Wild to me that Willow's best friend is the VAMPIRE Slayer, and yet every time someone knocks on their door, her response is "Come in!" And she KEEPS DOING THAT even AFTER she accidentally invites Spike in. I honestly feel like that was simply a poor character choice because she's the smartest character(except for maybe Giles). There's no reason to have her make this incredibly poor decision constantly. The inconvenience of standing up and walking three feet isn't enough to justify her doing that. If not standing up is really THAT big a deal, she could simply replace "Come in!" with "Who is it?"
thinking today about how much weight airk lost when he was kidnapped, how lili tried again and again to corrupt him and only succeeded when he came back from the desert again, not even able to walk any longer, clearly on the edge of death.
i'll fight anyone who says airk gave in too easy. he fought every step of the way.
The quotes I believe are every characters' thesis statement in Willow (2022) and why.
Elora: I believe that love is the most powerful force in the universe.
Kit: You're afraid. So am I. But you know what? My fear, it doesn't get to decide. It doesn't get to, to define me. I'm not giving it the power. I'm giving it to you. I have never believed in anything my whole life. I believe in you.
Jade: Yeah, and when you love someone and they need you, yes, you jump off the edge of the world to go and get to them.
Graydon: One day you and I are gonna be in charge. And when that day comes, we don't have to do things the way our parents did.
Boorman: I finally figured it out. This isn't my story. It's yours. You're the one. And all you gotta do is believe in yourself, and you'll be unstoppable.
Willow: You know, it's taken me a long time to learn, it's okay to fall, to make mistakes. I've made lots... The trick is to embrace your defeats as well as your victories. You pay for both in the end. Be decent. Be fearless. And know this, wherever the adventure leads, I'm with you.
Airk: You know, defend the realm and just be the best brother, and husband, and father, and son that I can possibly be. Because that is what you do when you have honor, right?
Scorpia: All we have ever wanted is our freedom. That our children would not have to live in fear. They'd serve no master... We have no barrier to hide behind, no army to defend us. All we have is the fear our masks evoke, the determination to survive, and each other... Freedom, rebellion, passion, joy. To the break of dawn!
Sorsha: Everything I've done, I've done to protect the people I love. It costs a lot.
Madmartigan: It was the hardest thing I've ever done. But love is sacrifice. You've gotta be willing to give up what you want for what you believe in.
Elora's is extremely obvious. As the heroine and chosen one of our show, her quote not only represents who she is and what she believes, but the most important message that the show wants to leave us with. At the end of the day, love above all things. Let that be your guiding force. It's what all of our characters come away with. Jade lets go of her ideals of duty to follow her heart to Kit. Kit learns to love and gains courage through it. Airk is saved by Kit through the power of love. Graydon becomes who he's always dreamed of, partially due to his love of Elora. Elora is able to fully grasp her power through her love of Graydon. And Elora tells us throughout the season that love is the most powerful thing in the universe, at first taken as a joke by Airk, Kit, and the audience and evolving into the hopeful statement we're meant to latch onto.
This is Kit's big moment. She spends the entire season having everything she thought she knew stripped from her. When you have nothing left, it'll make you reevaluate what you truly want and what you believe. We know that all Kit has wanted is to be brave and loved and I would argue that quote is part one of the thesis of Kit. It's Jade's love that gives Kit the bravery to take the leap of faith. As she stares at the edge of the world, she's probably at her most fearful. But she's spent her whole life giving into fear, fear of loss, fear of rejection, fear of abandonment. She knows what it means to give fear power, so she chooses to give the power to Elora, to love, to hope, to finally believing in something greater than herself. And by choosing not to give into fear, she also inspires Elora to do the same. Fear no longer gets to control Kit and we shouldn't let it control us either.
Like Kit, Jade is completely stripped of everything she knows about herself. Her honor, her duty, her history, her beliefs, her identity, it all comes into question. But she had to lose all of the things that she thought made her Jade Claymore in order for her to truly follow her heart. You don't jump off the edge of the world out of duty. You do it out of love. Jade does it for Kit. Graydon does it for Elora. Elora and Kit do it for Airk. And while I don't think Jade fully knows what any of what she's learned means for her and her future, the one thing she does know for a fact at the end of the season, which was the only thing that she was uncertain of at the beginning, is that she is totally, ridiculously, desperately in love with Kit and that love is returned. It's like Elora said, love is the most power thing in the universe and Jade now knows that.
