Synetic Sit Down with Paata Tsikurishvili
Paata Tsikurishvili is pulling double duty, as he usually does, as Synetic Theater’s Founding Artistic Director and Director of Synetic’s upcoming production of Shakespeare’s Titus Andronicus
Q: Why did you want to produce this show?
A: It’s been on “the list” for quite some time. ‘Titus’ has experienced a sort of renaissance over the last few decades, but I get the sense that the play’s reputation is still that of an ugly, gory mess. But I don’t think that’s true, and I wanted to prove that. It’s a violent story, sure, but the violence serves a purpose—to highlight the tragedy of a deeply good man and the destruction of a family.
Q: Why do you think Titus is the perfect addition to Synetic’s Silent Shakespeare?
A: It’s a very early play, so you can see the “blueprints” for many of Shakespeare’s later characters in ‘Titus’. Lear, Lady Macbeth, Ophelia, Iago—they’re all there, in ‘Titus’. We’ve done so many Shakespeare plays, but in this one, you can see how it all started for him. With ‘Titus’ as part of our repertoire, we’ve now covered all eras and genres of Shakespeare’s work.
Q: What sort of person is going to love this show?
A: Hopefully everyone will love it! It’s got something for everybody—stark drama, biting black humor, family intrigue, romance and war, you name it. As heavy as the play is, I think people who are familiar with Shakespeare will enjoy it, as well as those less familiar, because it’s a very early and easily accessible play. It’s got the same appeal as a great horror film: People love to be scared.
Q: What’s challenging about bringing a script to life?
A: As always, it’s about finding the core action in each individual scene, each monologue, each line, and figuring out how to translate and adapt the language from the verbal to the visual. In a way, it’s easy because Shakespeare gives us everything we need to work with, but on the other hand, it can also be very difficult to do the words justice and make sure we’re conveying everything possible.
Q: What will the audience be thinking afterwards?
A: I hope they’ll come away with a new appreciation for the play, with a new understanding of how it fits into the Shakespeare canon. I think they’ll be pretty shocked and surprised at the events onstage, but they’ll also leave very satisfied because the villains of the piece are finally dealt with in the most… delicious way.
Q: How is this production bringing something new to the story?
A: By telling this story in a purely visual medium, we’re letting the audience’s imaginations work as much as possible. They see the action, and they’re free to interpret it and customize it in their own way, without having it explained through traditional dialogue. I think this can make for a very powerful and unique theatrical experience.
Q: What’s going to surprise people about this show?
A: What I myself found surprising was how elegant the play was, while, at the same time, being very brutal. The combination of those two things is very surprising and unsettling.
Q: Who in the show is most like their character?
A: Philip Fletcher, who plays Titus Andronicus. Like Titus, Philip is as tough and loyal as they come—you give him something to do, he does it—but he’s also got a huge heart.
Q: Who’s the least?
A: Audrey Tchoukua, who plays Aaron. Aaron is one of Shakespeare’s great villains, and Audrey—no way; the man’s an absolute sweetheart!
Q: Call someone out by name: Who must come see this production?
A: Ben Brantley and Charles Isherwood, the New York Times theater critics. Come check us out!
Titus Andronicus at Synetic Theater
April 25 >> May 27
Tickets: http://synetictheater.org/event_pages/titus-andronicus/