linguistic varian x bilingual hugo is a concept i never knew i needed hollup—
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linguistic varian x bilingual hugo is a concept i never knew i needed hollup—
When you usually don't like a certain design trope, but someone uses it in a unique way in fanart:
this is how older anduin looks in my head
tangled the series turned this dorky sunshine kid into an interesting villain and then just dropped it after like 4 episodes huh
Just had a think about it and realized that TTS doesn't actually have any good Big Bads, and at this point I'm pretty sure that they all have the same root cause. Bear with me as it might take me a minute to reach the reason.
Cassandra's easy to explain. She has no real goals and the only motive they give is jealousy (despite the many reasons she should reasonably have). She's irrational to an out of character degree, which should be blamed on the Moonstone but they repeatedly tell you that she's in her right mind. Also seems to have the reasoning skills of a 5 year old (bc if she didn't the plot wouldn't work). All her villain arc boils down to is the fight her and Raps have been having the entire show's run, which might make you wonder if Sonnenburg knows how to conceive of a relationship between two women that's actually positive.
Varian and Frederic are an interesting pair because while they're both technically the antagonists of the season, the fact they're in the same story ruins the other for wildly different reasons. Fred symbolizes the weight of society's expectations, which Raps struggling with is nominally the main theme of the season. Her song about it in the S1 finale highlights the issue with Varian: He doesn't really have any interaction with that theme, he exists to be a tool to move the plot forward. Varian also torpedoes Fred's "overprotective misguided father" plot by making Fred look like the biggest shitstain in the country, making it super hard to empathize with him as intended.
But the real problem is that, for all intents and purposes, Rapunzel is incidental to this story. A large part of S1's plot is Frederic and Varian being at odds while she doesn't do much. Hell, in the the scene where he captures them I'm pretty sure it's almost exclusively those two talking to each other! It boils her down to a macguffin for Varian's plot and a wish fulfillment machine for Sonnenburg so that he can imagine a child that'll forgive her daddy no matter what he did.
If you removed Fred's antagonistic role, Varian works better because he's not basically using her as a proxy to fight her dad, and if you removed Varian Fred works better because it's not as abundantly clear that he's functionally a well loved despot. (There'd still be signs but the most glaring one would be gone)
Also, not only does Varian not interact with the theme of "be yourself no matter what people's perceptions are of you" (a thread that should logically end with her giving up the princess title but whatever), trying to make him fit into it only pokes holes in it. Because it makes you have to think what his perceptions were, and it'd either be "a good friend who would help me in a time of need" or "someone whose job it is to help her people and by extension me". Which uh, kind of feel like they'd be exceptions to the theme's moral.
Now, Zhan Tiri. This is where I realized the thing that unifies all of them. She's introduced as a terrifying demon sorcerer, all powerful and a threat to all life. Every time she's brought up it's to hype up how badass she is. And then you meet her and she's an incredibly weak and incompetent dumbass whose plans only work because of luck and that the people she manipulates get hit with the idiot ball. A random wild possum is all it takes to ruin her day. She's not even a demon, she's just a weird old lady with a boomerang! She's so powerless she needs to steal from other characters to get out of a cage, and the final fight with her is literally like a minute shorter than the time they spend in the monkey cave.
But that's all to lead me to this point, which is when that change happened: For the first two seasons, Zhan Tiri is a man. Described exclusively as one, with not a single hint to the contrary, by characters who know her personally and have no reason to lie. But then, S3 gets rewritten and suddenly Zhan Tiri is not only a woman, but incredibly lame. In other words, she only stopped being a legitimate threat when she stopped being a man.
You might ask if I'm inferring that Chris Sonnenburg has problems with women. To which I say, "of fucking course I am". Like, Cass is based on a girl he had a crush on in college and he put her in a catsuit in S3 bc it gets him off. He cares so little about all the mothers in the series that out of the four three are dead and only two have names. Rapunzel basically stops having a character arc after S1. The constant, constant assertion that once you're married you're tied down and can't do anything fun or exciting anymore. Stalyan in general. Lady Caine got sidelined bc he thought it'd be a fun joke to play on the audience to set up a cool female rival character who never gets to do anything. Also that the wives and daughters in the show mainly exist to prop up their husbands and fathers.
Back on "can he conceive of a positive female relationship", there are basically only six in the series. Cass and Raps, Raps and Arianna, Arianna and Willow, Raps and Stalyan, Cass and Adira, Angry and Red. Rapunzel and her mom usually have a cute relationship, but most of the time Arianna is busy not being a character or acting as her husband's mouthpiece. And most of her time with Raps feels like a Hallmark card level of artificial schmaltz However, Arianna and Willow's relationship seems almost entirely Bad. Seen mostly in the one episode she's in, but the finale starts with Arianna telling an anecdote about a time Willow was so upset with her she built a literal brick wall in their room, and instead of respecting her boundaries she smashed it down with a hammer. Somehow this is framed as a positive relationship.
