"La Reine Marie-Antoinette" dite "A la Rose" (détail) par Elisabeth Louise Vigée Le Brun (1783) à l'exposition "Parfum, Sculpture de l'Invisible" au Palais de Tokyo, Paris, France, octobre 2025.
seen from United States
seen from India
seen from United States
seen from United States

seen from United States
seen from Germany
seen from New Zealand

seen from Egypt

seen from Switzerland
seen from Poland
seen from United States

seen from Australia
seen from Germany
seen from Türkiye
seen from China

seen from Malaysia
seen from United States
seen from United States

seen from Malaysia
seen from Belarus
"La Reine Marie-Antoinette" dite "A la Rose" (détail) par Elisabeth Louise Vigée Le Brun (1783) à l'exposition "Parfum, Sculpture de l'Invisible" au Palais de Tokyo, Paris, France, octobre 2025.
Élisabeth Vigée Le Brun (French, 1755-1842), Portrait of Marie Gabrielle de Gramont, Duchesse de Caderousse, 1784. Oil on panel, 105 x 76. Nelson-Atkins Museum of Art, Kansas City
“Le Metro de la Reine”, the Queen’s Subway, is an adaptation of Elisabeth Vigée Le Brun’s portrait of Queen Marie-Antoinette in the Hameau de la Reine in Versailles, 1783. Hudson Yards subway station is the portrait’s new setting, with Xenobia Bailey’s glass mosaic as its sky. Oil on canvas, 24 x 24 inches, 2019. #hudsonyardsrising #hkhy #thevessel #mta #vigeelebrun #elisabethvigeelebrun #chateaudeversailles #marieantoinette #xenobiabailey #glassmosaic #hellohudsonyards #hudsonyards #cityscapes #relatedgroup #cityscapesnyc #newyorkart #nycart #hellskitchen #seeyouathudsonyards #funktionalvibrations #hudsonyardshellskitchenalliance #garmentdistrict #newyorkcity #w42st #oilpainting #fredericlere #vessellere (at Hudson Yards New York) https://www.instagram.com/p/B3Z7NgcHIzw/?igshid=51jpa561cwjt
Turbans & Vigee Le Brun
This painting of Madame d’Aguesseau de Fresnes from 1789 marked the last year that Elizabeth Louise Vigee Le Brun worked in Paris for many years as the French Revolution broke out and all the aristocrats that she had been painting feared for their lives. This one wears a turban of cream and gold which sports a braid of hair as well, and then ringlets frame her sweet face and large pearl adorn her ears. The turban harmonizes with her dress which has a similar gold border, and her full skirt of silk with gold dots woven into it. The little purple, velvet jacket fits tightly under her bustline, but then the dress is belted too and the curator at the National Gallery in DC, where this painting hangs, tells us that the cameo and sash that make up the belt are Wedgwood, so British in design. So a turban from the Middle East, a neo-classical dress of silk which would have come from China, pearls from some far away ocean, and then a British cameo--and we think we live in a global age!
You can find this painting and more by Vigee Le Brun at the National Gallery in Washington and in their online collection: https://www.nga.gov/collection/art-object-page.32694.html
The #painting of #queen #MarieAntoinette by #artist #vigeelebrun #hiding at the start of the #privateapartment tour at #Versailles (at Château de Versailles)
#tbt to that good ol French series. 10x10 inches in frame. Based on portraits painted by the #womanartist Vigee Le Brun! This one is a portrait of another artist but instead of a big round paint palette, I put in a white fluffy cat. Heh. . . . . #art #artist #artsy #create #mixedmedia #collage #portrait #studiododge #instaart #instaartist #cat #silly #vigeelebrun #arthistory #history #creative #watercolor
"Portrait de la Comtesse von Kagenek en Flore" par Elisabeth Louise Vigée-Le Brun (1792) dans les collections permanentes de la "Fondation Bemberg" située dans l'"Hôtel d'Assézat" à Toulouse, France, juillet 2025.
"Marie-Antoinette et ses Enfants" par Elisabeth Vigée Le Brun (1787) présentés dans l'Antichambre du Grand Couvert" du Château de Versailles, septembre 2024.