Same house, different nightmares. From Buffy to AHS, this place has seen it all.
One of my favorite Buffy episodes + one of the most epic AHS seasons. Truly the best of the best.

seen from Germany
seen from Brazil
seen from United States
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seen from China
seen from United States
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seen from China

seen from United States
seen from China
seen from United States
seen from China
seen from Germany
seen from China
seen from China
Same house, different nightmares. From Buffy to AHS, this place has seen it all.
One of my favorite Buffy episodes + one of the most epic AHS seasons. Truly the best of the best.
In 1976, television history was made when the Six Million Dollar Man fought Bigfoot, played by Andre the Giant. Bigfoot was actually a cybernetic life form who functioned as a guardian of an alien race living inside Mt Shasta in California led by Stephanie Powers.
Bigfoot even got an action figure, a top seller in the Christmas before Star Wars.
It was such a rating and merch success that many other 70s show believed the secret to ratings success was to have a hand to hand battle with a primate.
This beautiful ball gown was first worn by Rose McGowan as Young Cora in a 2013 episode of 𝑶𝒏𝒄𝒆 𝑼𝒑𝒐𝒏 𝒂 𝑻𝒊𝒎𝒆 entitled 𝑻𝒉𝒆 𝑴𝒊𝒍𝒍𝒆𝒓’𝒔 𝑫𝒂𝒖𝒈𝒉𝒕𝒆𝒓. Two years later, it was seen in the episode 𝑬𝒏𝒕𝒆𝒓 𝒕𝒉𝒆 𝑫𝒓𝒂𝒈𝒐𝒏, where it was used as a prop. Where else have you seen it? Let us know at: Bit.ly/SciFi026
Anthony Geary, the legendary actor behind Luke Spencer on General Hospital, has passed away at the age of 78.
Luke and Laura were more than a storyline — they were a cultural phenomenon. Eight Daytime Emmys. Decades of unforgettable television.
Rest in peace to a true icon. 🕯️✨
Step back into the 1950s and explore the TV shows that defined an era and shaped the future of television! 📺✨ Which classic is your favorite? https://mentalitch.com/1950s-tv-shows-that-shaped-television/
The GREATEST PILOT EPISODE in TELEVISION HISTORY is on ME-TV tonight @ 12:35am est: “The place is here...the time is now...and the journey into the shadows that we’re about to watch could be our journey...” —Rod Serling’s opening narration to The Twilight Zone’s pilot episode, “Where is Everybody?,” October 2, 1959 (directed by Robert Stevens). In “Where is Everybody?,” an amnesiac played by Earl Holliman wanders through a strangely deserted town and decries, “I’ve looked and I haven’t seen anybody around...maybe they’re all asleep or something, but literally, there hasn’t been a soul,” Serling himself observing the sleeping giant that was America in the Cold War conformity of the Eisenhower Fifties? Holliman turns out to be an astronaut in training (torn from the day’s headlines, following the April ’59 naming of the Mercury Seven astronauts by NASA) who, following 484 hours in an isolation tank to prepare him for solo space travel to the moon (three years before JFK’s moon speech), cracked from loneliness and began to hallucinate what we, the audience, thought was the “reality” of the episode—the first Twilight Zone twist ending and still one of its metaphysically best, its narrative structure upending the tacit agreement between storyteller and audience that what you’re being shown is “real.” A true pilot episode (and the greatest in the history of television) in that it included virtually all the existential and surreal motifs that would become associated with The Twilight Zone—isolation, fear, confusion with mannequins, hallucinogenic delusions that seem all too real—“Where is Everybody?” is finally a harrowing visualization of one man’s alienation from reality, indeed from one’s self, which would prove to be the defining, existential crisis facing man in the second half of the 20th Century, a time when the pit of man’s fears and the summit of his knowledge—the atomic bomb—first coexisted. arlenschumer.com/twilight-zone #twilightzone #thetwilightzone #rodserling #tv #television #tvhistory #televisionhistory #arlenschumer @dgareps @nyadventureclub @adamschumer @richardsyrettstrangeplanet https://www.instagram.com/p/CoVBerZJAO5/?igshid=NGJjMDIxMWI=
Okay so apart from the storyline the writing of Stranger things is what makes this show absolutely FUCKIN FANTASTIC
The time they gave to each character to develop, on their own pace. nothing was rushed. They made each of their character connect to us in a really beautiful way that we didn't even realise it until when we were bawling for Will, mike, el, MAX!, EDDIE!, Hop, Joyce, Steve, robin, Lucas, dustin, mr munson, dr. Brenner, MOSTLY EVERONEE
The music is phenomenal. The score and song choices
Separate ways at end of ep8, running up that hill version and the show's intro theme at the end was 🎆🎆🎆
The last 2 episodes of volume 2 is what I call a pure mastery in film making
Total Television Programming 1948-1991
A History by Alex McNeil