Graydon's quote, I find, is one of the most important quotes of the show. This is the story of the next generation learning from the previous one’s mistakes and trying to do better. All of our younger characters are forced to confront the mistakes of their elders, especially Willow, Sorsha, and Madmartigan’s. Kit as Elora’s protector and learning that love comes before dutiful sacrifice (her parents). Jade learning love before duty and honor (Ballantine). Boorman facing the mistakes he made with the older generation and making the better choice with the younger one. Going on this adventure with the others, Graydon is able to find his true self and make his own choices. Just because his father wants him to be one thing, doesn't mean that Gray has to be that. He gets to be his own man. You get to be who you want to be, not what your parents want.
Boorman desperately wants to be the hero of the story and that’s probably the source of a lot of his bravado. He feels shame for leaving Madmartigan for dead, for lying about his escape from Skellin, because it’s not a heroic tale. He was a teenager/young man when he went after the Cuirass with Mads. He was Jade once upon a time, a squire in service to Tir Asleen royalty. The problem is that Boorman thinks the cuirass is the only way he can be a hero and being a hero is the only way to make up for his mistakes. But the cuirass is not meant for him; it’s not his story. The way for him to come full circle and become whole is to make up for his sins against Mads by giving the cuirass to his daughter. He’s not the hero of this story, but I do believe he’s the hero of another.
Willow gives us another important message of the show that we've seen throughout the season. Our mentor's journey over the course of the season is to let go. Willow can't seem to accept the consequences of the past. The loss of his wife. The departure of his son. The loss of Elora. The fact that he never became the sorcerer he thought he was meant to be. All of this causes him to be incapable of training Elora with any sort of true openness or understanding. Where Elora needs freedom and a safe place to fail, Willow only provides restrictions and pressure. The world can't afford for Elora to fail. And if Elora fails, she dies. But in the end, it's only his ability to accept his failures and victories that allows him to help Elora grow to become the hero she needs to be. And it's an important lesson for us.
Airk is a character that could have easily played into his own trope of charming playboy prince without a care in the world, but this quote helps separate him from stereotype. In episode one, I'm sure we would all admit we all believed, like Kit, that Airk didn't know Elora's public name. But he did. And throughout his time resisting the Crone, Airk proved time and time again that he truly was honorable and that all he wanted was to be good. Madmartigan's departure and Kit's future ascension left Airk looking for his purpose and trying to prove to his family that he was everything his absentee father couldn't be. He does everything he can to be a good boyfriend, a good brother, a good son, a good diplomat, and, in episode seven, he does everything he can to be a good man.
Scorpia is an inspiration. She has lost so much, but still finds the strength to care deeply in the face of her grief. She's lost her mother, father, and several brothers and sisters, but finds it in herself to keep loving. She may be mostly concerned about her people, but it's their philosophy of life, of freedom and liberation (another analysis yet to be written) that sends her on a crusade to save all of those people in Skellin. Not just her people, but all people. And I think that will be important in the war to come. As much as Scorpia will want to avoid war, her belief in freedom for all and rebellion will convince her that it's necessary. The entire Wildwood episode shows us the joy and passion and freedom that's a stake, what's worth fighting for. There is no freedom under the Wyrm and Scorpia will not accept that.
I think it's important to discuss Sorsha and Madmartigan's quotes together, because they explain their mistakes as well as layer them with complexities. One of the things that kind of irritates me is when people paint Mads as saint and Sorsha as awful, because they're cut from the same cloth (Kit, I love you, but I blame you for this). At the end of the day, they were willing to make the hard sacrifices if it meant protecting their kids and saving the world. Neither one of them could have foreseen the harm that their choices would have, but they did what they thought was right. They are one and the same, united in their cause and parenthood. But every single choice also cost them so much sacrifice, the biggest one being their chance at parenting Elora, and I think a lot of people forget that, especially when it comes to Sorsha.
I love how satisfying the Willow finale was in terms of storytelling. My personal faves were Willow getting over his imposter syndrome, and guilt over past mistakes to become the fatherly figure Elora needs. He transcends the mentor archetype to become an everpresent beacon of strength and hope for her, even choosing Elora "over" his real daughter. That is not to say that he doesn't love Mims more, but he chooses the safety of the savior of the world, rather than letting his very human fear for his daughter lead him astray. It would have led him on a not less honorable (IMO) quest to save one person. And yet, by refusing himself, by assuming the spirituality of his role beyond being a mere teacher, that's what ultimately will save Mims and his people.
