtually…
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Evocative: A thing I usually go for