Kiera and Catalina are the most consistently positive, but their issues fall under "lack of understanding of kids and how to interact with or raise them", which is a topic for another day.
And that's not even getting into all the behind the scenes shenanigans like a good chunk of the AFAB people in the crew leaving after S1 as he was so awful to them specifically, and that time he cyberstalked a pair of dating cosplayers who dressed up as Cass and Raps.
In conclusion, the reason the series doesn't have any really good main villains all comes down to the fact that Sonnenburg is simply not a creator who cares about women or their interiority at all.
S1 is two guys getting into a fistfight with her in the middle but one of them has a knife in each hand and the other is a literal child. As the man with the knives is her father, she helps him, as all good daughters do.
ZT gets nerfed into the ground, which I presume was bc corporate told them to fit the programming block they were in better, and the best way he could think of to make ZT less threatening was by making her a short woman. That or he just didn't want to bother trying to adapt ZT into the new S3 so he made a new version of the character that sucks. As a joke. (Edit: I have been informed that it was actually the other producer, Ben Balistreri, who suggested the change. As a joke.)
Cass is the only woman he truly cares about bc she's his Super Sexy Dream Girl, and even then he couldn't get into her head enough to give her a reason to do anything she does. It feels like the only thing he could come up with was "Women are getting into super petty fights and making up all the time, right guys?" - "Man who somehow doesn't grasp that the room he's talking to is mostly women"
And all he wanted was for her to get her own show, presumably so he could tell the stories he really wanted to write without the albatrosses on his neck that were Raps, Eugene, and all the other movie characters and all corporate's restrictions on how they can be used.
But I doubt he ever realized that wasn't the albatross at all, the real thing dragging it down was that he only cared about Rapunzel and Eugene as an excuse to talk about their dads. And the little plot summary he gave to try and generate groundswell to get the Cass show to take off was... "Cass goes on a quest to find her birth father".
Chris, that's the seventh week in a row you've shown Daddy Issues to the class!
Vat7k character profiles!!
So lately I’ve been getting into the Tangled Series, and much to my upmost delight I stumbled upon Vat7k. After a week of being confused and not knowing how to read this or why it doesn’t technically exist I finally came across Varian’s Tangled trials written by TheArtistsMuse and IFoundYouJustineTime on ao3, which is definitely one of my favorite takes on the Seven Kingdoms storyline!!! I’ve been obsessing over this story for two weeks and I’m already going insane </3
Long ramble about this below cut
Who is the ACOTAR Book 6 about?
I’ve watched several Sarah J. Maas interviews. You can find under my Tiktok saved videos the SJM interviews. Huge thanks to lda9090 for posting and compiling these clips.
Based on everything SJM herself has said, it is pretty obvious who the FMC of ACOTAR 6 will be. I honestly don’t know why I even have to spell this out, but here we go.
Nesta went from snarling at Lucien in ACOWAR to willingly chatting with him in ACOSF.
Nesta ignored the collective sense of relief that filled the room and pivoted, finding herself peering up at Lucien, who greeted her with a wary dip of his chin. Elain, the wretch, had taken the seat between Feyre and Varian, about as far from Lucien as she could get.
Then Nes goes onto converse with Lucien. A little later in the chapter:
He’d (Cassian) gotten her a present then, too. And she hadn’t cared, had been so wretched she’d wanted to hurt him for it. For caring.
SJM had no need to emphasize Nesta noting Elain sitting apart from Lucien or call her beloved sister a 'wretch' for it. Then in the same chapter, have Nesta think back about how 'wretched' she was with Cassian last Solstice and admit it in her book.
I don't think Elain or Nesta were wretches to their mates as their reluctance or resentment towards the bond was/is understandable, but hey take it up with SJM. She wrote it.
So her calling Elain that is... interesting because it shows disapproval, that while Elain's avoidance is understandable, it not only hurts Lucien but makes even characters like Nesta find it distasteful.
SJM talking about Elain's perspective in interviews where she hints at resentment towards Lucien is 100% valid. What's also valid is having both Nesta and Cassian note Elucien tension in their book.
While Nes thinks Elain's a wretch, Cassian's heart strains at the longing and disappointment on Lucien's face at the Solstice.
So yeah, Elucien is gonna serve us angsty endgame goodness 🌷☀️