The second bit of imagery that made me insane was Elora's magical kiss (I don't know how else to refer to it) and how she refused to give it to Airk, parallelling episode 5. It looks to me as a representation of her connection to both of the guys. It's interesting how she refuses to kiss Airk while they are in that lovely, bright, perfect scenario where they are back to an idyllic yet completely fake past. He, who was literally Prince charming and the reason she embarks on this journey in the first place. Not bc she wants to figure out who she is or her place in the world (which happens to be its savior, no less). She even rejects who she is and tries to escape it.
In contrast to this, she actually shares the magical kiss with Graydon as a horrible, dark past is revealed to her. A version of it, in which the intimate exchange of the essence of their beings connect, but their physical (sexual/romantic) connection is strongly hinted at, but they're not at that point with each other yet.
He is the diametric opposite of pretty boy Airk. Graydon is reserved, grumpy, a pawn to his power-hungry father's schemes, and a scholar. He wears all black and has physical reminders of the evils in the world. And I'm obsessed with the fact that by knowing and accepting Graydon throughout the season, Elora shifts the focus of her spiritual quest inwards. Elora starts embracing who she is, training her magic, and LO AND BEHOLD Graydon is a sorcerer too. The animus to her anima. In knowing him, she knows herself. She comes into her power. Her relationship with Gray serves as a parallel for her self-acceptance.
Graydon says it himself, by loving her, his anima, he self actualizes into a brave, good man, even improving his magical skills. This leads me to theorize they are meant to rule together in the end, complementing each other, as equals, but that's a topic for another post.
This moment was as important to me as the sexy stuff for jade/kit in terms of their maturing arc together:
Jade: Your mother told me before we left that you'd never give up. And there might come a time where I'd have to bring you home.
Kit: You think this is it?
Jade: No. I think you're gonna make that decision on your own.
After following the queen’s commands too well in the past, even when it hurt Kit and went against her own conscience, Jade is choosing her own vision of what duty and honor are and it’s no longer blind obedience to authority. Growth! 🌱
types in tension: kit tanthalos as royal and skeptic
a lot of people have pointed out how archetypal and dnd-esque the characters from willow feel - and I agree! they're absolutely tropey and built to serve very clear, specific functions within the ensemble. willow is the wizard and the mentor. elora is the sorcerer and the chosen one. boorman is the rogue/barbarian and the sixth ranger.
but I want to talk about my favorite example of this: kit. kit has her own clear place in the ensemble - but the archetypes she's made up of are ones usually in tension. this gives her a fascinating kind of depth and motivation - and is, perhaps, reflective of similar tensions in the rest of the characters. let's discuss.
kit as the royal
kit is introduced in contrast to jade, her humble, dutiful, long-suffering knight. this highlights all of kit's opposite qualities: her relative arrogance, rebelliousness, and desire for adventure over duty. when she conflicts with her mother and makes a scene at the party, we understand that she's feeling constrained by the arranged marriage and dreading a future stifled political life like her mother's. but the narrative also makes it clear that this is a selfish thing to do; kit clearly hurts jade, graydon, and airk, who haven't done anything wrong.
so kit is set up as a rebellious/spoiled royal: she chafes against her responsibilities and her sheltered life, not knowing the full extent of her privilege. she wants to go into the outside world but underestimates how dangerous it is. her arc should be about getting thrust into those dangers and balancing her headstrong, cocky independence with a dose of humility. she should come back stronger, but with more respect for duty and the difficulty of leadership.
basically, kit should be kind of like merida. which makes a lot of sense, given the very merida-like speech kit gives during the party.
but then airk gets kidnapped, and kit is thrust into the outside world, taking her place in an ensemble of other characters. and something interesting happens: kit becomes a skeptic.
kit as the skeptic
to balance the group, they were always going to need a skeptic - someone more invested than boorman (the apathetic) but not falling over themselves to save the world like willow (the mentor and true believer in elora danan, at least as a concept). with jade sworn to the queen’s (and thus elora’s) service and graydon falling in love, they needed someone who could/would consistently challenge elora; who could suggest practical courses of action against high fantasy wish-wash; and whose narrative arc toward belief would be, essentially, the show's ideological argument for hope and idealism.
so it's kit. kit wants to keep them on track. she doubts magic and the idealistic plans the others have for elora. not only is she aware of the practical concerns of the quest, she's often the one reminding the others of that. while it may be out of jealousy, the kinds of questions she asks - “is this really working?”, "how long until elora can do magic?" - are things that the party has to consider just...logically. will it significantly slow their travel if willow has to teach elora for an extended period of time? will they need more rations? when will elora be able to contribute to potential combat?
