Baby Driver ain't out here for two weeks but I was concerned with how they'd portray the tinnitus and stuff because deaf/hoh representation ain't great and Ansel Elgort has a track record of badly playing characters with disabilities he doesn't have, can you spoiler-free as possible put my mind at ease and say how they approach that aspect of it?
no, I totally get that. I’m out of my depth here, but it didn’t particularly seem awful to me. but I wasn’t specifically looking. (no spoilers under the cut, this is just a long response.)
avoiding spoilers, baby interacts several times with a deaf man (played by a deaf actor) that he has a close relationship with. their interactions are treated seriously/with respect but the character is largely comic relief, which could stray too close to tokenism for some. baby himself…tinnitus is a relatively small part of his character, as shown, though it’s the only thing they explicitly mention is going on with him. there are characters who are assholes about it and about his particular coping mechanism—which to me seems somewhat “inaccurate but understandable as a premise”, which can be good or bad depending on the film (see prachya pinkaew’s Chocolate, which is extremely divisive along these lines)—but the movie firmly comes down on the side of “this character antagonizing him is being shitty” without straying into “this disabled person is So Brave” territory. basically: to my recollection, the movie has no jokes at his expense. asshole characters, yes. movie, no.I can say that one thing that stood out for me, as someone who’s never taken ASL, is that both characters signed without mouthing. I can’t make a judgement on that, the absence was just noticeable to me.what I will say is, I really like how baby is handled in the areas that I’m personally invested in (yeah, he has ambiguous disorder, yeah he’s a bit savantish, but baby’s pretty obvious autism is really identifiable to me in a way that a lot of “less problematic” art has never gotten close to.) one of the things that I love about baby driver is that it’s unapologetically pulpy while still making efforts to avoid being exploitative. I hope that mostly extends to its treatment of tinnitus et. al. but I’d have to watch the film again with this in mind to be able to say.what I will say is that baby is a character who is never pitied for who he is and how he engages with the world. you are invited to identify directly with him at his least normative. this obviously doesn’t have a huge bearing on uses of specific problematic tropes, but I just bring it up because it’s a nice change of pace to see someone understanding that in an actually good film