WEISSENBERG - Weißenberg / GERMANY
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seen from United States
seen from Brazil
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seen from United States
seen from Russia

seen from Malaysia
seen from United States
seen from United States

seen from Malaysia

seen from Malaysia

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seen from Japan
seen from Malaysia

seen from Brazil
WEISSENBERG - Weißenberg / GERMANY
WEISSENBERG - SACHSEN / GERMANY
Yiddish writer Isaac Meir Weissenberg on a vintage postcard
A shtetl and other Yiddish novellas / Edited by Ruth R. Wisse.
Wayne State University Press, 1973 [rpt., 1986].
CONTENTS
Preface Introduction A SHTETL - I. M. Weissenberg AT THE DEPOT - David Bergelson ROMANCE OF A HORSE THIEF - Joseph Opatoshu BEHIND A MASK - S. Ansky OF BYGONE DAYS - Mendele Mocher Sforim
Because Vaysenberg’s novella came out two years after Sholem Asch’s Dos shtetl, Yiddish critics have tended to contrast Asch’s romantic view of the shtetl with Vaysenberg’s realism and naturalism, features evident in his early short stories. Nonetheless, Vaysenberg’s artistic range is much broader: in his works one can also find traces of a romanticized treatment of Hasidim; stylizations in the spirit of Peretz’s Folkstimlekhe geshikhtn; a deep, psychological approach to the complex erotic situation of women in traditional Polish Jewish society; and a combination of naturalism and sentimentalism in the shaping of characters at the fringes of the underworld. Motifs originating in the satirical maskilic view of the shtetl are combined in his writing with biting humor. (Avraham Novershtern in yivoencyclopedia.org)
Rachmaninoff: Piano Concerto #3 (Weissenberg 1968) [with score] with the Chicago Symphony Orchestra
Alexis Weissenberg plays Ravel's Tombeau de Couperin.
(via https://www.youtube.com/watch?v=guyztVN7txI)
Johann 'Henrico Albicastro' Weissenberg (c. 1660–1730) - 12 Concertos Op 7 (108 mins) (by The Gravicembalo)
01. Concerto a 4 in F major, Op. 7 No. 1 02. Concerto a 4 in D minor, Op. 7 No. 2 03. Concerto a 4 in C major, Op. 7 No. 3 04. Concerto a 4 in C minor, Op. 7 No. 4 05. Concerto a 4 in F major, Op. 7 No. 5 06. Concerto a 4 in G minor, Op. 7 No. 6 07. Concerto a 4 in B flat major, Op. 7 No. 7 08. Concerto a 4 in B minor, Op. 7 No. 8 09. Concerto a 4 in G major, Op. 7 No. 9 10. Concerto a 4 in E minor, Op. 7 No. 10 11. Concerto a 4 in A major, Op. 7 No. 11 12. Concerto a 4 in F minor, Op. 7 No. 12
Collegium Marianum, Collegium 1704 under Vaclav Luks.
Marc-André Hamelin plays Alexis Weissenberg's (rip) transcription of Charles Trenet's song "En Avril, à Paris".