skeptics on magic shows like this often get a bad rep (except when they get a very good rep because they're hot and sad), because we know the show's overarching philosophy is one of belief. there's a combination of out-of-universe impatience, waiting for the skeptic's narrative arc to catch up, and in-universe - well, arcing, where the the events of the story prove the skeptic wrong and the other characters (the believers) right.
here's the thing, though: skeptics have usually come by their cynical realism after a hard, unfair life. they've seen some shit. they've got a tragic backstory. they’re your han solo from star wars, eretria from the shannara chronicles, cara mason from legend of the seeker. we understand their abrasiveness and accept their position as a legitimate argument because it's born from experience - experience that the idealistic heroes don't have yet.
so here's an interesting tension: how is kit both royal and skeptic?
because the arc of a rebellious/spoiled royal hinges on the fact that they don’t have experience. they don’t know how tough the real world is, and they haven’t thought through the practical considerations. and where the royal is the one who needs to be taught these things, the skeptic is usually the one teaching.
I suspect this is the crux of some people’s annoyance with kit - she’s taking the place of the skeptic in the party, rough-edged but logical, but her introduction indicates she doesn’t have enough experience for that. so instead of going, “you know, even if that wasn’t the nicest way to put it, that’s a good point. in-universe, it doesn’t seem like elora is going to learn magic very fast, and that might be a legitimate liability to the party,” the response is, “what do you know? you grew up a spoiled brat!”
why is this happening?
before I discuss the implications of kit’s character as both royal and skeptic, I want to take a moment to talk about why it’s happening. I think there’s lots of factors - well-written characters often involve things in tension, and there’s a whole layer of kit trying to imitate the seasoned warrior type of her father - but I think there's one main reason: elora must displace kit as the royal in the ensemble.
elora isn’t spoiled, of course. but she starts out pretty naive and chases after airk without practical consideration to her actual abilities or (later) her duties as the chosen one. she is the one that everyone has sworn to protect and save, sometimes from problems of her own making. elora must learn to lead, master her powers, and make hard decisions in a messy world.
the switch is clear even in the very first interaction kit has with elora. when kit asks if dove has any battle experience and dove snidely reverses the question, it’s establishing kit as the more practical, skeptical, and indeed, experienced, voice. kit has, actually, had more real-world battle experience than dove.
so while we were initially introduced to kit as the hero and royal, in the party, elora is the hero and royal, with kit falling to the lancer and the skeptic. this neatly dovetails into kit’s feelings of abandonment and jealousy over everyone choosing elora. even the framework of the story, the meta functions of the characters, have placed elora over kit.
the implications
so why am I even talking about this? why does it matter? after all, despite her function in the party, large parts of kit’s arc follow the rebellious/spoiled royal’ arc. kit is constantly getting knocked down a peg, losing what she thought was hers; this follows the general arc of spoiled royals losing everything and then rebuilding themselves as stronger, kinder people. but I do think the royal-skeptic tension adds another layer, and here are three thoughts as to why:
1) I said that viewers might feel that kit’s royal background makes her “unqualified” to be the skeptic; I also think this is an interesting lens to apply to the characters. graydon dismisses kit’s irritation with elora as “she’s just jealous.” jade and boorman say that kit could never do the dirty work of killing a corrupted graydon, with the implication being that kit can’t take the reality of it. are these lines just excuses for the writers to tell us with 100% certainty what kit’s motivations and limits are? maybe. but it’s more interesting to me if these characters are interpreting kit through their experiences of her - as a royal who graydon barely knows and who jade has spent years protecting - and missing some stuff.
2) it adds a cool dimension to kit and elora’s relationship. we’ve talked about the rebellious/spoiled royal’s arc as one of learning humility, and that’s one kit’s definitely going on. but at the same time, kit must complete a skeptic’s arc: learning to believe in magic and idealism, learning to believe in the chosen one/royal - which means the story is just as dependent on elora proving herself to kit as it is kit yielding to elora. a lot of kit’s other relationships center on kit humbling herself (kit has to apologize to jade and graydon, kit has to learn to respect willow). but kit and elora’s dynamic - and their whole arcs! - require both of them to make an equal effort.
3) the royal-skeptic tension just...adds all sorts of possible motivational layers to kit’s actions. there’s the jealousy underlying kit’s questions to elora, which we’ve talked about: it’s both a royal’s discomfort with losing privilege and a skeptic’s practical logic. but there’s also kit’s name-dropping; it seems like a classic royal move to get special treatment, but two of the three times she does it, she’s doing it for pretty practical reasons. she’s identifying who sent them to the nelwins - not trying to pull rank - and she’s proving to the bonereavers that she can get them money - a pragmatic offer to get the party out of trouble. how much of kit’s friction with willow is royal naïveté, ignoring the words of a more experienced mentor, and how much of it is an equal competing philosophy, a skeptic’s real-world practicality against an idealist’s grand plans? it’s both. kit is always both.
