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Thurn, 1910

The Metropolitan Museum of Art

#Thurn #1910s

Old Xian new artwork

“In quella missione, ho perso molto più di un braccio”. Vi racconto una storia di cavalieri e spadaccini. Incipit : Thane and Baden.

Thane: Baden...

Thane: Sono io, Thane...

Thane: Baden!

Thane: Non ti ricordi di me?

{20 anni prima}

Commilitone: Ci sono dei nuovi arrivi all'accademia. Parlano tutti molto di quel ragazzo, lo conosci?

Thane: Sei nuovo?

Baden: Ah dicono che tu e la tua spada siete una cosa sola. Che ne dici di insegnarmi?

Baden: Sono Baden

Thane: Io sono Thane

E cosi, col passare del tempo, diventarono inseparabili.

Quando si è in battaglia, si mangia e si dorme insieme e ci si prende cura uno dell'altro durante gli scontri.

Finché un giorno.. Durante un giro di ricognizione...

Baden: Thane fai attenzione, quel posto è pericoloso!

Thane: Tranquillo, lo so...

Baden: È un'imboscata!

Baden: Thane!!!

Baden: Via, portatelo in Salvo! Vi copro io! Andate, presto!

Thane: Baden...

Thane: Ehi.. dov'è Baden?

Commilitone: Lui... Per permetterci di fuggire...

#oldxian #old xian #afk arena #fanart #traduzione #italian translation #19days #baden #thane #thurn

A photo essay.by Jacob Thurn

Towering behind the refugee camp on the Greek island of Leros stands the ruin of an abandoned mental asylum. It has been dismantled after scandalous reports of the treatment of inmates in the late 1980s and early1990s. Historical revision of the facilities’ function and purpose reveals a striking symbolism of the recurrent pathologies of society’s impulse to contain and isolate what is conceived as a threat to its orderly function.

In 1994 the photographer Alex Majoli published his first major body of work entitled “Leros”. The monograph documents the final years of the mental asylum on the island. The Goyaesque images depict the gruesome conditions the outcasts were kept in, left largely to themselves with minimal supervision by adequately trained staff and guarded by island inhabitants with no formal training in psychiatric care at all. The cover of the book reads:

"All I know about Leros is in this book. I know that this is another story about crazy people, many crazy people, more than 4,000 at first. I know that 'Leros' means dirty and that they came to this island from all over Greece, chosen from among the worst cases, the ones they'd given up on in the psychiatric hospitals. I know that they were housed in an ex-military base on the island, which had previously been used as a jail for all political prisoners. I know that the islanders began working in the new psychiatric hospital. I know that soon Leros' story began to be associated with its psychiatric hospital and that the world knew nothing about it. I know that inside the asylum you didn't live, you survived.”

For the larger part of 2018, I went to work with a small NGO on Leros which tried to address aspects of the unfolding humanitarian crisis on the islands with growing numbers of asylum seekers landing on their shores. When I arrived on Leros, I did not really know anything about the island. I knew it was a small island in the Aegean sea, close to Turkey. I knew that the island served as one of five ‘EU hotspots’ or centres of first reception and identification for asylum seekers crossing the Turkish-European border by boat. I knew that the official objective of the hotspots was to speed up the registration and asylum claim procedures. I also knew that with Turkey being considered a safe third country, there was little chance of being granted asylum in the first instance.

#Greece #Leros #Refugees #Migrants #Asylum #Psychiatry #Picture series #Thurn #Open Democracy

Silk evening dress from American dressmaker Thurn embroidered (in metallic thread?) with images of "an ibis or similar Egyptian winged motif,” 1923-26.

(source: Metropolitan Museum of Art)

#thurn #1920s fashion #1920s dress #vintage fashion #egyptian revivalism