(note: I feel like this reads as favoring skeptics over royals, which is not the case; they’re value-neutral narratives. however, as this is, at least in part, my attempt to figure out why I've felt so bothered by people interpreting kit as simply a “spoiled princess,” some of that frustration may have leaked in. though I think even if kit had followed the royal arc to a T, with none of this archetypal tension, I still would have been frustrated by, like, misogyny and people not letting characters go on an arc. you can’t win, I suppose.)
An Analysis of Chapter 6: Prisoners of Skellin based on ATU-408: The Three Oranges or The Fruit Maiden
Adapted from my Twitter thread
As @whattheforce mentioned in our recent podcast episode around 21:47, a prominent theme of this chapter was Thirst, and the desperation and poor choices that result from thirst of the spirit as well as the body.
This is also a main theme in the Fruit Maiden tale, where a prince cuts open three oranges (or lemons, pomegranates, apples, and even eggs) to reveal a maiden who begs him for water. The first two die when he fails to offer a drink, but the third survives and becomes his bride. Next, a false bride appears to impersonate the fairy bride and steal the prince. The fairy wife is transformed into a bird or fish, and she is cast into a well, a pond, or sometimes is even cooked on the order of the false bride. After her death, an orange tree grows at the place where she was buried or cast aside, and when the prince next cuts open a fruit from the tree, his true bride emerges and the false bride is punished for her impersonation.
In #Willow Ch6, we have several characters suffering thirst of body and soul, or replacing/impersonating others: Kit, Elora, Airk, and Hot!Crone. Taken with existing themes of consumption and rebirth, fruit maidens and imposter Maidens abound.
Kit Tanthalos is desperate to find her father Madmartigan, or at least find proof that he loved her more than Elora. This desperation leads her to nearly throw herself through the door to the otherworld, and eventually she *dies* from this unquenched thirst.
In fact, Elora hears Kit's desperate call for the spiritual water of truth twice before facing her a third time, when she literally casts her into the fiery lake. In this instance Elora is both the false bride who has replaced Kit, and the prince who will cut her free. In some versions of the tale, the false bride looks into the water and mistakes the true bride's reflection for her own. Elora has usurped Kit's role as Madmartigan's daughter and Airk's rescuer, and sees that reflected back at her as Kit struggles beneath the lake's surface.
Now, Kit has *died* and is floating in Elora's *womb.* Elora must cut open the fruit so that Kit might be reborn and Elora will finally see the aspect of her own psyche that Kit represents: her imposter syndrome, the belief that she can/should not be the Chosen One. Kit will then be restored to her rightful place as the true maiden hero: carrying on Madmartigan's legacy in the Kymerian Cuirass, rescuing Airk to atone for her dismissal of him, and uniting with her faithful lover Jade.
Airk meanwhile wanders the wasteland, ignoring not only his own thirst but the calls of the Crone as she tries to entice him into union with her. Eventually, his desperation wins out over his sense, and he drinks the cursed elixir. And no sooner does he *cut open the fruit* than the false bride appears, the Hot!Crone wearing a fair face who innocently asks to be released. Now the whole kingdom is at risk until the true maidens (Kit and Elora) reappear to reveal the Crone's true face.
Hunger, thirst, and desperation of spirit have led our heroes to their breaking points. Now they must confront the masks they wear and drink or bathe in the water of truth so that they can be reborn in wholeness.
Notes for further reading: Pretty much every version of this tale contains overt racism: anti-Black, anti-Roma, or antisemitic. False bride tales are consistently problematic for this reason and should be approached with caution, maturity, and a critical lens.
Sources:
In Search of the Swan Maiden: A Narrative on Folklore and Gender by Barbara Fass Leavy
i want kit and boorman to have some sort of relationship. i’m tempted to say he’s like an older brother since madmartigan saw him as a son, but honestly i feel like an uncle figure works best.
they’re at the perfect spot for this development. we know boorman cares for the group. he may hide behind jokes and lies, but he’s saved them again and again. and whatever happened with mads, he feels like he failed him. he wants to make up for it, and he thinks the way to do that is to find the cuirass.
next episode, if he hasn’t already, he’s going to realize the way to atone for whatever he did or thinks he did, is through kit. telling her the whole truth. giving her the cuirass. being there for her. choosing her.
boorman has always valued objects over people, but starting with kit, i think he’s gonna start valuing people over objects.
